Poems / December 28, 2023

nous nous baignons — variations

an experimental translation of Marie-Andrée Gill 

Kristen Renee Miller

nous nous baignons1 dans le mal de vivre2 de l’asphalte chaud3
en attendant de trouver la parole habitable4
ou de gagner quelque chose au gratteux5


1 we skinny dip in mal de vivre / we shed our skins
& plunge in nus / the waters close
above our heads / we stew / we wallow

2 deep in dread / we submerge in gall / we all
but founder / we fall malades / we wade
into the noxious bloom

3 of a newly paved lot / we bathe in fresh
tar / asphalt our mer, we peer
out where it meets the sky

4 we shade our eyes & scan
for safe location / safe
locution / unbroken
word / we hold out for a language
like landfall

5 we hold out for a windfall / a scratch-off
win / we tread pavement like water, awaiting
la parole habitable / a language
to shelter within


The lines in French are excerpted from Marie-Andrée Gill’s Frayer (La Peuplade, 2015), which examines the effects of settler colonialism on her Pekuakamiulnuatsh community’s lands and language. Frayer’s English edition, Spawn, translated by Kristen Renee Miller, was published in 2020 by Book*hug Press.

Can we count on you?

In the coming election, the fate of our democracy and fundamental civil rights are on the ballot. The conservative architects of Project 2025 are scheming to institutionalize Donald Trump’s authoritarian vision across all levels of government if he should win.

We’ve already seen events that fill us with both dread and cautious optimism—throughout it all, The Nation has been a bulwark against misinformation and an advocate for bold, principled perspectives. Our dedicated writers have sat down with Kamala Harris and Bernie Sanders for interviews, unpacked the shallow right-wing populist appeals of J.D. Vance, and debated the pathway for a Democratic victory in November.

Stories like these and the one you just read are vital at this critical juncture in our country’s history. Now more than ever, we need clear-eyed and deeply reported independent journalism to make sense of the headlines and sort fact from fiction. Donate today and join our 160-year legacy of speaking truth to power and uplifting the voices of grassroots advocates.

Throughout 2024 and what is likely the defining election of our lifetimes, we need your support to continue publishing the insightful journalism you rely on.

Thank you,
The Editors of The Nation

Pekuakamishkueu poet Marie-Andrée Gill is the acclaimed author of BéanteFrayer, and Chauffer le dehors (La Peuplade). A doctoral student in literature, her research and creative work focus on the decolonial project of writing the intimate. Gill hosts the award-winning Radio-Canada podcast “Laissez-nous raconter: L’histoire crochie” (Telling Our Twisted Histories), which “reclaims Indigenous history by exploring words whose meanings have been twisted by centuries of colonization.” She is the two-time recipient of both the Salon du Livre Prize in Poetry and the Indigenous Voices Award. In 2020, Gill was named Artist of the Year by the Quebec Council of Arts and Letters.

Kristen Renee Miller is the director and editor-in-chief at Sarabande Books. A poet and translator, she is a 2023 NEA Fellow and the translator of two books from the French by Ilnu Nation poet Marie-Andrée Gill. She is the recipient of fellowships and awards from the Foundation for Contemporary Arts, AIGA, the John F. Kennedy Center for the Performing Arts, the Gulf Coast Prize in Translation, and the American Literary Translators Association. Her work can be found widely, including in Poetry MagazineThe Kenyon Review, and Best New Poets. She lives in Louisville, Kentucky.

More from The Nation

A sign at the 2024 Democratic National Convention in Chicago, Illinois.

How Did the Democrats Get Here? How Did the Democrats Get Here?

Talking with Tim Shenk about party realignment, the tainted legacy of 1990s political consultants, the 2024 election, and his new book, Left Adrift: What Happened to Liberal Polit...

Books & the Arts / Daniel Steinmetz-Jenkins

Elaine May poses for a portrait in a bowling alley in New York City, 1961.

The Irrepressible Elaine May The Irrepressible Elaine May

Her films reveled in the possibility of capturing the spontaneous beauty of improvisation.

Books & the Arts / Alex Kong

A scene from “The Apprentice.”

The Apprenticeship of Donald Trump The Apprenticeship of Donald Trump

A new film examines Trump's formative years under the tutelage of Roy Cohn.

Books & the Arts / David Klion

Telling the Amazon Labor Union’s Story

Telling the Amazon Labor Union’s Story Telling the Amazon Labor Union’s Story

Union, a new documentary about organizing at a Staten Island Amazon warehouse, grapples with what it means to tell an underdog story without a satisfying ending.

Books & the Arts / Ella Fanger

Vintage illustration of a couple in bed adjusting their futuristic home automation system; screen print, 1955.

The Crisis in the Care Economy The Crisis in the Care Economy

How was care commodified? And what has that meant for an undervalued but increasingly important workforce.

Books & the Arts / Maia Silber

The Magic and Mischief of Xi Xi

The Magic and Mischief of Xi Xi The Magic and Mischief of Xi Xi

Her penchant for transforming taboo subjects—death, illness, or gender—into fodder for intellectual delight made her one of Hong Kong's great writers.

Karen Cheung