Shantala Shivalingappa smolders as she dances the lives of the gods.
Why a production of Prince Igor was a missed opportunity to call a truce between opera and dance.
In 1924, Lidia Ivanova, George Balanchine’s “lost muse,” disappeared on the eve of their company’s first European tour. Was her death an accident?
JT’s backup dancers have made history by winning a union contract for touring artists.
How a choreographer’s love for the basic truths of the body has remained uncompromising.
Alexei Ratmansky’s Shostakovich Trilogy renders the composer’s world and life in the Soviet Union through dance at American Ballet Theatre.