Poems / June 23, 2026

DEADHEADING

Jane Wong

A cleaver to the flower sharpened on butcher block, the petaled head, heavy with dew and rocks and

troubled pollen. My mother lops off husbands, the beards of bird-beaked snapdragons. Ooze of

divorce in sticky white sap, sopped up by eggshell shard. What rips off no matter how woody, no

matter how shorn the cell. How well she knows this cycle of ugly necessity, rot in the bubbling bog

still singing. She shows me how, pail of steaming compost, my continual birth when badness nearly

kills me again. What he and he wanted, umbilical umbrage, my dead roots, my dead rhizomes, my

deserved-it she did. My mother did not call the garden dead, overwintered in pine and hay, under

weather pruning heart by heart. Seeds spewing along the sewage rows, doused in wormy

multiplication. To lop off what feeds off you. Off breath, off energy, off self, off body, off poet,

simmering down to speck. In what went to seed, I wanted seeds so swollen, wanted the cartilage of

earth to carry me, spit me somewhere safer. Baby bee of a beginning, slurping sugar already in me,

fed by me, easy. My mother tills the dirt and it turns even without her shoveling speech, jaw of mud

over flower heads, a concentrate, a slurry, a stench to say here is a life, again. Watch then, the

deadheading one by one, silver shorn what heavy, what deflated, what plucked, what circuity, what

ravishing decomposition.  My mother keeps fertilizing, feral arteries linking water, light, blood, until

swell. Stems gone putrid and puckered then, time and time passing in the leaving. I left. Hair laid

down to grass and mulch to mold. Cut all cornered kisses and fake floral feeding. Sipped on bird

droppings in hardened ground, gnats nesting ear to ear. My panic unpretty in bloom one day, then

shut the next. Twice I fled, he and he, and I was flesh and poem, still. New shoots curling in green

ligaments, burgundy in the under, glowing in the almost-death, alone and not lonely, bare and not

barren, what saturated sun blaring my name awake.

Jane Wong

Jane Wong is the author of the memoir Meet Me Tonight in Atlantic City (Tin House, 2023) and two books of poetry: How to Not Be Afraid of Everything (Alice James, 2021) and Overpour (Action Books, 2016). She lives in Seattle.

More from The Nation

Silhouette of woman in a nightclub

A Rave Novel Rediscovered A Rave Novel Rediscovered

Ann Scott’s “Superstars” captures the last gasp of pre-Internet counterculture.

Books & the Arts / Max Pearl

Samuel Daniell, “Boers Returning From Hunting.”

What J.M. Coetzee Can Teach Us About ICE What J.M. Coetzee Can Teach Us About ICE

The world inside the South African novelist’s Waiting for the Barbarians bears striking resemblance to Trump’s racist empire.

Pamela Newton

Matt Damon as Odysseus in “The Odyssey.”

Impale and Cry: Christopher Nolan’s “The Odyssey” Impale and Cry: Christopher Nolan’s “The Odyssey”

In the latest rendering of the epic, there is plenty to feel guilty about even if you did not mean it.

Books & the Arts / Christian Lorentzen

Odyssey

Nolan’s “Odyssey” Misses the Point Nolan’s “Odyssey” Misses the Point

The big-budget movie keeps much of the violence and spectacle but none of the nuance and wit of the classical epic.

Katha Pollitt

Reform UK leader Nigel Farage (right) is interviewed by Jordan Peterson at the annual conference of the Alliance for Responsible Citizenship in London, February 18, 2025.

What’s So Scary About the Frankfurt School? What’s So Scary About the Frankfurt School?

In The Cultural Marxism Conspiracy, A.J.A. Woods looks at how the Frankfurt scholars became the latest bogeymen for the contemporary right.

Books & the Arts / Michael Shorris

Janiform on display at the Louvre

Emily LaBarge’s Life Stories Emily LaBarge’s Life Stories

In “Dog Days,” LaBarge blurs the lines between memoir and criticism.

Books & the Arts / Sophie Poole