Young Jean Lee’s Domestic Surrealism Young Jean Lee’s Domestic Surrealism
In her newest play, Lee offers us a look at the straight white man as a specimen.
Sep 11, 2018 / Alisa Solomon
Adapting Ibsen for Our Times Adapting Ibsen for Our Times
Along with opportunity, recent revivals of Henrik Ibsen’s classic play An Enemy of the People bring much risk.
May 30, 2018 / Alisa Solomon
Broadway’s Golden-Age Shows and #MeToo Broadway’s Golden-Age Shows and #MeToo
A certain critical consternation awaited the current productions of My Fair Lady and Carousel—and with good reason.
May 24, 2018 / Books & the Arts / Alisa Solomon
What Does It Mean to Remember AIDS? What Does It Mean to Remember AIDS?
We’ve seen a flood of retrospective projects about AIDS—from books to dance to architecture and art. But who is being remembered? And why?
Nov 30, 2017 / Alisa Solomon
Plenty’s Discontent Plenty’s Discontent
The lost sense of hope and idealism in David Hare’s England.
Jan 19, 2017 / Books & the Arts / Alisa Solomon
According to ‘Oslo’ According to ‘Oslo’
In J.T. Rogers’s new play, the process of negotiating the Oslo Accords is the only concern; how well they turned out is rendered irrelevant.
Aug 3, 2016 / Alisa Solomon
More Repossession Than Revival More Repossession Than Revival
A new form of critical drama comes to Broadway, remaking brave claims for the confident expression of degraded peoples.
Jun 15, 2016 / Books & the Arts / Alisa Solomon
How to Succeed on Broadway! How to Succeed on Broadway!
Why is Arthur Miller one of the most lauded American playwrights—and one of the most vilified?
Apr 20, 2016 / Books & the Arts / Alisa Solomon
Chile’s Future: On the World Stage Chile’s Future: On the World Stage
What can Chile’s Santiago a Mil festival tell us about the country?
Mar 25, 2016 / Alisa Solomon
Jewy, Queer, Daring, and Political, ‘Transparent’ Pushes Past Parody Jewy, Queer, Daring, and Political, ‘Transparent’ Pushes Past Parody
The second season is even better—more expansive, textured, and emotional—than the first.
Jan 11, 2016 / Alisa Solomon