Portraits From the Exodus Portraits From the Exodus
Members of the migrant caravans, stranded in Tijuana, explain why they traveled thousands of miles from their homes.
Dec 14, 2018 / Photo Essay / John Washington and Tracie Williams
The Triumph of the Brooklyn Museum’s ‘Soul of a Nation’ The Triumph of the Brooklyn Museum’s ‘Soul of a Nation’
The landmark exhibit captures the revolutionary spirit and powerful introspection of black art in the 1960s and ’70s.
Dec 14, 2018 / Books & the Arts / Barry Schwabsky
War Crimes in Our Name: A Q&A With Shireen Al-Adeimi War Crimes in Our Name: A Q&A With Shireen Al-Adeimi
The outspoken advocate details the plight of her native Yemen—and explains what needs to happen to avoid further disaster.
Dec 14, 2018 / Q&A / Chris Gelardi
Central Banks Versus the People Central Banks Versus the People
World leaders remain oblivious to the long-term dangers of inequality.
Dec 14, 2018 / Nomi Prins
The Senate’s Yemen Vote Proves a More Democratic Foreign Policy Is Possible The Senate’s Yemen Vote Proves a More Democratic Foreign Policy Is Possible
Public outrage over US-Saudi relations may put an end to war—and serve as an important lesson for progressives.
Dec 13, 2018 / Evan Hill
Trump Moves to Gut the Clean Water Act Trump Moves to Gut the Clean Water Act
Another attack on our environment.
Dec 13, 2018 / Michelle Chen
William Barr: Worse Than Jeff Sessions? William Barr: Worse Than Jeff Sessions?
David Cole on Trump’s nominee for attorney general.
Dec 13, 2018 / Jon Wiener
Dear Beto, Andrew, and Stacey—Run Again Dear Beto, Andrew, and Stacey—Run Again
While a 2020 presidential run is tempting, O’Rourke, Gillum, and Abrams could use their political skills and hard-earned notoriety to help progressives win at every level.
Dec 13, 2018 / Steve Phillips
Why Fixing Potholes Is Key to This Mayor’s Radical Political Agenda Why Fixing Potholes Is Key to This Mayor’s Radical Political Agenda
A conversation with Chokwe Antar Lumumba about poverty, race, and building a “dignity economy.”
Dec 13, 2018 / Greg Kaufmann