Poems / May 13, 2025

For the Last American Century

Robert Wood Lynn

First, they didn’t let me on the moon. Then didn’t let anyone
after a while. So children let their dreams get smaller, enough
to fit the pocket of the jean jackets each generation wore
every time they invented irony. Soon, in the cities, down
in their white noise canyons, people got on with the getting on.
Looked at their feet, mostly. Or they practiced glancing
slightly away when eyes met accidentally on the train.
Like shoes under a table. Like sheep bumbling a mountain pass.
The trick, we learned, was to pretend you’ve always been
looking just over your stranger’s left shoulder, reading
for the thousandth time that list of things you’re not allowed,
hoping there might be a prize in it. People got used to doing less
with less. Hoarded their sorrys. People learned something
happens to an old friendship when one visits the other’s city
but doesn’t give notice. There are reasons for this, always.
Business to attend to. Kids in their ironic jackets to shepherd
someplace new. I used to think the moon lived west of the earth,
which was why you’d see it after the sun went down. I studied
the scriptures. Became convinced that’s where they hid Eden
from us. This was back when I too believed in big punishment
for small mistakes. Then I saw the moon forget itself
in the day’s sky as if waiting, like the rest of us, for an apology.

Robert Wood Lynn

More from The Nation

The Grand Delusions of “Marty Supreme”

The Grand Delusions of “Marty Supreme” The Grand Delusions of “Marty Supreme”

Josh Safdie’s first solo effort, an antic sports movie, revels in a darker side of the American dream.

Books & the Arts / Erin Schwartz

John Updike, Letter Writer

John Updike, Letter Writer John Updike, Letter Writer

A brilliant prose stylist, confident, amiable, and wonderfully lucid when talking about other people’s problems, Updike rarely confessed or confronted his own.

Books & the Arts / Vivian Gornick

A display shows information about TikTok outside the Fox News building in New York City, 2025.

TikTok’s Incomplete Story TikTok’s Incomplete Story

The company has transformed the very nature of social media, and in the process it has mutated as well—from tech unicorn to geopolitical chesspiece.

Books & the Arts / Erin Schwartz

Shawn Walker’s “Man with Bubble, Central Park (near Bandshell),” c. 1960-79, printed 1989.

Did We Get the History of Modern American Art Wrong? Did We Get the History of Modern American Art Wrong?

The standard story of 1960s arts is one of Abstract Expressionism leading into Pop Art and minimalism. A Whitney show proposes an altogether different one centered on surrealism.

Books & the Arts / Barry Schwabsky

A woman moves to comfort a coworker who is slumped over her desk in despair, circa 1940.

The Bleak History of the American Work Ethic The Bleak History of the American Work Ethic

In Make Your Own Job, Erik Baker shows just how long Americans have scrambled to pile work on top of work—and at what cost.

Books & the Arts / Nick Juravich

The Banal Spectacle of “Avatar: Fire and Ash”

The Banal Spectacle of “Avatar: Fire and Ash” The Banal Spectacle of “Avatar: Fire and Ash”

Has James Cameron’s epic sci-fi series run aground?

Books & the Arts / Stephen Kearse