Poems / October 30, 2023

Tablets VII

Dunya Mikhail

1

They inscribed their lives on clay
and moved away
I hear the echo pulse by pulse

 

2

Some memories we chase
like goats away from flowers,
yet we wake one day
to the wilted ruins

 

3

Let’s meet in the word forgotten
from the dictionary, and breathe
its air like the smell of the “klecha”
my mother baked for the Eid holiday

 

4

In my country, I was a stranger.
In exile, I am strange

 

5

The spider built its net
in a statue’s open palm.
For the spider, the palm is home,
not a metaphor of home

 

6

Imprisoned in the magical lamp
for years that exceeded even the jinni’s ability
to count; he cannot wish himself out.
His brief freedoms only come
when others wish for a bit of luck

 

7

When Human cries,
Dog thinks the world is ending.
When Human smiles,
two stars from the world’s end
glitter in Dog’s eyes.
When Human makes war
or any other ridiculous thing,
Dog begs to curl up together on the rug

 

8

She calls aloud for the absentees
in her country’s air,
calling day and night
until they cling in her voice

 

9

If you don’t carry the sun
within, then why does light
spill from you everywhere?

 

10

Deep inside the beach,
moss grows around a rock,
a soft embrace.
When the water washes it away,
it trembles like the gestures
we make waving from balconies
for our loved ones
in pandemic times

 

11

We remember the days from the words
of our beloved people

 

12

They kept drawing circles on the ground
as if their alphabet is a feeling with no end

 

13

Sometimes I scribble images
because I don’t have the words

 

14

I ask the moon: Which is more worthy of love
your light or darkness?
Moon answers: A worthy love accepts both faces

 

15

On the chess board,
a pawn crawls to the last square
to survive

 

16

Earth, too, needs a space

 

17

I time-traveled to you
for a question

 

18

Through closed eyes,
she saw their stolen bodies,
their scattered feathers,
and their flutes

 

19

Sad silence is translated into all languages

 

20

The first moment of war:
a slippery fish from the river

 

21

The cage owner reminds the sparrow:
life outside is inferno.
One day the sparrow flies away
and there in the heights,
overlooking the ruins of the world,
the sparrow discovers the cage owner was right.
It sings about the ruins,
a beautiful song with no walls

 

22

Does the clock know
that its little ticks
make eternity?

 

23

With one click,
I can download your smile
and everything will be good

 

24

Let love be
the new world order

Thank you for reading The Nation!

We hope you enjoyed the story you just read, just one of the many incisive, deeply-reported articles we publish daily. Now more than ever, we need fearless journalism that shifts the needle on important issues, uncovers malfeasance and corruption, and uplifts voices and perspectives that often go unheard in mainstream media.

Throughout this critical election year and a time of media austerity and renewed campus activism and rising labor organizing, independent journalism that gets to the heart of the matter is more critical than ever before. Donate right now and help us hold the powerful accountable, shine a light on issues that would otherwise be swept under the rug, and build a more just and equitable future.

For nearly 160 years, The Nation has stood for truth, justice, and moral clarity. As a reader-supported publication, we are not beholden to the whims of advertisers or a corporate owner. But it does take financial resources to report on stories that may take weeks or months to properly investigate, thoroughly edit and fact-check articles, and get our stories into the hands of readers.

Donate today and stand with us for a better future. Thank you for being a supporter of independent journalism.

Thank you for your generosity.

Dunya Mikhail

Dunya Mikhail works as a special lecturer at Oakland University.

More from The Nation

American author, screenwriter, and satirist Terry Southern (1924–1995).

Why Terry Southern Was “the Most Useful Writer” in America Why Terry Southern Was “the Most Useful Writer” in America

The satirist, Nation critic, Dr. Strangelove cowriter, and “eggheaded prankster” was born exactly 100 years ago, and his work remains as relevant as ever.

Column / Richard Kreitner

Mike Faist as Art, Zendaya as Tashi ,and Josh O'Connor as Patrick in “Challengers.”

The Only Relationship That Matters in “Challengers” The Only Relationship That Matters in “Challengers”

What truly matters in Luca Guadagnino’s sexed-up tennis thriller is not the love triangle at its center but all the details that surround it.

Books & the Arts / Erin Schwartz

The Cook County Jail in Chicago, Illinois, 2020.

Want to Fight Mass Incarceration? Start With Your Local Jail Want to Fight Mass Incarceration? Start With Your Local Jail

A new collection of essays from academics and activists devoted to prison abolition focuses on the quiet but rapid expansion of the carceral system in small towns and municipaliti...

Books & the Arts / Jarrod Shanahan

The New York location of the Laugh Factory, 2004.

Is Comedy Really an Art? Is Comedy Really an Art?

A history of comedy’s last three decades of pop culture dominance argues that it is among the consequential American art forms.

Books & the Arts / Ginny Hogan

Jessi Jezewska Stevens

Data, Desire, and Where Fiction Goes Next Data, Desire, and Where Fiction Goes Next

The Nation speaks to Jessi Jezewska Stevens about her new short-story collection, which dramatizes late-capitalist living.

Q&A / Rose D’Amora

Talking “Solidarity” With Astra Taylor and Leah Hunt-Hendrix

Talking “Solidarity” With Astra Taylor and Leah Hunt-Hendrix Talking “Solidarity” With Astra Taylor and Leah Hunt-Hendrix

A conversation with the activists and writers about their wide-ranging history of the politics of the common good and togetherness.

Books & the Arts / Daniel Steinmetz-Jenkins