How Capitalism Transformed the Natural World How Capitalism Transformed the Natural World
In her new book, Alyssa Battistoni explores how nature came to be treated as a supposedly cost-free supplement of capital accumulation.
Feb 11, 2026 / Books & the Arts / Kohei Saito
Bad Bunny’s Stunning Redefinition of “America” Bad Bunny’s Stunning Redefinition of “America”
His joyous, internationalist, worker-centered vision was a declaration of war against Trumpism.
Feb 10, 2026 / Greg Grandin
Rome, take your amethyst back Rome, take your amethyst back
Feb 10, 2026 / Books & the Arts / Ricardo Maldonado
Letters From the March 2026 Issue Letters From the March 2026 Issue
Basement books… Kate Wagner replies… Reading Pirandello (online only)… Gus O’Connor replies…
Feb 10, 2026 / Our Readers, Kate Wagner, and Gus O’Connor
The Riotous Worlds of Thomas Pynchon The Riotous Worlds of Thomas Pynchon
From “The Crying Lot of 49” to his latest noirs, the American novelist has always proceeded along a track strangely parallel to our own.
Feb 10, 2026 / Books & the Arts / Benjamin Kunkel
How Big Gaming Is Swallowing Up the Big Game How Big Gaming Is Swallowing Up the Big Game
The Super Bowl will showcase the lords of legalized betting, even as they’ve already colonized every other reach of human experience.
Feb 6, 2026 / Matt Alston
Barbara Pym’s Archaic England Barbara Pym’s Archaic England
In the novelist’s work, she mocks English culture’s nostalgia, revealing what lies beneath the country’s obsession with its heritage.
Feb 6, 2026 / Books & the Arts / Ashley Cullina
Why We’re Still Fighting Over Elgin’s Marbles Why We’re Still Fighting Over Elgin’s Marbles
In A.E. Stallings’s Frieze Frame, the poet retells the many conflicts, political and cultural, the ransacked portion of the Parthenon has inspired.
Feb 5, 2026 / Books & the Arts / Nicolas Liney
Is It Too Late to Save Hollywood? Is It Too Late to Save Hollywood?
A conversation with A.S. Hamrah about the dispiriting state of the movie business in the post-Covid era.
Feb 4, 2026 / Q&A / Kyle Paoletta
The Melania in “Melania” Likes Her Gilded Cage Just Fine The Melania in “Melania” Likes Her Gilded Cage Just Fine
The $45 million advertorial abounds in unintended ironies.
Feb 2, 2026 / Katha Pollitt