Print Magazine
July 18-25, 2016 Issue
Cover art by: Steve Brodner. Top to bottom: Nicola Sturgeon, David Cameron, Queen Elizabeth II, Alan Johnson, Michael Gove, Peter Mandelson, Arron Banks, Theresa May, Nigel Farage, George Galloway, Boris Johnson, Jeremy Corbyn, and Hillary Benn.
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Editorial
Scalia’s death and Kennedy’s willingness to change his mind had enormous consequences.
David Cole
There is one path back from the abyss—but it’s a narrow one.
D.D. Guttenplan
Could the people’s vote force the EU to lighten its destructive austerity and lead NATO to reconsider its increasingly reckless posture toward Russia?
Katrina vanden Heuvel
Sanders and Clinton are right to oppose the TPP, and the Democratic Party should do the same.
John Nichols
Column
A new report reveals a deepening crisis for democracy as digital media hasten the decline of print.
Eric Alterman
Hint: They’re both real problems that Brexit has likely worsened.
Gary Younge
Letters
London calling… Sign of the times?… Connecting the dots… Left to her own devices?… Live long and… prosper?… GOP Humpty Dumpty…
Our Readers
Feature
In India, school funding is sorely lacking, but Teach for India just wants to transform attitudes.
George Joseph
New York Communities for Change wants to remake New York in a more equal image.
Sarah Jaffe
Wisconsin and Minnesota are case studies in the difference between Republican and Democratic rule.
Ari Berman
Anti-Trumpism is now a cause capable of bringing thousands of people out to protest.
Sasha Abramsky
We’re proud that we’ve survived. But we should be honest about the costs.
Mychal Denzel Smith
Books & the Arts
A “look” is a kind of instant style: quickly executed and dispatched, immediately understood and overcharged with incident. It is time for a new view.
Ricky D’Ambrose
Steven Spielberg, who has never shown much interest in human-scaled cinema, makes his self-portrait three stories tall in The BFG.
Stuart Klawans
One of the creations of her and her husband’s artistic partnership was the seemingly perfect fusion of their visions.
Jana Prikryl
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