Cover art by: Cover Photo of Pete Peterson (within card) by Reuters/Jason Reed; cover design by Milton Glaser Incorporated
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Pete Peterson’s $60 million push to sell corporate America’s ruthless austerity agenda.
Candidates who ran on slashing Medicare and Social Security lost big in November. But that doesn’t stop Pete Peterson from pushing the fantasy that voters’ biggest concern is the deficit.
The man behind Fix the Debt has spent decades trying to foment panic over a looming economic disaster, with little to show for it.
Dire warnings about the deficit don’t add up mathematically. But then, Fix the Debt is not really about the economy, it’s about gutting Medicare, Social Security and other social programs.
Swearingen has faced execution four times for a crime scientists say he could not have committed.
Two brilliant nominees, The Gatekeepers and 5 Broken Cameras, along with other recent documentaries, have deepened our understanding of the conflict.
Yes, he said the word “climate”—but he hasn’t committed to any of the big steps needed to avert catastrophe.
Yoko’s 80th birthday is a day to celebrate her art, music and activism.
As the GOP’s ideological center hurtles into the farthest reaches of the universe, the MSM still strives for “balance.”
The Smithsonian’s show on the Civil War and American Art expresses a deep unease about the relationship between between art and history.
On a Farther Shore captures the conservationist’s deep sense of geologic time and the forces of evolution.
MoMA’s monumental exhibition recalls the time when abstraction affected people like love or revolution.
Steven Soderbergh’s Side Effects; Lynne Sach’s Your Day Is My Night