Krapp’s Last Horse Krapp’s Last Horse
With his new play Kicking a Dead Horse, Sam Shepard is still stranded in a prairie of tough-guy cliché.
Oct 7, 2008 / Books & the Arts / Akiva Gottlieb
Back Talk: John Turturro Back Talk: John Turturro
Actor John Turturro discusses his latest project, a production of Beckett's Endgame at the Brooklyn Academy of Music.
May 1, 2008 / Books & the Arts / Christine Smallwood
Tom Stoppard’s Schlock ‘n’ Roll Tom Stoppard’s Schlock ‘n’ Roll
When will we stop living in the '60s?
Feb 26, 2008 / Books & the Arts / J. Gabriel Boylan
Waiting for Godot in a Wasteland Waiting for Godot in a Wasteland
The most devastated neighborhood in America makes an ideal backdrop for a morally ambiguous play about abandonment.
Dec 13, 2007 / Books & the Arts / Billy Sothern
Nixon’s Broadway Revival Nixon’s Broadway Revival
Peter Morgan's new play is highly entertaining; Frank Langella's portrait of Nixon is brutally amusing; yet the play is historically inaccurate.
Jun 27, 2007 / Books & the Arts / Elizabeth Drew
A Dangerous Little Beehive? A Dangerous Little Beehive?
A Cuban children's troupe has performed around the globe but finds it almost impossible to enter the United States.
May 1, 2007 / Books & the Arts / Rosa Miriam Elizalde
Liberalism’s Lost Libretto Liberalism’s Lost Libretto
Tom Stoppard's epic Coast of Utopia speaks as much to the state of the American left as it does to the roots of Russia's revolution.
Feb 22, 2007 / Books & the Arts / Eric Alterman
Beckett at 100 Beckett at 100
No playwright has given plainer witness to the planet's most violent century or borne such loving witness to the dispossessed.
Apr 27, 2006 / Books & the Arts / Margaret Spillane
The World According to Karen Finley The World According to Karen Finley
Performance artist Karen Finley answers questions about politics, satire and her new book, a fantasy affair between George W. Bush and Martha Stewart.
Apr 7, 2006 / Books & the Arts / Bryan Farrell
Too Hot for New York Too Hot for New York
My Name Is Rachel Corrie was a big hit in London, but the New York Theatre Workshop backed off from producing the play. Why is it so hard for Americans to have a healthy debate abo...
Mar 16, 2006 / Books & the Arts / Philip Weiss