Occupational Hazards Occupational Hazards
One of the greatest paradoxes of the modern era is the relationship between science and rationalism.
Dec 4, 2003 / Books & the Arts / Omer Bartov
A Poet of Multitudes A Poet of Multitudes
Pablo Neruda is often compared to Walt Whitman. In fact, the Chilean poet and Nobel Prize winner outdid Whitman in some respects.
Dec 4, 2003 / Books & the Arts / Jay Parini
Gray’s Anatomy Gray’s Anatomy
We live, it has been said, in a postideological age. Ideologically confused might be more like it.
Dec 4, 2003 / Books & the Arts / Danny Postel
In Our Orbit In Our Orbit
One of the nation's finest historians, Studs Terkel has told the story of twentieth-century America through the voices of ordinary people.
Nov 26, 2003 / Books & the Arts / The Nation
Second Comings Second Comings
To the fleet of symbolic vehicles currently cruising the screen--their number includes the "Pussy Wagon" that Uma Thurman (in Kill Bill) coldly claims as her own--we may now add ...
Nov 26, 2003 / Books & the Arts / Stuart Klawans
Not Beloved Not Beloved
Toni Morrison's slim new novel, Love, may seem, at first glance, to fit within a group of books one could crudely call Morrison Lite, not requiring any heavy lifting from the rea...
Nov 26, 2003 / Books & the Arts / Thulani Davis
Sacred Rage Sacred Rage
Since 9/11, terror has become one of the most fashionable issues on both the American and the international agenda, and almost every publisher has rushed to publish a book writte...
Nov 26, 2003 / Books & the Arts / Baruch Kimmerling
The Century of the ‘Son of a Bitch’ The Century of the ‘Son of a Bitch’
Errol Morris: After you left the Johnson Administration, why didn't you speak out against the Vietnam War?
Nov 26, 2003 / Books & the Arts / Eric Alterman
In the Driftway In the Driftway
This essay, from the November 25, 1931, issue of The Nation, is a special selection from The Nation Digital Archive. If you want to read everything The Nation has ever published, c...
Nov 25, 2003 / The Editors
Ears Wide Open Ears Wide Open
It's a cliché to say that an artist draws his power from his contradictions, but the lives of the great composers provide easy grist for the mill.
Nov 20, 2003 / Books & the Arts / Russell Platt