Fiction

At Least, At Most: The Novels of Don Carpenter At Least, At Most: The Novels of Don Carpenter

With his plain, weather-beaten prose, Don Carpenter was a good enough novelist not to have to prove it.

Oct 21, 2009 / Books & the Arts / Charles Taylor

Honey and Salt Honey and Salt

Technology has made us capable of exterminating ourselves. In The Year of the Flood, Margaret Atwood wonders what might save us.

Oct 14, 2009 / Books & the Arts / William Deresiewicz

Drunk and Disorderly Drunk and Disorderly

Jean Rhys wrote about women who tangled with class and sexuality on their own terms.

Oct 6, 2009 / Books & the Arts / Phoebe Connelly

Nader’s Road to Utopia Nader’s Road to Utopia

In Ralph Nader's new utopian novel, "only the super-rich can save us."

Sep 23, 2009 / Books & the Arts / Richard Lingeman

Back Talk: E.L. Doctorow Back Talk: E.L. Doctorow

A conversation with the author of Homer and Langley about opting out.

Sep 23, 2009 / Back Talk Conversations / Christine Smallwood

A Domestic Existentialist: On Mercè Rodoreda A Domestic Existentialist: On Mercè Rodoreda

Mercè Rodoreda's fiction plumbs a sadness borne of helplessness, an almost voluptuous vulnerability.

Sep 16, 2009 / Books & the Arts / Natasha Wimmer

Speak as Little as Possible: On Clarice Lispector

Speak as Little as Possible: On Clarice Lispector Speak as Little as Possible: On Clarice Lispector

Novelist Clarice Lispector idealized animals and idiots because they were free of the desire to translate experience into words.

Sep 10, 2009 / Books & the Arts / Rachel Aviv

Aracataca and Sucre Aracataca and Sucre

Will narrowed on a single object and fixed in the face of adversity--such is the recurring story of Gabriel García Márquez's work and life.

Sep 2, 2009 / Books & the Arts / William Deresiewicz

In the Theater of Isak Dinesen In the Theater of Isak Dinesen

A reconsideration of the fictive truths behind a storyteller's many masks.

Aug 12, 2009 / Books & the Arts / Joanna Scott

Iron Hans Iron Hans

Novelist Hans Fallada resented the constraints of the Nazi era but did not desist in his craft.

Jun 24, 2009 / Books & the Arts / Benjamin Lytal

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