Rethinking Cultural Currents of the South Rethinking Cultural Currents of the South
Two new projects remind us of the cultural potency of the region.
Jun 28, 2018 / Elizabeth Pochoda
The Presence and Absence of Basquiat The Presence and Absence of Basquiat
You’d have to go back to Bloomsbury to find another set as insular, self-promoting, self-destructive, imitated, parodied, publicized, and at last mythologized as the crowd that hun…
May 25, 2018 / Books & the Arts / Stuart Klawans
The Standard of Pure Abstraction The Standard of Pure Abstraction
The painters Joe Overstreet and James Little subvert the demands of representation.
May 24, 2018 / Books & the Arts / Barry Schwabsky
Joan Jonas’s Fragments Joan Jonas’s Fragments
More than anything else, time itself is the material Jonas works with, manipulating it as a sculptor might mold clay.
Apr 19, 2018 / Books & the Arts / Barry Schwabsky
The Ubiquitous Medium The Ubiquitous Medium
Carissa Rodriguez’s work leads viewers to scrutinize our choices and values as they relate to video—to recording and being recorded.
Mar 30, 2018 / Larissa Pham
Joyce J. Scott’s Coexisting Forces Joyce J. Scott’s Coexisting Forces
Scott’s art is unabashedly political, broaching subjects like guns, racism, and misogyny. It’s also gorgeous, rich with tactile materials, color, and an attention to light.
Mar 26, 2018 / Books & the Arts / Jillian Steinhauer
John Ashbery’s Day Job John Ashbery’s Day Job
The poet as art critic.
Mar 14, 2018 / Books & the Arts / Barry Schwabsky
Encountering Ghosts in Family Photos, Historical Dolls, and ‘Black Panther’ Encountering Ghosts in Family Photos, Historical Dolls, and ‘Black Panther’
Mythmaking can connect the past to the present, and reveal a promised future.
Mar 9, 2018 / Column / Patricia J. Williams
Daniel Joseph Martinez’s Blunt Statements Daniel Joseph Martinez’s Blunt Statements
What does it mean for an American artist to make photographs using the image of the German revolutionary Ulrike Meinhof?
Feb 23, 2018 / Books & the Arts / Barry Schwabsky
The First Black Presidential Couple in the National Portrait Gallery—and the First Black Presidential Portrait Artists The First Black Presidential Couple in the National Portrait Gallery—and the First Black Presidential Portrait Artists
Rujeko Hockley, an assistant curator at the Whitney, reflects on the importance of the works by Kehinde Wiley and Amy Sherald.
Feb 13, 2018 / Collier Meyerson