Poems / January 29, 2024

from Earth’s Last Word (A superstitious poem)

Valerie Hsiung
Valerie Hsiung

Valerie Hsiung is the author of multiple poetry and hybrid writing collections, including The Naif (Ugly Duckling Presse, forthcoming 2024), The only name we can call it now is not its only name (Counterpath), To love an artist (Essay Press), selected by Renee Gladman for the 2021 Essay Press Book Prize, and outside voices, please (CSU), selected for the 2019 CSU Open Book Prize. Born in the Year of the Earth Snake and raised by Chinese-Taiwanese immigrants in Cincinnati, Ohio, she now lives in the mountains of Colorado where she teaches as Assistant Professor of Creative Writing & Poetics at Naropa’s Jack Kerouac School of Disembodied Poetics.

More from The Nation

Katie Kitamura’s Divided Selves

Katie Kitamura’s Divided Selves Katie Kitamura’s Divided Selves

Her fiction are studies of fragmentation and ambivalence.

Books & the Arts / Lovia Gyarkye

Is Criticism Really in Crisis?

Is Criticism Really in Crisis? Is Criticism Really in Crisis?

Andrea Long Chu and the politics of critical life.

Books & the Arts / Kevin Lozano

Lady Gaga performing this spring.

The Retro Pop of Lady Gaga and Baths The Retro Pop of Lady Gaga and Baths

In their new albums, the musicians look backward as much as forward.

Books & the Arts / Bijan Stephen

Donald Trump projects his cultural will-to-power from the presidential box at the Kennedy Center.

The Culture-War Furies Behind Trump’s Film-Tariff Plan The Culture-War Furies Behind Trump’s Film-Tariff Plan

The president doesn’t have the authority to impose tariffs on movies produced abroad, but he still wants to be the right’s designated culture commissar.

Ben Schwartz