Arts and Entertainment

A Tribe Called Quest A Tribe Called Quest

Walking through the retrospective exhibition of Lee Bontecou, on view at MoMA-Queens, is uncannily like visiting an out-of-the-way museum of natural history, as if her entire wor...

Sep 9, 2004 / Books & the Arts / Arthur C. Danto

Ashes of Time Ashes of Time

It was the perfect setup for an op-ed article: the release, between the Democratic and Republican conventions, of Alien vs.

Aug 26, 2004 / Books & the Arts / Stuart Klawans

Bad Brains Bad Brains

More than once in Jonathan Demme's reimagining of The Manchurian Candidate, a distraught Denzel Washington jabs at his skull and rasps, "They got in here." He means it literally.

Aug 12, 2004 / Books & the Arts / Stuart Klawans

Shadows and Smog Shadows and Smog

I paid to see Will Smith fight legions of robots, and what I got was a trip back to Wabash Street.

Jul 29, 2004 / Books & the Arts / Stuart Klawans

His Majesty, Prince

His Majesty, Prince His Majesty, Prince

The 46th annual Grammy Awards ceremony began with a surprise performance by the pop virtuoso who is once again calling himself Prince.

Jul 15, 2004 / Books & the Arts / Jody Rosen

Brief Encounter Brief Encounter

Like many intelligent women of advanced political beliefs, Celine detests the ideology of the soulmate.

Jul 7, 2004 / Books & the Arts / Stuart Klawans

Body and Soul Body and Soul

In the 1960s, the New York Jewish Museum became the unlikely leading venue for contemporary avant-garde art in America.

Jul 1, 2004 / Books & the Arts / Arthur C. Danto

Moore 1, Media 0 Moore 1, Media 0

I had a swell time at Fahrenheit 9/11, Michael Moore's documentary about George Bush's dubious progress from Florida to Iraq.

Jul 1, 2004 / Books & the Arts / Katha Pollitt

Bob and Ray Bob and Ray

After Ronald Reagan's death, Ray Charles's version of "Amazing Grace," one of Reagan's favorite songs, kept popping up on radio and TV. Why not?

Jun 24, 2004 / Books & the Arts / Gene Santoro

By Way of Deception By Way of Deception

Not the judgment of film critics but the passage of time will decide whether Michael Moore's Fahrenheit 9/11 can change the world. Change, of course, is the whole purpose.

Jun 17, 2004 / Books & the Arts / Stuart Klawans

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