Culture

1925–1935: Is Art Possible in the United States?

1925–1935: Is Art Possible in the United States? 1925–1935: Is Art Possible in the United States?

There is no best country to write in. There is only the old world and the new.

Mar 23, 2015 / Feature / The Nation

A Message From President Barack Obama

A Message From President Barack Obama A Message From President Barack Obama

The Nation is more than a magazine—it's a crucible of ideas.

Mar 23, 2015 / President Barack Obama

American Imperialism: This Is When It All Began

American Imperialism: This Is When It All Began American Imperialism: This Is When It All Began

Accustomed to trampling democracy at home, jingoists cannot be expected to see its virtues abroad.

Mar 23, 2015 / Books & the Arts / Horace White and Elinor Langer

Two Views of a Cadaver Room Two Views of a Cadaver Room

January 30, 1960                I The day she visited the dissecting room They had four men laid out, black as burnt turkey, Already half unstrung. A vinegary fume Of the death vats clung to them; The white-smocked boys started working. The head of his cadaver had caved in, And she could scarcely make out anything In that rubble of skull plates and old leather. A sallow piece of string held it together. In their jars the snail-nosed babies moon and glow. He hands her the cut-out heart like a cracked heirloom.                II In Brueghel’s panorama of smoke and slaughter Two people only are blind to the carrion army: He, afloat in the sea of her blue satin Skirts, sings in the direction Of her bare shoulder, while she bends, Fingering a leaflet of music, over him, Both of them deaf to the fiddle in the hands Of the death’s-head shadowing their song. These Flemish lovers flourish; not for long. Yet desolation, stalled in paint, spares the little country Foolish, delicate, in the lower right hand corner. This article is part of The Nation’s 150th Anniversary Special Issue. Download a free PDF of the issue, with articles by James Baldwin, Barbara Ehrenreich, Toni Morrison, Howard Zinn and many more, here. Sylvia Plath (1932–1963) published four poems in The Nation between 1955 and 1960. 

Mar 23, 2015 / Books & the Arts / Sylvia Plath

Cuba Libre

Cuba Libre Cuba Libre

Covering the island has been a central concern for The Nation since the beginning—producing scoops, aiding diplomacy, and pushing for a change in policy.

Mar 23, 2015 / Books & the Arts / Peter Kornbluh

For the Jews—Life or Death?

For the Jews—Life or Death? For the Jews—Life or Death?

An appeal for help from 1944.

Mar 23, 2015 / Feature / I.F. Stone

Founding Prospectus

Founding Prospectus Founding Prospectus

The Nation will not be the organ of any party, sect or body.

Mar 23, 2015 / The Nation

When the Constitution Becomes The Last Resort of Scoundrels

When the Constitution Becomes The Last Resort of Scoundrels When the Constitution Becomes The Last Resort of Scoundrels

We know today the Founders were not Fathers to be proud of.

Mar 23, 2015 / Feature / Simeon Strunsky and Richard Kreitner

The Bear The Bear

April 18, 1928 The bear puts both arms round the tree above her And draws it down as if it were a lover And its choke-cherries lips to kiss goodby, Then lets it snap back upright in the sky. Her next step rocks a boulder on the wall. (She’s making her cross-country in the fall.) Her great weight creaks the barbed wire in its staples As she flings over and off down through the maples, Leaving on one wire tooth a lock of hair. Such is the uncaged progress of the bear. The world has room to make a bear feel free. The universe seems cramped to you and me. Man acts more like the poor bear in a cage That all day fights a nervous inward rage, His mood rejecting all his mind suggests. He paces back and forth and never rests The toe-nail click and shuffle of his feet, The telescope at one end of his beat, And at the other end the microscope, Two instruments of nearly equal hope, And in conjunction giving quite a spread. Or if he rests from scientific tread, ’Tis only to sit back and sway his head Through ninety-odd degrees of arc it seems, Between two metaphysical extremes. He sits back on his fundamental butt With lifted snout and eyes (if any) shut (He almost looks religious but he’s not), And back and forth he sways from cheek to cheek, At one extreme agreeing with one Greek, At the other agreeing with another Greek, Which may be thought but only so to speak. A baggy figure equally pathetic When sedentary and when peripatetic. This article is part of The Nation’s 150th Anniversary Special Issue. Download a free PDF of the issue, with articles by James Baldwin, Barbara Ehrenreich, Toni Morrison, Howard Zinn and many more, here. Reviewing Robert Frost’s first book, A Boy’s Will, in 1915, The Nation described him as “a poet by endowment,” but “a symbolist only by trade.” Frost (1874–1963) wrote four poems for The Nation in the 1920s. When he died, the sportswriter Roger Kahn wrote in the magazine of his friend: “Robert Frost is dead and my mortality and yours is thus more stark.”

Mar 23, 2015 / Books & the Arts / Robert Frost

A Biography of ‘The Nation’: The First Fifty Years

A Biography of ‘The Nation’: The First Fifty Years A Biography of ‘The Nation’: The First Fifty Years

Founded by abolitionists in 1865, The Nation became a moribund defender of the status quo. But its firm anti-imperialism brought it back to life.

Mar 23, 2015 / Books & the Arts / D.D. Guttenplan

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