Alisa Solomon

Alisa Solomon, director of the Arts & Culture concentration at the Columbia Journalism School, is the author of Wonder of Wonders: A Cultural History of “Fiddler on the Roof.”

More Repossession Than Revival

More Repossession Than Revival More Repossession Than Revival

A new form of critical drama comes to Broadway, remaking brave claims for the confident expression of degraded peoples.

Jun 15, 2016 / Books & the Arts / Alisa Solomon

How to Succeed on Broadway!

How to Succeed on Broadway! How to Succeed on Broadway!

Why is Arthur Miller one of the most lauded American playwrights—and one of the most vilified?

Apr 20, 2016 / Books & the Arts / Alisa Solomon

Theater in Santiago

Chile’s Future: On the World Stage Chile’s Future: On the World Stage

What can Chile’s Santiago a Mil festival tell us about the country?

Mar 25, 2016 / Alisa Solomon

Jewy, Queer, Daring, and Political, ‘Transparent’ Pushes Past Parody

Jewy, Queer, Daring, and Political, ‘Transparent’ Pushes Past Parody Jewy, Queer, Daring, and Political, ‘Transparent’ Pushes Past Parody

The second season is even better—more expansive, textured, and emotional—than the first.

Jan 11, 2016 / Alisa Solomon

Interned Japanese American Sammy Kimura (Telly Leung) and camp nurse Hannah Campbell (Katie Rose Clarke) perform in Allegiance.

Pacific Overtures on Broadway Pacific Overtures on Broadway

At its best, the Japanese-internment musical Allegiance seethes with righteous anger beneath its perkiness and platitudes.

Dec 7, 2015 / Alisa Solomon

Daveed Diggs (center) as Thomas Jefferson in Hamilton. (Joan Marcus)

How ‘Hamilton’ Is Revolutionizing the Broadway Musical How ‘Hamilton’ Is Revolutionizing the Broadway Musical

The bracing fusion of hip hop and the musical form shows that America’s history—and its future—belong to men and women of color as profoundly as to anyone else.

Aug 27, 2015 / Books & the Arts / Alisa Solomon

Alfred Jarry’s Fun Home

Alfred Jarry’s Fun Home Alfred Jarry’s Fun Home

Alfred Jarry’s Ubu Roi gets reimagined as the murderous fantasy of an angsty teenage boy.

Aug 13, 2015 / Alisa Solomon

Why ‘The Heidi Chronicles’ Failed to Find a New Audience

Why ‘The Heidi Chronicles’ Failed to Find a New Audience Why ‘The Heidi Chronicles’ Failed to Find a New Audience

Wendy Wasserstein’s 1989 play barely passes the Bechdel Test. Men act; Heidi reacts. What Lean-In feminist has time for that?

Apr 24, 2015 / Alisa Solomon

The ‘Immortal’ Judith Malina, 1926–2015

The ‘Immortal’ Judith Malina, 1926–2015 The ‘Immortal’ Judith Malina, 1926–2015

The founder of the Living Theater was absolute about her principles as a pacifist anarchist, yet never dismissive or judgmental toward those who didn’t share them.

Apr 13, 2015 / Books & the Arts / Alisa Solomon

The Haus of Maus

The Haus of Maus The Haus of Maus

Art Spiegelman’s twitchy irreverence

Aug 27, 2014 / Books & the Arts / Alisa Solomon

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