Our Man in Jazz Our Man in Jazz
Not many people can say they changed the world and make it stick. In Myself Among Others: A Life in Music, George Wein does.
Jun 26, 2003 / Books & the Arts / Gene Santoro
Candid Camera Candid Camera
I have often been asked the difference between movie reviews and film criticism; and after much thought, I've decided the answer is about one week.
Jun 19, 2003 / Books & the Arts / Stuart Klawans
Playing the Field Playing the Field
"In society the homosexual's life must be discreetly concealed. As material for drama, that life must be even more intensely concealed.
Jun 19, 2003 / Books & the Arts / David Kaufman
Bob Hope, Prisoner of War Bob Hope, Prisoner of War
War correspondents frequently suffer from what might be diagnosed as Ernie Pyle Syndrome.
Jun 12, 2003 / Books & the Arts / Francis Davis
The Last Mogul The Last Mogul
Lew Wasserman, who died last summer at 89, was not only the most powerful and influential man in Hollywood over the past half-century but also the most enigmatic.
Jun 12, 2003 / Books & the Arts / Thomas Schatz
Hell’s Angel Hell’s Angel
Romeo Dallaire has the name of a silent-movie star and a face to match: clear eyes, ample mustache, chin of cleft granite.
Jun 5, 2003 / Books & the Arts / Stuart Klawans
Southern Man Southern Man
In 1900 Maurice Denis painted a large canvas titled Hommage à Cézanne, which shows the esteemed master next to one of his paintings and surrounded by a crowd of a...
May 29, 2003 / Books & the Arts / Arthur C. Danto
The Unrepentant Modernist The Unrepentant Modernist
Near the end of Parallels and Paradoxes, a recent collection of dialogues on music and society between the conductor and pianist Daniel Barenboim, music director of the Chicago...
May 29, 2003 / Books & the Arts / Russell Platt
Medium Cool Medium Cool
In the film from which there is no escape and no going back, The Matrix, the writer-director team of Andy and Larry Wachowski presented a grim choice between truth and illusion...
May 22, 2003 / Books & the Arts / Stuart Klawans
Fight Club Fight Club
Writing may be fighting, as Ishmael Reed famously opined, but most writers know the difference. There are, of course, some who blur the line.
May 22, 2003 / Books & the Arts / Adam Shatz