2006 marks Rembrandt's 400th birthday, and an array of exhibitions, from the sublime to the silly, will open in Amsterdam, Washington and beyond. As the aesthetic hype escalates, can great art withstand great commerce? Can consummate genius triumph over cute?
The nation might believe it has moved on from Katrina, from the name so childish and somehow slightly foreign, not Sherry or Ann or Margaret. Moved on from the scenes of dark-skinned people in
2006 marks Rembrandt's 400th birthday, and an array of exhibitions, from the sublime to the silly, will open in Amsterdam, Washington and beyond. As the aesthetic hype escalates, can great art withstand great commerce? Can consummate genius triumph over cute?
Pasted bumpily on brick, life-sized. Inside,
in a former foundry’s casting vault, my father in the role
of Agamemnon died. A thin-browed bronze mask skating
“A shift in the structure of experience…”
As I pass down Broadway this misty late-winter morning,
the city is ever alluring, but thousands of miles to the south
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