Last month, the Columbia Journalism Review ran a cover story about the death of dangerous art in the mainstream media. In the piece, a number of top illustrators complained about an undercurrent of fear, a new timidity, even censorship, when it came to publishing socially conscious art in mainstream newspapers and magazines.
Outside the mainstream, however, smart and rebellious art and design is flourishing. One brilliant example is Nozone's new book Empire (Princeton Architectural Press, April 2004).
A cross between a 'zine and a political pamphlet, Empire is an imaginative response to our imperial moment by a coalition of artists, designers, writers and photographers, including Michael Bierut, Seymour Chwast, Luba Lukova, Christoph Niemann, Paul Sahre, Ward Sutton, Robbie Conal, Edward Sorel, Robert Grossman, Peter Kuper and Scott Stowell/OPEN. (Full disclosure: Many of these artists have been featured in The Nation's pages, and I hope we'll run more of them in coming months.)
Published and edited by Nicholas Blechman, head of Knickerbocker Design, Empire is the ninth issue of Nozone--the alternative political graphic magazine, which has also published issues on "Destruction Dispatch," (inspired by Desert Storm), and "Extremism," in response to the rise of rightwing militias and other radical groups after the Oklahoma City bombing.)
Nozone's artistic crew follows in the grand and often subversive tradition of using illustrations, photographs, cartoons and design to skewer the mighty and expose the good, the bad and the ugly. As the great cartoonist Jules Feiffer explains, "For so many of us angry at so much of what goes on today with so little in print to represent our frustration, this is a book of graphic rage."
"I've always been attracted to protest art," Blechman says, " because of the urgency of the message and the implicit anger in rebel graphics. Furthermore, designers and artists are also citizens, and we have a responsibility to society to use our images in ways that benefit all of us. For some of us this means creating works of enduring beauty, for others it means fighting social injustices."
Empire was conceived soon after September 11, as the Bush Administration prepared to invade Afghanistan. Since then, the word "empire" has literally boomed. "Definitions of empire are everywhere," writes Blechman in the book's foreword. While acknowledging that the left, right and middle have their own definitions, "for us," he writes, " 'empire' doesn't refer to any one thing, but to a vast matrix of forces and counterforces. Billions drink its sodas, listen to its music, breathe its air, drive its cars, smoke its tobacco, practice its religions, watch its movies, ingest its pharmaceuticals, pay its debts, and benefit or suffer from its policies."
"We have no idea, for example," Blechman says, "that by wearing a certain sweatshirt we are contributing to labor abuse in North Korea (see graphic designer Knickerbocker's clever chart called 'Globalized'); that by using an ATM in Beirut, we are making a donation to the fortune of a banker in Boston (see Jesse Gordon's subversive photomontage, 'Altars to the Empire'); or that by starting our car we are tacitly endorsing a war in the oil fields of the Middle East (see CNN!). These connections exist, but, hidden, in the voluptuous vastness of the empire, they become invisible."
Definitions of empire--culled from an eclectic array of political thinkers, including Michael Parenti, Michael Hardt & Antonio Negri, New Yorker writer William Finnegan, the late social critic Lewis Mumford and Newsweek columnist Fareed Zakaria--are provocatively intertwined with images and cartoons. Harper's Magazine editor Lewis Lapham's interview on the theme of "American Oligarchy" is illustrated by Christoph Niemann. Wicked pencil portraits of Condoleeza Rice, Paul Wolfowitz and Donald Rumsfeld run with some of their choicest sayings set off in cartoon-style bubbles. There's even a film noir comic strip called "The Empire."
Comics, design and protest art, Blechman says, "can't change the world, or inform public policy, but they can plant a seed of questioning in people's mind and create an atmosphere in which change can happen. Moreover, I feel creating a space where alternative viewpoints can be expressed (or in this case drawn) has its own value, by injecting fresh blood into the body politic."
Long Live Political Art. And click here to check out Empire.
What planet does Rich Lowry live on? National Review's editor--someone I've sparred with on TV many times--recently weighed in on the causes of poverty. It "has nothing to do with corporations," he argued, "and little to do with other, more-relevant economic factors, such as wage rates."
In fact, Lowry lives in New York City, where hundreds of thousands of hardworking people--dish-washers, clerks, factory workers, security guards, salespeople--live in poverty. As Andrew Friedman of the Drum Major Institute recently noted in New York's Daily News, "New York is full of people who face the daily indignity of struggling to survive."
More than thirty million Americans currently earn less than $8.70 an hour, the official US poverty level for a family of four. (And most experts estimate that it takes at least double this level for a family to provide for its basic needs.) But for Lowry, "Poverty in America is primarily a cultural phenomenon, driven by a shattered work ethic and sexual irresponsibility."
Forget the low wage, no-benefit jobs which translate into billions of dollars in profits for the corporations Lowry holds blameless. Forget that the purchasing power of the federal minimum wage has fallen by 40 percent since 1968. For Lowry, poverty is a "cultural phenomenon."
Fortunately, not everyone reads National Review and legislation pending in the New York State Assembly would raise New York's minimum wage by almost $2 an hour. Such a change would help more than 500,000 New Yorkers. Lowry should stop whining about sexual irresponsibility, get a conscience and support efforts to improve the lives of his fellow New Yorkers--several of whom keep his office digs clean and secure.
Are Bush's plunging poll numbers rattling them over at MSNBC's Scarborough Country?
The other day, CBS News had Kerry topping Bush by five percent. The ABC/Washington Post poll has Kerry leading by nearly ten points. And a recent Time/CNN poll shows the public is now seriously split regarding Bush's credibility in key areas: the state of the economy, the federal budget deficit, Iraq's WMD prior to the war; and the cost of rebuilding Iraq. Americans are also convinced that Bush is more "tied to special interests" than Kerry and a recent focus group revealed that Bush's message fell flat on both college educated and non-college educated voters. As one non-college educated man from Phoenix put it, "what world is he in--Bush World?"
Over in Bush World, or Scarborough Country, the consequences of the President's cuts in education may be taking their toll faster than expected. As I sat on the set, waiting to be grilled by Scarborough and denounced by some vile man heading Vietnam Veterans Against Kerry, I couldn't help but be mesmerized by what appeared to be a caption malfunction. "Bush Under Seige" was slapped up on the screen for several minutes. Hey guys, great to see that Bush is under fire---but last I checked it was spelled "siege."
John Hess, who, it should be said, is one of The Nation's oldest friends and severest critics, once complained to me about an "editor's choice" blurb I'd written, which contained a brief
Running for the Democratic nomination for president has taught John Edwards some things he did not know about American politics. And not all of what the North Carolina senator has learned is encouraging.
For instance, Edwards says, he has come to understand why campaigns so frequently turn so very ugly. As the candidate who many analysts see as the last contender with a chance to derail the juggernaut that is propelling Massachusetts Sen. John Kerry toward the party's nomination, Edwards says he has come under intense pressure to attack the frontrunner.
"You can't imagine the pressure to go negative," says Edwards. "There are so many people who say, â€˜This is what you have to do to win it.'"
We all know that Halliburton is gouging taxpayers--according to the Pentagon, Vice President Cheney's old company overcharged the US government by as much as $61 million for fuel in Iraq. But now we learn that more than 27,000 military contractors, or about one in nine, are evading taxes and still continuing to win new government business.
According to the General Accounting Office, these tax cheats owed an estimated $3 billion at the end of 2002, mainly in Social Security and other payroll taxes, including Medicare, that were diverted for business or personal use instead of being sent to the government. (Lesser amounts were owed in income taxes).
In one 2002 case, the New York Times reports, a company providing dining, security and custodial services to military bases received $3.5 million in payments from the Defense Department despite owing almost $10 million to the government. (Shockingly, the GAO estimated that the Defense Department could have collected $100 million in 2002 by offsetting payments to delinquent companies still on its payroll.)
The http://www.senate.gov/~gov_affairs/index.cfm?Fuseaction= Subcommittees.Home&SubcommitteeID=11&Initials=PSI"> Senate Permanent Subcommittee on Investigations has scheduled a hearing this Thursday to look into what committee chair Norm Coleman calls "an outrageous situation." At present, federal law does not bar contractors with unpaid federal taxes from obtaining new government contracts. (The GAO has recommended policy options for barring contracts to those who abuse the federal tax system.)
At a time when $200 million would purchase enough ceramic body armor--the kind that usually works, the kind the Pentagon wouldn't splurge for--to protect almost 150,000 GIs in Iraq, Republicans and Democrats should demand that these tax cheats pay up.
While the Democratic presidential candidates were bickering among themselves over accepting campaign contributions from lobbyists, a far more significant political development occurred: George W.
This morning I got an e-mail from Feminist Majority asking me to e-mail the President protesting the Iraqi Governing Council's approval of Resolution 137, which would abolish current family law a