Fine Art

The Birth of Bad Taste

The Birth of Bad Taste The Birth of Bad Taste

Why Italian Mannerists like Rosso Fiorentino were painting’s first avant-garde.

Jul 2, 2014 / Books & the Arts / Barry Schwabsky

Favorite Hallucinations

Favorite Hallucinations Favorite Hallucinations

Did Chris Marker think history to be not only an infinite book but a sacred one?

May 21, 2014 / Books & the Arts / Barry Schwabsky

Higher Beings Commanded

Higher Beings Commanded Higher Beings Commanded

A quartet of shows at MoMA decoct enlightenment from the banal.

Apr 30, 2014 / Books & the Arts / Barry Schwabsky

Sculpting With Color

Sculpting With Color Sculpting With Color

Ed Clark and Lynda Benglis are still making art on a grand scale.

Apr 22, 2014 / Books & the Arts / Barry Schwabsky

Past, Present, Futurism

Past, Present, Futurism Past, Present, Futurism

The Guggenheim’s Futurism exhibition and the Whitney Biennial offer competing visions of present-mindedness.

Apr 2, 2014 / Books & the Arts / Barry Schwabsky

Studio or Square?

Studio or Square? Studio or Square?

Art and revolution in Cairo.

Mar 11, 2014 / Books & the Arts / Jenna Krajeski

Whistler’s Battles

Whistler’s Battles Whistler’s Battles

Ambitious beneath his pose of indolence, James McNeill Whistler was the most contradictory of artists.

Feb 19, 2014 / Books & the Arts / Barry Schwabsky

Big MoMA’s House

Big MoMA’s House Big MoMA’s House

MoMA’s new expansion plans represent avant-gardism at its most deracinated.

Feb 19, 2014 / Books & the Arts / Michael Sorkin

Permission to Fail

Permission to Fail Permission to Fail

MFAs aren’t a problem: it’s artists being content with what they know.

Jan 22, 2014 / Books & the Arts / Barry Schwabsky

Surviving the Moment

Surviving the Moment Surviving the Moment

Do our financial wizards, like vampires, leave no reflection in the mirror of art?

Dec 18, 2013 / Books & the Arts / Barry Schwabsky

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