Books & the Arts / November 27, 2024

Rain and Mountains

Pages from a novelist’s notebook.

Rain and Mountains

Pages from a novelist’s notebook.

Orhan Pamuk

After spending his adolescent years imagining he would become a painter, Orhan Pamuk had a change of heart. “At 22, I killed the painter inside of me,” he recounts, “and began writing novels.” Since then he has gone on to write many novels, including The White Castle, My Name Is Red, Snow, and Nights of Plague, and win the Nobel Prize in Literature. Yet his love of visual art, and in particular landscapes, remained, and in 2008 he “walked into a stationery shop, bought two big bags of pencils, paints, and brushes, and began joyfully and timidly filling little sketchbooks with drawings and colors. The painter inside of me hadn’t died after all.” The following are from these sketchbooks, excerpted from Memories of Distant Mountains: Illustrated Notebooks 2009–2022.

Excerpted with permission from Alfred A. Knopf. ©2024 Orhan Pamuk.

Support independent journalism that exposes oligarchs and profiteers


Donald Trump’s cruel and chaotic second term is just getting started. In his first month back in office, Trump and his lackey Elon Musk (or is it the other way around?) have proven that nothing is safe from sacrifice at the altar of unchecked power and riches.

Only robust independent journalism can cut through the noise and offer clear-eyed reporting and analysis based on principle and conscience. That’s what The Nation has done for 160 years and that’s what we’re doing now.

Our independent journalism doesn’t allow injustice to go unnoticed or unchallenged—nor will we abandon hope for a better world. Our writers, editors, and fact-checkers are working relentlessly to keep you informed and empowered when so much of the media fails to do so out of credulity, fear, or fealty.

The Nation has seen unprecedented times before. We draw strength and guidance from our history of principled progressive journalism in times of crisis, and we are committed to continuing this legacy today.

We’re aiming to raise $25,000 during our Spring Fundraising Campaign to ensure that we have the resources to expose the oligarchs and profiteers attempting to loot our republic. Stand for bold independent journalism and donate to support The Nation today.

Onward,

Katrina vanden Heuvel

Editorial Director and Publisher, The Nation

Orhan Pamuk

Orhan Pamuk is the author, most recently, of Istanbul and Snow. He was
awarded the 2005 Prix Medicis and won the International IMPAC Award in
2003 for My Name Is Red.

More from The Nation

Trump Took Over the Kennedy Center, but Silencing the Arts Will Not Be So Easy

Trump Took Over the Kennedy Center, but Silencing the Arts Will Not Be So Easy Trump Took Over the Kennedy Center, but Silencing the Arts Will Not Be So Easy

Our last best hope for sharing, shaping, and wrangling over independent ideas may turn out to be America’s scrappy and disparate arts spaces—if they can hang on financially.

Alisa Solomon

A scene from “Severance.”

The Workplace Nightmares of “Severance” The Workplace Nightmares of “Severance”

The appeal of the Apple TV+ series is how it dramatizes our alienation from labor.

Books & the Arts / Jorge Cotte

A restaurant on Atlanta’s BeltLine trail.

How Atlanta Became a Walkable City How Atlanta Became a Walkable City

The Beltline and Georgia's experiment in pedestrian spaces.

Books & the Arts / Karrie Jacobs

A view of the Butano Redwood Canyon in Pescadero, California, 2011.

Why “The Living Mountain” Endures Why “The Living Mountain” Endures

Nan Shepard’s classic of nature writing and memoir is an education in how to reorient one's attention to a landscape and its lifeforms, human and nonhuman.

Books & the Arts / Jenny Odell

Gatsby at 100

Gatsby at 100 Gatsby at 100

The classic as past and prologue.

Richard Kreitner

The Making of a Cold War Spy

The Making of a Cold War Spy The Making of a Cold War Spy

The life and work of Frank Wisner, one of the CIA’s founding officers, offers us a portrait of American intelligence’s excesses.

Books & the Arts / Adam Hochschild