Angus Burgin revisits Friedrich Hayek’s Mont Pelerin Society in The Great Persuasion.
Bounties on the mutineers demonstrate the limits of transparency.
From his release from a Gulag in 1953 to his death in Moscow this week, Anton had one mission: ‘To unmask Stalin, his henchmen and their heirs.’
Michael Cimino’s Heaven’s Gate, Monte Hellman’s Two-Lane Blacktop
The architecture of the new World Trade Center buildings emphasizes that their business is none of ours.
Joshua Oppenheimer’s The Act of Killing, Jem Cohen’s Museum Hours, Eliav Lilti’s Israel: A Home Movie, Jerry Bruckheimer’s Enemy of the State
A poet’s reckonings with suffering and indifference.