The worlds of Sholem Aleichem.
Philip Glass’s new opera, The Perfect American, is a mix of bluster and inspiration.
Nathan Englander’s play, The Twenty-Seventh Man, focuses on the moment that Yiddish culture in Russia died a sudden and unnatural death.
Death of a Salesman speaks to our time on the failure of competitive capitalism.
In his defense, the embattled monologist stressed the differences between theater and journalism. Did he have a point?
Without turning into sentimental left-wing pageantry, Kushner’s new play illuminates radicalism and makes art of sectarian dreams and failures.