How does a fiercely anticorporate musician feel about participating in a
corporate entertainment system?
Talking With Eddie Vedder, Boots Riley, Amy Ray, Carrie Brownstein, Tom Morello
Picture this: you're stranded on a desert island with nothing to comfort
you but sand, sun and, miraculously, the solar-powered sound system that
washed up with you.
Fifteen years ago, rappers like Public Enemy, KRS-One and Queen Latifah
were received as heralds of a new movement.
Russell Simmons, known for decades as Rush to his friends, is of average
height and build for a man his age (45), with a cleanshaven face, bald
dome and light complexion.
In Hicksville, Long Island, on any given Sunday afternoon, pierced and
tattooed teenagers in black clothing gather to listen and watch as
groups of kids like themselves tear their fingertips on
The Chicago-based magazine Punk Planet--nominated for the past
two years in Utne Reader's Alternate Press Awards for "General
Excellence," along with such better-heeled competitio
On the self-titled debut record by punk/dance band Le Tigre, there's a
short song called "Eau d'Bedroom Dancing" that pays tribute to the
timeless tradition of spinning around one's bedroom, al
In more than fifteen years of rock-and-roll touring, my worst night of
sleep followed a June 10, 1989, show at Centro Sociale Leoncavallo, an
anticapitalist squat in Milan.
As Trent Lott struggled to "repudiate" segregation fifty years after it
was outlawed, about the only point he left out of his incoherent
counterattack is that he was a soul-music fan.