Poems / May 13, 2025

For the Last American Century

Robert Wood Lynn

First, they didn’t let me on the moon. Then didn’t let anyone
after a while. So children let their dreams get smaller, enough
to fit the pocket of the jean jackets each generation wore
every time they invented irony. Soon, in the cities, down
in their white noise canyons, people got on with the getting on.
Looked at their feet, mostly. Or they practiced glancing
slightly away when eyes met accidentally on the train.
Like shoes under a table. Like sheep bumbling a mountain pass.
The trick, we learned, was to pretend you’ve always been
looking just over your stranger’s left shoulder, reading
for the thousandth time that list of things you’re not allowed,
hoping there might be a prize in it. People got used to doing less
with less. Hoarded their sorrys. People learned something
happens to an old friendship when one visits the other’s city
but doesn’t give notice. There are reasons for this, always.
Business to attend to. Kids in their ironic jackets to shepherd
someplace new. I used to think the moon lived west of the earth,
which was why you’d see it after the sun went down. I studied
the scriptures. Became convinced that’s where they hid Eden
from us. This was back when I too believed in big punishment
for small mistakes. Then I saw the moon forget itself
in the day’s sky as if waiting, like the rest of us, for an apology.

Your support makes stories like this possible

From illegal war on Iran to an inhumane fuel blockade of Cuba, from AI weapons to crypto corruption, this is a time of staggering chaos, cruelty, and violence. 

Unlike other publications that parrot the views of authoritarians, billionaires, and corporations, The Nation publishes stories that hold the powerful to account and center the communities too often denied a voice in the national media—stories like the one you’ve just read.

Each day, our journalism cuts through lies and distortions, contextualizes the developments reshaping politics around the globe, and advances progressive ideas that oxygenate our movements and instigate change in the halls of power. 

This independent journalism is only possible with the support of our readers. If you want to see more urgent coverage like this, please donate to The Nation today.

Robert Wood Lynn

More from The Nation

T.S. Eliot inspecting manuscripts. Undated photograph.

Teaching Poetry in the Age of AI Teaching Poetry in the Age of AI

Poetry, perhaps more than any other genre, shows us how important it is to connect with a real human presence.

Lindsay Turner

Hand-colored lithograph of an early baseball game seen from behind home plate, 1887.

Robert Coover at Bat Robert Coover at Bat

The postmodern writer's 1968 baseball novel is strange and poignant—a work of fiction that ultimately argues for the vitality of fiction itself.

Books & the Arts / John Semley

A Louisiana Private School’s All-American Grift

A Louisiana Private School’s All-American Grift A Louisiana Private School’s All-American Grift

In Miracle Children: Race, Education, and a True Story of False Promises, two reporters uncovered a high school scandal that puts into relief the unfinished work of integration.

Books & the Arts / Kristen Martin

Customers shop for books at the Argosy Book Store, New York City’s oldest independent bookstore, founded in 1925.

Did You Know There’s an Independent Bookstore Revival Underway? Did You Know There’s an Independent Bookstore Revival Underway?

Americans fight back against big tech.

Katrina vanden Heuvel

Barbara Kopple on January 23, 2026 in Park City, Utah.

Why Barbara Kopple’s Labor Films Remain As Urgent as Ever Why Barbara Kopple’s Labor Films Remain As Urgent as Ever

As her Oscar-winning labor documentaries return to theaters, Kopple reflects on union-busting, gig work, and her latest film on unions.

Q&A / Ben Schwartz

Orange clouds over the west hills of Portland as the light from the sunset and smoke from historic Oregon wildfires mix over Mt. Calvary Cemetery, 2020.

A Climate Change Novel That Questions Everything A Climate Change Novel That Questions Everything

In God and Sex, Jon Raymond has recontextualized timeless novelistic questions—on faith and love—in an era of environmental collapse.

Books & the Arts / Jessica Swoboda