His new book The Class Matrix: Social Theory After the Cultural Turn is an impassioned argument for centering class politics in both theory and praxis.
Barbara Bloemink’s biography paints a complicated picture of an artist whose work both celebrated and critiqued the upper echelons of early-20th-century cultural life.
A conversation with Erich Schwartzel about the vexed relationship between Hollywood and Beijing, how movies became a vehicle for Chinese ideology, and his new book Red Carpet.