Feature

The End of the Workday The End of the Workday

Can Europe's workers beat unemployment with a shorter week for all?

Feb 25, 1999 / Feature / Daniel Singer

Is There a French Alternative? Is There a French Alternative?

France used to be described, particularly in the nineteenth century, as the international laboratory in which political ideas were being tested.

Feb 25, 1999 / Feature / Daniel Singer

The Cliffhanger in France The Cliffhanger in France

Would the American model be followed, or would voters choose another path?

Feb 25, 1999 / Feature / Daniel Singer

Yeltsin’s Summit, Russia’s Vale Yeltsin’s Summit, Russia’s Vale

As he prepares to meet Clinton, Yeltsin leaves behind a Russia in serious disarray—cabinet shuffle and new economic overlord (same as the old) notwithstanding.

Feb 25, 1999 / Feature / Daniel Singer

The Real Eurobattle The Real Eurobattle

The move to a common currency masks a struggle over the social shape of Europe.

Feb 25, 1999 / Feature / Daniel Singer

Liberté, Égalité, Racisme? Liberté, Égalité, Racisme?

Scapegoating immigrants may be a transatlantic and pan-European phenomenon, but need Paris pander to those who want the tricolor to be monochrome?

Feb 24, 1999 / Feature / Daniel Singer

The Burden of Boris The Burden of Boris

Russia’s June 16 ballot is not simply the rematch of communism vs. capitalism.

Feb 24, 1999 / Feature / Daniel Singer

Kenneth Starr in a car

Smoke in Starr’s Chamber Smoke in Starr’s Chamber

This essay is adapted from Thomas Ferguson’s “Blowing Smoke: Who Wants Clinton Impeached And Why,” for American Democracy in the Twenty-First Century, edited by William Crotty.

Feb 18, 1999 / Feature / Thomas Ferguson

Haitian Lament: Killing Me Softly Haitian Lament: Killing Me Softly

Haitians call secondhand clothes pèpè, pronounced "peh-peh." In an earlier time these were called Twoomann and Kenedi because it was under those US Presidents

Feb 11, 1999 / Feature / Dan Coughlin

LA Story: Backlash of the Boosters LA Story: Backlash of the Boosters

What happens to a leading Marxist writer after he gets a MacArthur genius grant, a Getty Fellowship, and his new book hits number one on the nonfiction bestseller list?

Feb 4, 1999 / Feature / Jon Wiener

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