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August 5, 2016
‘Privacy’ Can’t Overcome Its Own Gimmick
The new play asks audience members to keep their phones on. And that’s not the only distraction.
Carey Purcell
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August 3, 2016
According to ‘Oslo’
In J.T. Rogers’s new play, the process of negotiating the Oslo Accords is the only concern; how well they turned out is rendered irrelevant.
Alisa Solomon
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July 11, 2016
Drumpf: The Musical
The story of the real-estate mogul’s rise through the 2016 Republican primary slog.
Katrina vanden Heuvel
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June 16, 2016
Shrewd Taming
Despite its all-female cast, a new production of The Taming of the Shrew is still a man’s story.
Carey Purcell
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June 15, 2016
More Repossession Than Revival
A new form of critical drama comes to Broadway, remaking brave claims for the confident expression of degraded peoples.
Alisa Solomon
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April 25, 2016
Arthur Miller’s Chameleon Play
Over the past 63 years, The Crucible has taken on myriad new meanings. But the real lesson is that some things never really change.
Alina Cohen
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April 20, 2016
How to Succeed on Broadway!
Why is Arthur Miller one of the most lauded American playwrights—and one of the most vilified?
Alisa Solomon
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March 25, 2016
Chile’s Future: On the World Stage
What can Chile’s Santiago a Mil festival tell us about the country?
Alisa Solomon
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March 11, 2016
‘Eclipsed’: Out From the Shadows
The new, wonderfully acted Broadway play sheds light on the untold stories of the women who lived through the second Liberian civil war.
Alina Cohen
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January 29, 2016
Anna Deavere Smith: Report From Baltimore
Dramatizing the school-to-prison pipeline—and organizing theater audiences in the process.
Jon Wiener