John Ghazvinian is completing a PhD at Oxford University on the early history of tourism.
At the time of writing, Carl Bromley had just returned from a pilgrimage to Truffaut's grave in Paris.
I would call Holy Smoke a drawing-room comedy if the film showed a drawing room, a comedy of manners if its characters had any.
The cold war has been over for a decade but it lingers on the American home front.
Our New Year's number is a mother goose with three eggs tucked behind. It could be a sign of cryptic rhymes and unhatched possibilities--or maybe of silliness, tailed by a lot of nothing.
Nelson Algren's 1961 review of Catch-22 is at www.thenation.com.
Never in history until the Soviet Union collapsed eight years ago had a great empire gone through such cataclysmic changes and accepted such staggering territorial losses without suffering defeat
The plan to take Israeli athletes hostage during the 1972 Munich Olympic Games was conceived at a cafe on the Piazza della Rotonda in Rome, in the shadow of the Pantheon and the tomb of Raphael.
He looks like a pear that's going bad. Tall, corpulent and much the worse for gravity, W.S.
Not since Charlton Heston painted the Sistine Chapel has there been so epic a film about arts patronage as Cradle Will Rock. Heston, you will recall, had to cope only with the Vatican.