Poems / February 28, 2025

Death in Captivity, a Surrender

Mai Der Vang

An animal searches for its homeland.

Say to the animal: here is your home,
here is your livelihood, here in
this fenced perimeter.

Say to the animal: you are the last
of your kind, that is why you must live.

An animal migrates into a new body, senses the impulse to leave.

Say to the animal: heavy is
an apology inside the wind.

Say to the animal: mortality anchors
us to this planet.

An animal dies searching for its birthland.

Say to the animal: may your steps serve
as an itinerary of your past.

Say to the animal: may you come back
as a body of water.

May you come back as a saola.

All captured saolas have died in captivity
with the exception of two released back into the forest.

Say to the saola: forgive us
in our plea to love you, forgive that you
give us meaning.

Say to the saola: to die in captivity swells
your mystery, god-sworn to never
reveal the beauty inside.

A saola dies in captivity, each breath falling back in time.

Say to the saola: your livelihood is outside,
your bordered topography is a country
that may never return.

A saola is wounded in the act of capture.

A saola grows ill in captivity.

A saola dies and takes this future with it.

Say to the saola: here is a basket
in which to gather snowlight,
here is a blanket made of prayer.

Say to the saola: here is an echo
of the human you’ve left behind.

Mai Der Vang

Mai Der Vang's new book of poems, Primordial, will be published by Graywolf in March 2025.

More from The Nation

A fast-food restaurant in France, 1982.

Has Contemporary Fiction Ignored the Working Class? Has Contemporary Fiction Ignored the Working Class?

Claire Baglin’s bracing On the Clock gives its readers a close look at work behind the fry station, and in the process asks what experiences are missing from mainstream letters.

Books & the Arts / Rachel Vorona Cote

Werner Herzog, 1984.

Werner Herzog Between Fact and Fiction Werner Herzog Between Fact and Fiction

The German auteur’s recent book presents a strange, idiosyncratic vision of the concept of “truth,” one that defines how he sees the world and his art.

Books & the Arts / Lowry Pressly

Joshua Shaw’s “The Deluge towards Its Close,” 1813.

Do Humans Really Understand the World’s Disorderly Rivers?  Do Humans Really Understand the World’s Disorderly Rivers? 

In James C. Scott’s last book, In Praise of Floods, he questions the limits of human hegemony and our misplaced sense that we have any control over the Earth’s depleted watershed....

Books & the Arts / Daniel Sherrell

A worker holds lithium hydroxide at the Sociedad Quimica y Minera de Chile (SQM) chemical plant in Antofagasta, Chile, 2024.

The Scramble for Lithium The Scramble for Lithium

Thea Riofrancos’s Extraction tells the story of how a critical mineral became the focus of a worldwide battle over the future of green energy and, by extension, capitalism.

Books & the Arts / Casey A. Williams

“The Pitt” Shows Doctoring Uncensored

“The Pitt” Shows Doctoring Uncensored “The Pitt” Shows Doctoring Uncensored

The second season tackles everything from the role of AI in medicine to Medicaid cuts. But above all, it is about burnout.

Books & the Arts / Zoe Adams