August 12-19, 2019, Issue
Cover art by: Atossa Araxia Abrahamian (top); Yongyut Kumsri (bottom)
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Feature
Marie Newman Could Shape the Future of the Democratic Party
The congressional candidate in Illinois is challenging incumbent Dan Lipinski’s betrayals—and her party’s conservative tendencies.
Rebecca Grant
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Can a New Think Tank Put a Stop to Endless War?
The Quincy Institute will attempt to radically rewrite the DC foreign policy playbook.
David Klion
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The Dream of Open Borders Is Real—in the High Arctic
The Norwegian territory of Svalbard has been open to citizens of the world since 1920. But don’t call it a utopia.
Atossa Araxia Abrahamian
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Editorial
My Black Mentee Is Embarrassed by My Whiteness. What Should I Do?
Another reader asks, “How can I gain my girlfriend’s respect?”
Liza Featherstone
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The Green New Deal Is This Generation’s Moon Shot
Sending humans to the moon was a choice. Saving the earth is a necessity.
D.D. Guttenplan
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Philip Roth’s Great American Estate Sale
The bidding is sparse, but the late author’s modest effects are revealing.
Elizabeth Pochoda
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Column
It Doesn’t Matter Whether Trump Is Trying to Distract You
We can’t ignore a president who spews Ku Klux Klan–level rhetoric, but neither can we allow him to colonize our collective imagination.
Eric Alterman
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Trump Has Brought Back ‘Conditional Citizenship’
What does citizenship mean if only white people belong in Donald Trump’s America?
Laila Lalami
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Books & the Arts
Chia-Chia Lin’s Haunting Immigrant Novel
Set in a dreamlike Alaska, The Unpassing examines the hope and tragedy of a Taiwanese-American family.
Larissa Pham
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The Republicans’ 50-State Strategy
Alexander Hertel-Fernandez’s State Capture examines the trio of right-wing groups that have helped fortify GOP power in local and state government.
Bryce Covert
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Bruno Schulz’s Dream Worlds
Born in turn-of-the-century Poland, Schulz lived both longer and better in his books than in real life.
Becca Rothfeld
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Vampire Weekend Grows Up
Over a decade since its debut, the band that soundtracked the Great Recession returns with one of its most ambitious albums.
Bijan Stephen
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Letters
