Poems / March 12, 2024

A Portrait of the Artist as I Hate You

Christopher Spaide

Honey, what was it—my original stinking sin?
When, thick-tongued and fangless, I hungered to be seen
from all angles, how could you take those pipe dreams
to mean Psycho, shower scene?

Was I too tender for you? You left me slow and lowly.
Fall off the bone. Forked up wholly holey
to my febrile fibers. What other grub daydreams
of filling up your belly?

Come REM, come starry comas sopped in sepia,
how come you keep on slipping past my sleepier
defenses, the walk-on cameo of my dreams?
Cast me. I’d play it creepier.

If I were you? Sin would sun, blisters unblue
to blusters, everything indrawn bloom into
blank sheets. Untouched. If you (in your dreams’ dreams)
were me, you’d hate you too

and gratefully, hate to be granted a way with words,
away-with-murder words, a wave dragged shorewards
dredging the unconscious, a wasting away of dreams
to silt, salt, sea-sharp shards,

who’s crying over that? So what if life’s long
and lullabying as a Ramones song
—that remains to be unseen, rewound in dreams
where this time I’m strong, strong

as the black box the crash coughs up to keep
one record of the wreckage stashed, coffin-deep,
for the rest of our days. Deep as those charmed dreams
where all I do is sleep.

Christopher Spaide

More from The Nation

Reform UK leader Nigel Farage (right) is interviewed by Jordan Peterson at the annual conference of the Alliance for Responsible Citizenship in London, February 18, 2025.

What’s So Scary About the Frankfurt School? What’s So Scary About the Frankfurt School?

In “The Cultural Marxism Conspiracy,” A.J.A. Woods looks at how the Frankfurt scholars became the latest bogeymen for the contemporary right.

Books & the Arts / Michael Shorris

Janiform on display at the Louvre

Emily LaBarge’s Life Stories Emily LaBarge’s Life Stories

In “Dog Days,” LaBarge blurs the lines between memoir and criticism.

Books & the Arts / Sophie Poole

Robin Dembroff speaking at the Royal Institute of Philosophy.

What We Get Wrong About Patriarchy What We Get Wrong About Patriarchy

A conversation with philosopher Robin Dembroff about their new book, Real Men on Top, identity categories, and the possibility of undoing patriarchy.

StudentNation / Andrés Muedano

A still from “Disclosure Day.”

Steven Spielberg’s Aliens Steven Spielberg’s Aliens

“Disclosure Day” has plenty of UFOs and extraterrestrial species but very little of the human insights found in the filmmaker’s past work.

Books & the Arts / Stephen Kearse

Chicago’s Michigan Avenue in the mid-1920s.

What Makes American Architecture American? What Makes American Architecture American?

It’s never been afraid to play fast and loose and big.

Feature / Kate Wagner

Nation Poetry

Agate Head Agate Head

Patricia Lockwood

Poems