Poems / June 4, 2024

Welfare Check

Camille Rankine

When I say I’m okay, it’s just nobody’s coming
to save me. I’m out of sight this way.
With my mouth muddled

I’m so safe. I speak most clearly
when I’m dangerous. Step to and the room grows dim,
let my word slip and the whole world turns

fire and hiss under my tongue. I’ll say I didn’t
mean it but I did. You’ll feel better soon, the night
sagging in its silence again. It’s just what you won’t

see: I drift all around me
in the snow our shapes make.
I move through America looking up

at the trees, which are stolen, this land
a vast and stolen thing and I
a stolen thing deposited within it. When I say

I’m okay, I mean I’m just one
black ripple on a black sea.
I hear that sound my shape makes

in your mind’s darkest room.
I am most dangerous
when I speak.

I step in the fire and hiss.
The whole world turns.
Everyone’s looking, but nobody sees.

Camille Rankine

More from The Nation

Dolly Parton performs at the Roxy in West Hollywood in 1977.

Dolly Parton Was More Than an Icon Dolly Parton Was More Than an Icon

Later in life, she was heralded as a symbol of Americana—complete with her own amusement park. But what will last of her is her body of work.

Obituary / Nick Murray

View of apartment buildings in Manhattan

Bad Mothers and Monstrous Children Bad Mothers and Monstrous Children

Jordy Rosenberg’s “Night Night Fawn” offers a multigenerational tale of Marxists, Zionists, and estrangement.

Books & the Arts / Emmet Fraizer

The New York premiere of “Girls,” 2012.

Growing Up With “Girls” Growing Up With “Girls”

Lena Dunham and her generation enter midlife.

Books & the Arts / Grace Byron

A still from “I Love Boosters.”

Boots Riley’s Communist Heist Film Boots Riley’s Communist Heist Film

Yes, it even has Marxist teleporters.

Books & the Arts / Jorge Cotte

The Obama Presidential Center.

The Nostalgic Architecture of the Obama Presidential Center The Nostalgic Architecture of the Obama Presidential Center

Where hope even has a gift shop.

Books & the Arts / Kate Wagner