Print Magazine December 3-10, 2018, Issue Cover art by: Sinead Cheung (lettering) Purchase Current Issue or Login to Download the PDF of this Issue Download the PDF of this Issue Editorial Trump’s War on Trans Rights: A Q&A With Chase Strangio The ACLU lawyer describes how governments change definitions to exclude people. Naomi Gordon-Loebl Where the Blue Wave Hit a Red Wall Progressives picked up some sweet victories, but Election Day also brought some sobering lessons. D.D. Guttenplan Last Night, the Feminist Insurgency Hit the Polls—and Now It’s Headed to Congress Women candidates won big—and a larger proportion of women voters went more Democratic than in any midterms before. Joan Walsh Winning the House, Democrats Vow to Check and Balance Trump Nancy Pelosi, Elijah Cummings, and Jerry Nadler now have the power to hold the president to account. John Nichols Actual Distance ignore this… Read More Peter Kuper For Ntozake Shange, Who Conjured the Rainbow Through bravery and pain, she wrote with fierce love for young black women. Rebecca Carroll Column Chronicle of Deaths Foretold Trump’s hateful rhetoric encourages mass violence. Eric Alterman The White House and the Caravan Calvin Trillin Letters Letters From the December 3-10, 2018, Issue This is what heroism looks like… Lost in translation… Humph!… Our Readers Feature When Environmentalism Meets Xenophobia The conservative conservation movement’s dark history of racism and eugenics. Gaby Del Valle ‘All We’ve Got Are Protests and People Power’ Meet the progressive strike force that saved the ACA—and almost brought down Brett Kavanaugh. Gabriel Thompson The Fate of the Earth Depends on Women How a feminist foreign policy can save us from nuclear weapons. Beatrice Fihn Books & the Arts I Make a Toothpick Diadem & Crown Myself Token Raena Shirali Self-Portrait as a Shadow Cortney Lamar Charleston The Plague of Pointless Work In his new book, David Graeber examines the decoupling of work from meaningful activity. Michael Robbins When the World Tried to Outlaw War What, if anything, can we learn from the 1928 Paris Peace Pact? Stephen Wertheim Robyn’s Radical Return Honey, the Swedish artist’s first solo album in eight years, is a triumph of cerebral pop music. Natasha Lewis Recent Issues See All "swipe left below to view more recent issues"Swipe → December 2024 November 2024 October 2024 September 2024 August 2024 July 2024 See All x
Trump’s War on Trans Rights: A Q&A With Chase Strangio The ACLU lawyer describes how governments change definitions to exclude people. Naomi Gordon-Loebl
Where the Blue Wave Hit a Red Wall Progressives picked up some sweet victories, but Election Day also brought some sobering lessons. D.D. Guttenplan
Last Night, the Feminist Insurgency Hit the Polls—and Now It’s Headed to Congress Women candidates won big—and a larger proportion of women voters went more Democratic than in any midterms before. Joan Walsh
Winning the House, Democrats Vow to Check and Balance Trump Nancy Pelosi, Elijah Cummings, and Jerry Nadler now have the power to hold the president to account. John Nichols
For Ntozake Shange, Who Conjured the Rainbow Through bravery and pain, she wrote with fierce love for young black women. Rebecca Carroll
Letters From the December 3-10, 2018, Issue This is what heroism looks like… Lost in translation… Humph!… Our Readers
When Environmentalism Meets Xenophobia The conservative conservation movement’s dark history of racism and eugenics. Gaby Del Valle
‘All We’ve Got Are Protests and People Power’ Meet the progressive strike force that saved the ACA—and almost brought down Brett Kavanaugh. Gabriel Thompson
The Fate of the Earth Depends on Women How a feminist foreign policy can save us from nuclear weapons. Beatrice Fihn
The Plague of Pointless Work In his new book, David Graeber examines the decoupling of work from meaningful activity. Michael Robbins
When the World Tried to Outlaw War What, if anything, can we learn from the 1928 Paris Peace Pact? Stephen Wertheim
Robyn’s Radical Return Honey, the Swedish artist’s first solo album in eight years, is a triumph of cerebral pop music. Natasha Lewis