Poems / March 11, 2025

Kakakin

Hussain Ahmed

A bee caught in the rain
tries to sting its way through the glass window.

On the other side of the road,
a man erases murals from the brick wall.

Outside a king’s palace, women in matching buba
gathered around bottle gourds, placed inside buckets

of water. I watched the women recite names
written on the throne, I didn’t hear my name.

When my body has the right amount of sugar,
my heart pulsates only to love songs.

I have ruled over cities that are not on maps,
I have ruled over a kingdom of crickets

and woke up to the ticking songs of kettles,
and sometimes to the mimicry of fledglings.

How noble that I can still spin yards of threads
into a gift basket. I fixed my gaze on the giant glass wall

until the barrier thinned out. I sanitized my palms
and raised them in praise of the black stone in Makkah.

In this small town, seventeen death certificates are signed
every day, someone waits for an organ transplant,

it’ll be too late by sunset. I offer a song in exchange for this grief,
I know that with a song, I’ll set my brain fog ablaze.

The wind clocks our aspirations inside its cold hands,
until we are numb like a frozen ball of blood, on the tip of a knife.

Hussain Ahmed

More from The Nation

Who Was Emily Brontë?

Who Was Emily Brontë? Who Was Emily Brontë?

A new biography tries to reconstruct her everyday life.

Books & the Arts / Sarah Chihaya

Charli XCX performing in San Francisco.

The Genius of Charli XCX The Genius of Charli XCX

On her new album, Music, Fashion, Film, the musician embraces rock.

Books & the Arts / Bijan Stephen

Trump at the White House Ballroom construction site in May 2026.

The Architectural Follies of Trump’s Washington, DC The Architectural Follies of Trump’s Washington, DC

The president plans to remake the capital in his own image, but is all he is doing destroying what’s already there?

Books & the Arts / Karrie Jacobs

“In Minor Keys,” 61st Venice Biennale, 2026, installation view featuring Éric Baudelaire.

The Carnival of Venice Biennale The Carnival of Venice Biennale

That so much of the art of “In Minor Keys” is muted in effect is ironic, because so much of it is overproduced, aspirationally eye-catching, and so big.

Books & the Arts / Barry Schwabsky