Books & the Arts / August 11, 2026

Digging

Abdulkareem Abdulkareem

—40,000 child miners work in southern
Democratic Republic of the Congo

We juggled boastfulness with our phones
in our hands. K said he used one before I ever knew
what it was called. Then I sliced his insolence
with a photograph of a nine-year old me
holding his point-the-light-to-the-soup phone.
I was ignorant of the genesis of phones,
how the light it opened in my face came to be—
the sweats across the neck of little boys like myself.
F said Africans are ignorant in noisemaking for our wound—
to dissect the world with a shrill.
To pull every eye into the body of our drowning.
This time, it’s not cotton picking, but metal digging,
willing & unwilling. Ripping the canopies of schooling
off the backs of little children with a sack of cobalt.
I posted a change for Congo on my Instagram
& bought a new phone a year later.
Two years later, on YouTube, I watched the cobalt hands
of kids unearth the terrain the way it reiterates
the history of rubber & mutilated hands.
In Katanga, Arthur said he digs the world to live in the world—
to battle a shovel like his parents.
Richard carries a bag big as his body—
filled with red sand. Dorsan mourns his mother
with forgetfulness, a misery so big you forget your grief.
To subsist is to be capable of mourning.
what is that bright thing up there?
He asks of the light in the bulb.
Monica sits, the four-year old child
picking stones instead of brick toys.
Natalie says, my finger hurts.
Mukumba carries a lump on his neck,
as if the woes of his country like piles
unfolded inside it. I call mama on the phone,
asks how my sister, who is 3000 km away
from Katanga, fares in school—she’s doing well,
she says. I exhume my Instagram with a new protest post.
I keep watching. The world keeps watching.
Little children with faces as if the offspring of dust.

Become a Sustaining Donor This September

Between the reemergence of right-wing red-baiting and Donald Trump’s use of the chilling National Security Presidential Memorandum–7 to criminalize left political organizing, we’re seeing McCarthyism reborn before our eyes.

This assault on democracy cannot be ignored or wished away. Resisting it requires bravery in the face of threats and repression, a steadfast commitment to the truth, and the unwavering belief that we can—and will—overcome this darkness.

We must have an independent media that sets the record straight, unearths corruption and abuses of power, and advances a politics of justice and dignity for all if we’re to win this fight.

That’s why I’m writing to you today. This September, The Nation needs to add 100 monthly donors to sustain our progressive journalism. Your contribution makes the next investigative report, the next truth-speaking column, and the next pathbreaking essay all possible. 

I hope you’ll support our work with a recurring donation today. If you donate $10 or more a month, we’ll send you a brand new “Hands Off the Free Press!” sticker to recognise your commitment to our cause. Please, donate today. 

Onward,

Katrina vanden Heuvel
Editor and Publisher, The Nation

Abdulkareem Abdulkareem

More from The Nation

Imani Thompson’s Grad-School Thriller

Imani Thompson’s Grad-School Thriller Imani Thompson’s Grad-School Thriller

In Honey, the novelist offers a different take on the campus satire.

Books & the Arts / Edna Bonhomme

Love and Literature in Leslie Fiedler’s America

Love and Literature in Leslie Fiedler’s America Love and Literature in Leslie Fiedler’s America

When will the American novel grow up?

Books & the Arts / Vivian Gornick

What’s Behind the Dubai-ification of America’s Yemeni Cafés?

What’s Behind the Dubai-ification of America’s Yemeni Cafés? What’s Behind the Dubai-ification of America’s Yemeni Cafés?

Over the years, Yemeni cafés have become beloved establishments for students and coffee lovers alike. But recently they have undergone a conspicuous aesthetic makeover.

StudentNation / Mohamad Rimawi

Dolly Parton performs at the Roxy in West Hollywood in 1977.

Dolly Parton Was More Than an Icon Dolly Parton Was More Than an Icon

Later in life, she was heralded as a symbol of Americana—complete with her own amusement park. But what will last of her is her body of work.

Obituary / Nick Murray