Poems / November 26, 2025

[they’re in their lord of the flies bag]

Fatimah Asghar

terence says about the boys nestled
in the mouth of the waterfall

the one boy’s eyes opened to the sky, legs
wrapped around the rock to keep him

alive, afloat, the river running over
him, kissing him just so, his body

an interruption in the water, the rush
and roar of its call partitioned by the fall

dividing it from itself. the other boys
perched around him like water nymphs

staring off beyond the mountains’ dip,
where the sun sets. the boys so landed

they become part of the land, the roots rooting
around their ankles. yes, in their lorded fly

bag, but a lord of the flies before
it gets dark. before they do what they do

to piggy, before the split and hunt. wild,
still. boys who jump from as high

as the trees, into the water cradled
so lovingly by rock, boys who ford

the river in their socks, throwing their shoes
to any soft land willing to catch. the water,

a mother: both healing and scolding, both soft
and gathering pressure at the fall. shallow

enough to walk, deep enough to dive, the boys
know her, where to step

and where to not, how to say hello, when
to let her sleep. their big toes scraping

into the moss, curling to hold them steady, fingernails
finding the hook between roots to anchor, to pull

their bodies upwards. the coquís coquíing their song.
the sun winking its set. everything green; nothing

poisoned. alhamdullilah, to know land
so well, you can play with it. to never second guess

where your foot lands, how to get your body
where it wants to go. to be so fromed, you from.

alhamdullilah, to cradle the fall and not fall.
to hear the river’s rush and feel safety. wild.

the boys. in their lord of the flies bag. yes,
the boys, there, on top of the waterfall. pulling

crumbs of leaves out of each other’s hair. the boys:
wild, but not lost. the boys, wild and belonged.

Fatimah Asghar

Fatimah Asghar, author of If They Come for Us, is a poet, filmmaker, educator, and performer.

More from The Nation

A fast-food restaurant in France, 1982.

Has Contemporary Fiction Ignored the Working Class? Has Contemporary Fiction Ignored the Working Class?

Claire Baglin’s bracing On the Clock gives its readers a close look at work behind the fry station, and in the process asks what experiences are missing from mainstream letters.

Books & the Arts / Rachel Vorona Cote

Werner Herzog, 1984.

Werner Herzog Between Fact and Fiction Werner Herzog Between Fact and Fiction

The German auteur’s recent book presents a strange, idiosyncratic vision of the concept of “truth,” one that defines how he sees the world and his art.

Books & the Arts / Lowry Pressly

Joshua Shaw’s “The Deluge towards Its Close,” 1813.

Do Humans Really Understand the World’s Disorderly Rivers?  Do Humans Really Understand the World’s Disorderly Rivers? 

In James C. Scott’s last book, In Praise of Floods, he questions the limits of human hegemony and our misplaced sense that we have any control over the Earth’s depleted watershed....

Books & the Arts / Daniel Sherrell

A worker holds lithium hydroxide at the Sociedad Quimica y Minera de Chile (SQM) chemical plant in Antofagasta, Chile, 2024.

The Scramble for Lithium The Scramble for Lithium

Thea Riofrancos’s Extraction tells the story of how a critical mineral became the focus of a worldwide battle over the future of green energy and, by extension, capitalism.

Books & the Arts / Casey A. Williams

“The Pitt” Shows Doctoring Uncensored

“The Pitt” Shows Doctoring Uncensored “The Pitt” Shows Doctoring Uncensored

The second season tackles everything from the role of AI in medicine to Medicaid cuts. But above all, it is about burnout.

Books & the Arts / Zoe Adams