What Third Way Reveals About the Beltway What Third Way Reveals About the Beltway
Eric on coffee table books and Reed on the problem with centrism-for-centrism's-sake.
Dec 6, 2013 / Books & the Arts / Eric Alterman and Reed Richardson
Plainspoken: On Mark Morris Plainspoken: On Mark Morris
How a choreographer’s love for the basic truths of the body has remained uncompromising.
Dec 4, 2013 / Books & the Arts / Marina Harss
Helios Helios
Strong horses, Percherons, bred for imperturbability and speed: Aethon, Eous, Pyrois, Phlegon, what names to call a conflagration by. Two decades with the force, and you’d little use for people, but horses, that was a different matter: strong horses, swift as shadows lengthening across the tile bed, a father could not hold them, how could a god.
Dec 4, 2013 / Books & the Arts / Amanda Jernigan
The Gray Zone The Gray Zone
Does John Gray counsel anything more than avoidance of the ideological excesses he scorns?
Dec 4, 2013 / Books & the Arts / Isaac Chotiner
Old Boys Old Boys
David O. Russell’s American Hustle; Spike Lee’s Oldboy
Dec 4, 2013 / Books & the Arts / Stuart Klawans
Thanksgiving Forty Years Ago: There but for the Grace… Thanksgiving Forty Years Ago: There but for the Grace…
It’s bad out there on Thanksgiving this year. A remembrance: in 1973, it was worse.
Nov 28, 2013 / Rick Perlstein
Without Respite Without Respite
Seeing not a person but a thing was the crime of crimes for Primo Levi.
Nov 25, 2013 / Books & the Arts / Vivian Gornick
Debtpop Debtpop
Thinking about debt has become pop, and David Graeber’s Debt is the genre’s “Stairway to Heaven.”
Nov 25, 2013 / Books & the Arts / Joshua Clover
Monumental, Imperial Monumental, Imperial
The beauty and muchness of Ai Weiwei’s art is often underwhelming.
Nov 25, 2013 / Books & the Arts / Barry Schwabsky
Other Roles Other Roles
Auntie man? Black writer? Negress? In The Women, Hilton Als is Hilton Als.
Nov 25, 2013 / Books & the Arts / Aaron Thier