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Alisa Solomon
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Alisa Solomon, director of the Arts & Culture concentration at the Columbia Journalism School, is the author of Wonder of Wonders: A Cultural History of “Fiddler on the Roof.”
As its New York run ends, What the Constitution Means to Me remains an urgent and salient critique of the country’s foundational document.
In her recent play White Noise and a new film adaptation of Native Son , Parks probes the terrible truths of the American imagination.
The poet’s debut play addresses appropriation, cultural ownership, and dirty money in the art world.
In her newest play, Lee offers us a look at the straight white man as a specimen.
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Along with opportunity, recent revivals of Henrik Ibsen’s classic play An Enemy of the People bring much risk.
A certain critical consternation awaited the current productions of My Fair Lady and Carousel —and with good reason.
We’ve seen a flood of retrospective projects about AIDS—from books to dance to architecture and art. But who is being remembered? And why?
January 19, 2017
The lost sense of hope and idealism in David Hare’s England.
In J.T. Rogers’s new play, the process of negotiating the Oslo Accords is the only concern; how well they turned out is rendered irrelevant.
A new form of critical drama comes to Broadway, remaking brave claims for the confident expression of degraded peoples.
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