Danny Lyon’s Drama of Solitude Danny Lyon’s Drama of Solitude
How did he take such profoundly empathetic photographs?
Sep 6, 2016 / Ratik Asokan
Thomas Struth’s Post-Internet Art Thomas Struth’s Post-Internet Art
His pictures generate a perceptual confusion that might best represent where we stand with technology today.
Aug 23, 2016 / Books & the Arts / Barry Schwabsky
Drumpf: The Musical Drumpf: The Musical
The story of the real-estate mogul’s rise through the 2016 Republican primary slog.
Jul 11, 2016 / Katrina vanden Heuvel
The Syrian Who Wanted the Revolution, Part Seven: The Salvation The Syrian Who Wanted the Revolution, Part Seven: The Salvation
On the fifth anniversary of the revolt, the film collective Abounaddara gives a voice, a face, and a humanity to one of the country’s bludgeoned survivors.
Mar 18, 2016 / Video / Moustafa Bayoumi
Rhythm, Water, and Global Blackness Rhythm, Water, and Global Blackness
Whether it is in New Orleans, Gaza, Basra, Massawa, or Mogadishu, often where there are ports, there are battles for control over identity.
Mar 2, 2016 / Kristina Kay Robinson
NSA: National Security, Art NSA: National Security, Art
Perhaps what’s most striking about “Astro Noise” and “Agitprop!” are the ingenuity and openness of the institutions hosting the shows.
Feb 15, 2016 / Alina Cohen
Why Donny McCaslin Was David Bowie’s David Bowie Why Donny McCaslin Was David Bowie’s David Bowie
In the making of Blackstar, David Bowie trusted that Donny McCaslin and his quartet would invoke a profoundly emotive album.
Jan 26, 2016 / Books & the Arts / David Hajdu
Standing Up for Migrant Workers in the Gulf, 1 Installation at a Time Standing Up for Migrant Workers in the Gulf, 1 Installation at a Time
For the artists in the activist group Gulf Labor, the Guggenheim Abu Dhabi epitomizes the conquest of art by corporate interests.
Nov 9, 2015 / Dispatch / Ursula Lindsey
Laurie Anderson’s Guantánamo Installation Goes Where Obama Fears to Tread Laurie Anderson’s Guantánamo Installation Goes Where Obama Fears to Tread
The US government has abdicated its role in prosecuting those responsible for torture following 9/11. It has fallen on civil society to take up the charge.
Oct 7, 2015 / John Knefel
The 2015 Venice Biennale The 2015 Venice Biennale
Islands of meaning in a morass of incoherence.
Jul 2, 2015 / Books & the Arts / Barry Schwabsky