Poems / June 10, 2025

Take Care

Michael Prior

she signed each letter. I carried them with me,
never imagining one day she would be never,
be dream, be archive, be Ziploc full of ash
in a Styrofoam urn. Careful, she carried so little:
the mother who left her, the stepmother
who kept her, a cardigan bright as a cardinal,
nearly four years in a prison camp fenced by pines
whose ragged canopies tore at the sky.
From her I learned to scull diagonally
across precarious water, to write longhand
a handful of words—mizu, obāsan, sumimasen
an artful way to arrange carnations in a glass.
Have I been careless with the past? How can we caretake
what remains? A closet stockpiled with sardines.
Silver coins squirreled in drawers. A picture of her
at New Year’s looking both delighted and sad.
For her, to care was to never be a bother.
To cake concealer over jaundice. To conceal the water
pooling under skin. I caressed her forehead
before they carried her away.

Support independent journalism that does not fall in line

Even before February 28, the reasons for Donald Trump’s imploding approval rating were abundantly clear: untrammeled corruption and personal enrichment to the tune of billions of dollars during an affordability crisis, a foreign policy guided only by his own derelict sense of morality, and the deployment of a murderous campaign of occupation, detention, and deportation on American streets. 

Now an undeclared, unauthorized, unpopular, and unconstitutional war of aggression against Iran has spread like wildfire through the region and into Europe. A new “forever war”—with an ever-increasing likelihood of American troops on the ground—may very well be upon us.  

As we’ve seen over and over, this administration uses lies, misdirection, and attempts to flood the zone to justify its abuses of power at home and abroad. Just as Trump, Marco Rubio, and Pete Hegseth offer erratic and contradictory rationales for the attacks on Iran, the administration is also spreading the lie that the upcoming midterm elections are under threat from noncitizens on voter rolls. When these lies go unchecked, they become the basis for further authoritarian encroachment and war. 

In these dark times, independent journalism is uniquely able to uncover the falsehoods that threaten our republic—and civilians around the world—and shine a bright light on the truth. 

The Nation’s experienced team of writers, editors, and fact-checkers understands the scale of what we’re up against and the urgency with which we have to act. That’s why we’re publishing critical reporting and analysis of the war on Iran, ICE violence at home, new forms of voter suppression emerging in the courts, and much more. 

But this journalism is possible only with your support.

This March, The Nation needs to raise $50,000 to ensure that we have the resources for reporting and analysis that sets the record straight and empowers people of conscience to organize. Will you donate today?

Michael Prior

More from The Nation

The Cinema of Societal Collapse

The Cinema of Societal Collapse The Cinema of Societal Collapse

This year’s Oscar-nominated international feature films—especially The Secret Agent and Sirāt—tackle what it means to live and die under tyranny.

Books & the Arts / Vikram Murthi

A page taken from the Merriam-Webster's Desktop Dictionary, 2016.

Can the Dictionary Keep Up? Can the Dictionary Keep Up?

In Stefan Fatsis’s capacious, and at times score-settling, personal history of the reference book, he reveals what the dictionary can still tell us about language in modern life

Books & the Arts / Lora Kelley

An internet cafe in Beijing, 2007.

Why We Misunderstand the Chinese Internet Why We Misunderstand the Chinese Internet

Journalist Yi-Ling Liu’s The Wall Dancers traces how the Internet affected daily life in China, showing how similar this corner of the Web is to the one experienced in the West.

Books & the Arts / Rebecca Liu

The Bad Vibes of “Wuthering Heights”

The Bad Vibes of “Wuthering Heights” The Bad Vibes of “Wuthering Heights”

Keeping its distance from the novel, Emerald Fennell’s film ends up offering us a mirror of our own times.

Books & the Arts / Sarah Chihaya

A fast-food restaurant in France, 1982.

Has Contemporary Fiction Ignored the Working Class? Has Contemporary Fiction Ignored the Working Class?

Claire Baglin’s bracing On the Clock gives its readers a close look at work behind the fry station, and in the process asks what experiences are missing from mainstream letters.

Books & the Arts / Rachel Vorona Cote

Werner Herzog, 1984.

Werner Herzog Between Fact and Fiction Werner Herzog Between Fact and Fiction

The German auteur’s recent book presents a strange, idiosyncratic vision of the concept of “truth,” one that defines how he sees the world and his art.

Books & the Arts / Lowry Pressly