The Long History of the "Elsewhere Museum" The Long History of the "Elsewhere Museum"
Can the ethnographic museum be reinvented?
Dec 2, 2024 / Books & the Arts / Farah Abdessamad
Rain and Mountains Rain and Mountains
Pages from a novelist’s notebook.
Nov 27, 2024 / Books & the Arts / Orhan Pamuk
In the Zone of the Rich In the Zone of the Rich
In The Hidden Globe, Atossa Araxia Abrahamian examines what globalization has come to look like for the wealthy.
Nov 26, 2024 / Books & the Arts / Vanessa Ogle
The Discontents of Michel Houellebecq The Discontents of Michel Houellebecq
What happened to the French novelist?
Nov 25, 2024 / Books & the Arts / Cole Stangler
Warning From the Past Warning From the Past
In a new film, journalists confront a dictator.
Nov 20, 2024 / Elizabeth Becker
Is It Possible to Suspend Disbelief at Ayad Akhtar’s AI Play? Is It Possible to Suspend Disbelief at Ayad Akhtar’s AI Play?
The Robert Downey Jr.–starring McNeal, which was possibly cowritten with the help of AI, is a showcase for the new technology’s mediocrity.
Nov 14, 2024 / Books & the Arts / Rhoda Feng
Everyone Needs to Disavow Neom Everyone Needs to Disavow Neom
Now that they know about the staggering number of deaths the Saudi megaproject has caused, architects have absolutely no more excuses.
Nov 7, 2024 / Column / Kate Wagner
“Anora,” an American Fantasia “Anora,” an American Fantasia
In Sean Baker's tragicomic film of a sex worker’s brush with wealth, he evokes auteurs of yore, who focused on the social realities of the country's outcasts.
Nov 7, 2024 / Books & the Arts / Beatrice Loayza
Looking at Art Will Never Be the Same Again Looking at Art Will Never Be the Same Again
A conversation with the art historian Claire Bishop about technology's influence on museums and galleries, and her recent book Disordered Attention.
Nov 6, 2024 / Books & the Arts / Francesca Billington
“No Other Land” and the Brutal Truth of Israel’s Occupation “No Other Land” and the Brutal Truth of Israel’s Occupation
The unsparing documentary—one of the year’s most powerful films—has still not found a distributor in the US.
Nov 4, 2024 / Books & the Arts / Ahmed Moor