What Is India? What Is India?
Why India’s boom years have been a bust.
Sep 16, 2014 / Books & the Arts / Siddhartha Deb
Shelf Life Shelf Life
The secret history of invisible ink.
Sep 16, 2014 / Books & the Arts / Peter C. Baker
You’ll Have to Rip Benghazi From Fox’s Cold, Dead Hands You’ll Have to Rip Benghazi From Fox’s Cold, Dead Hands
Fox News becomes a caricature of itself, again.
Sep 16, 2014 / Leslie Savan
The Questions Congress Should Ask About Obama’s War on ISIS The Questions Congress Should Ask About Obama’s War on ISIS
More than two-dozen groups are calling on lawmakers to address serious gaps and inconsistencies in the president’s strategy.
Sep 16, 2014 / Zoë Carpenter
The US Has Been the World’s Sole Superpower for the Last 13 Years—Why Hasn’t It Done Anything Good? The US Has Been the World’s Sole Superpower for the Last 13 Years—Why Hasn’t It Done Anything Good?
Now, across a vast and growing swath of the planet, the main force at work seems not to be the concentration of power, but its fragmentation.
Sep 16, 2014 / Tom Engelhardt
Obama Is Open to Ground Troops in Iraq, a Top General Says Obama Is Open to Ground Troops in Iraq, a Top General Says
US military officials outlined several scenarios ground troops could end up fighting in Iraq and said Obama hasn’t closed the door.
Sep 16, 2014 / George Zornick
Obama Reneges on His Foreign-Policy Promises Obama Reneges on His Foreign-Policy Promises
The United States can’t create peace by military force. We can only add to the destruction.
Sep 16, 2014 / Katrina vanden Heuvel
Kingdom of Slaves in the Persian Gulf Kingdom of Slaves in the Persian Gulf
In the smallest Gulf states, nearly 90 percent of residents are immigrant laborers. Many face unspeakable abuse.
Sep 16, 2014 / Sam Badger, Giorgio Cafiero, and Foreign Policy In Focus
Why Liberians Thought Ebola Was a Government Scam to Attract Western Aid Why Liberians Thought Ebola Was a Government Scam to Attract Western Aid
Decades of corruption have left Liberians suspicious of their government.
Sep 16, 2014 / Sara Jerving
