Debora Barrios-Vasquez Took Sanctuary in a Manhattan Church to Avoid Deportation Debora Barrios-Vasquez Took Sanctuary in a Manhattan Church to Avoid Deportation
Then she wrote a play about it—and gave the story a happier ending.
Oct 22, 2018 / Laura Gottesdiener
Young Jean Lee’s Domestic Surrealism Young Jean Lee’s Domestic Surrealism
In her newest play, Lee offers us a look at the straight white man as a specimen.
Sep 11, 2018 / Alisa Solomon
In Tony Kushner’s America In Tony Kushner’s America
When it first debuted, Angels in America helped mark the rising fortunes of the gay-rights movement in the 1990s and early 2000s. What does it tell us about today?
Aug 1, 2018 / Books & the Arts / Benjamin Serby
Adapting Ibsen for Our Times Adapting Ibsen for Our Times
Along with opportunity, recent revivals of Henrik Ibsen’s classic play An Enemy of the People bring much risk.
May 30, 2018 / Alisa Solomon
Broadway’s Golden-Age Shows and #MeToo Broadway’s Golden-Age Shows and #MeToo
A certain critical consternation awaited the current productions of My Fair Lady and Carousel—and with good reason.
May 24, 2018 / Books & the Arts / Alisa Solomon
How Socially Engaged Activism Is Transforming Cuba How Socially Engaged Activism Is Transforming Cuba
Community-run cultural centers are rejuvenating post-industrial life, especially for a younger generation.
Feb 21, 2018 / Sujatha Fernandes
Bertolt Brecht: Poet of Ill Tidings Bertolt Brecht: Poet of Ill Tidings
In his poetry, Brecht captured a world torn apart by war and depression.
Nov 15, 2017 / Books & the Arts / Noah Isenberg
If Trump Is Julius Caesar, Then Americans Are a Confused and Violent Mob If Trump Is Julius Caesar, Then Americans Are a Confused and Violent Mob
Julius Caesar is hardly an endorsement of assassination—but neither is it the celebration of “small-d democrats” that the Public Theater wants it to be.
Jun 20, 2017 / Column / Katha Pollitt
Adapting ‘Angels in America’ Adapting ‘Angels in America’
Sometimes, adaptation is a form of redundancy. This new opera, based on Tony Kushner’s 1992 play, is something stirring in its own way and unexpectedly timely.
Jun 16, 2017 / David Hajdu
Who Needs the NEA and NEH? Who Needs the NEA and NEH?
What is really lost when we cut public funds for the arts and humanities.
Apr 7, 2017 / David Hajdu