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Film February 25, 2015
Brother From Another Planet
Jean-Luc Godard is still brooding on the end of cinema while imagining its future incarnation.
J. Hoberman
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October 30, 2013
The Cineaste’s Guide to Watching Movies While Stoned
The 1960s and ’70s were a golden age of film—especially if you didn’t mind the smell of pot smoke in the theater.
J. Hoberman
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Film December 19, 2012
The Trembling Upper World: On Siegfried Kracauer
The European émigré who became a philosopher of American cinema.
J. Hoberman
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Biography April 25, 2012
A Charismatic Chameleon: On Luis Buñuel
Hitchcock delighted in manipulating the audience. Early on Luis Buñuel learned to be satisfied with amusing himself.
J. Hoberman
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Non-fiction September 20, 2007
Class Acts
The left's literary canon has neglected the contributions less-celebrated writers have made to the political significance of literature.
J. Hoberman
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Fiction May 18, 2006
Supersize Misha
Absurdistan is a stunning encore for novelist Gary Shteyngart, both the avatar of a new Jewish-American literature and an inveterate Eastern European trickster.
J. Hoberman
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Books and Ideas August 11, 2005
The Twilight Zone
Though Bergelson wrote in Germany during the 1920s, his stories in Shadows of Berlin are more focused on the past apocalypse than the impending one.
J. Hoberman
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February 24, 2005
Jewtopia
Yiddish, a national language that never had a nation-state, may no longer have millions of speakers, but it remains contested territory nonetheless.
J. Hoberman
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Fine Art November 24, 2004
Pop and Circumstance
You may recall the to-do occasioned two winters past by a certain shift in the mise-en-scène at the United Nations.
J. Hoberman
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Biography November 20, 2003
Phantom of the White House
"We now live in a culture that's hyperaware of the construction and manipulation of images in politics," David Greenberg writes in Nixon's Shadow.
J. Hoberman