The Grimké Sisters at Work on Theodore Dwight Weld’s ‘American Slavery as It Is’ (1838)

The Grimké Sisters at Work on Theodore Dwight Weld’s ‘American Slavery as It Is’ (1838)

The Grimké Sisters at Work on Theodore Dwight Weld’s ‘American Slavery as It Is’ (1838)

Facebook
Twitter
Email
Flipboard
Pocket

Somebody had to be the first
to amass the proof from slaveholders’ mouths:
twenty thousand newspapers from the South,
the unthinking testimony parsed,
scissored carefully into strips. Lips pursed,
the sisters cut out words as if words were cloth
for dresses, their fingers dark with the newsprint’s truth,
though it was not half the truth, or the worst.
“I burnt her with a hot iron.” “Has one ear slit.”
“Ran away—has two or three scars made by a knife.”
“Has no toes on his left foot.” “Has buckshot in his calf.”
The scissors lisping, I have seen it. I have seen it.
Their path from Charleston the path the scissors traversed—
Let it be accursed. Let it be accursed.

Can we count on you?

In the coming election, the fate of our democracy and fundamental civil rights are on the ballot. The conservative architects of Project 2025 are scheming to institutionalize Donald Trump’s authoritarian vision across all levels of government if he should win.

We’ve already seen events that fill us with both dread and cautious optimism—throughout it all, The Nation has been a bulwark against misinformation and an advocate for bold, principled perspectives. Our dedicated writers have sat down with Kamala Harris and Bernie Sanders for interviews, unpacked the shallow right-wing populist appeals of J.D. Vance, and debated the pathway for a Democratic victory in November.

Stories like these and the one you just read are vital at this critical juncture in our country’s history. Now more than ever, we need clear-eyed and deeply reported independent journalism to make sense of the headlines and sort fact from fiction. Donate today and join our 160-year legacy of speaking truth to power and uplifting the voices of grassroots advocates.

Throughout 2024 and what is likely the defining election of our lifetimes, we need your support to continue publishing the insightful journalism you rely on.

Thank you,
The Editors of The Nation

Ad Policy
x