Books & the Arts

Kurdish Delight Kurdish Delight

International cinema has an irresistible new pair of reprobates: middle-aged brothers who can do no right in their lives and no wrong before the camera.

May 1, 2003 / Books & the Arts / Stuart Klawans

Nina Simone: Lit by a Sacred Flame

Nina Simone: Lit by a Sacred Flame Nina Simone: Lit by a Sacred Flame

To listen to her voice was to beĀ hijacked by its power.

May 1, 2003 / Books & the Arts / Adam Shatz

Bird on a Wire Bird on a Wire

I didn't have to wait long for Ziad, the plumber, to come to my house. It had been a year since the current Palestinian intifada broke out in September 2000, and unemployment w...

May 1, 2003 / Books & the Arts / Raja Shehadeh

Throes of Creation

The Intuitionist The Intuitionist

Writers write by trying to find out what it is they're writing.

May 1, 2003 / Books & the Arts / E.L. Doctorow

The Revell Variations The Revell Variations

How much, in just twenty years, Donald Revell has changed! From the Abandoned Cities (1983), his debut volume, included a villanelle, a sestina, rhymed sonnets and meditative t...

Apr 24, 2003 / Books & the Arts / Stephen Burt

Minority Report Minority Report

Ever since Clark Kent first donned a pair of oversized glasses and, somewhat improbably, hid his Superman persona from Lois Lane, questions of identity have been a staple of th...

Apr 24, 2003 / Books & the Arts / Alan Jenkins

Fear Eats the Soul Fear Eats the Soul

Baghdad has fallen. The city has been taken by the troops who were bringing it freedom.

Apr 24, 2003 / Books & the Arts / John Berger

What Are They Reading? What Are They Reading?

"The Moviegoer," by Walker Percy

Apr 18, 2003 / Books & the Arts / Christopher Swetala

Reel Men Reel Men

The film begins with a federal marshal intoning "This is a very difficult time for our country" and ends with the singing of the national anthem, performed before Rudy Giuliani...

Apr 17, 2003 / Books & the Arts / Stuart Klawans

Class Struggle Class Struggle

In a nation that nominally eschews class distinctions as unbefitting our supposed classlessness, whose elected officials decry any protest over government largesse to the rich ...

Apr 17, 2003 / Books & the Arts / Peter Sacks

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