Jack Newfield on Ted Kennedy, Robert Dreyfuss on Colin Powell's list, Eric Alterman on McCarthyite wing-nuts and Donna Minkowitz on Star Trek.
Thanks to Stephen Metcalf for his informed article "Reading Between the Lines" [Jan. 28]. There is another winner from Bush's education act: Ignite! Learning, which promotes an "innovative approach to standards-based middle school subject matter." In other words, Ignite!'s multimedia, online, interactive program is designed just for those students most affected by the new bill and its emphasis on standardized testing. The chairman and CEO of Ignite! Learning? Neil Bush, the pResident's brother.
Cape Coral, Fla.
Kudos on your article about the Bush family's love affair with standardized testing. Here in Florida, where I teach, Governor Jeb Bush has pushed a test called the Florida Comprehensive Assessment Test. Based on their scores, schools receive a grade that can affect their funding, so ignoring the test is not an option. Good teachers are forced into teaching to a test that does not necessarily represent what a child knows. At the same time, Governor Bush has encouraged the state legislature to cut school funding, so teachers are in a no-win situation--they must get the students ready for a standardized test without the resources to prepare the kids. Thanks for reporting that the real concern is not for children but for the profits to be made by testing companies.
SCOTT B. KILHEFNER
George Bush made a great show of voluntarily taking a drug test. Let's see him volunteer to take the mandatory eighth grade test and promise to reveal his score.
Although Stephen Metcalf correctly alerts us to the way large textbook and testing companies influence education policy, his simplistic view of reading instruction insults many progressive educators who applaud the instructional strategies advocated by the National Reading Panel (NRP). In a simple-minded dichotomy, Metcalf places educators politically into two camps based on their views on phonics. One camp aims to cultivate critical and reflective citizens. The other, which supports systematic phonics, aims to produce minimally competent and uncritical workers for big business.
But understanding that comprehending texts requires critical thinking and reflection has little connection with one's politics or position on phonics. The NRP report and its most recent summary, Put Reading First (www.nifl.gov), devote more pages to vocabulary, comprehension and fluency instruction than to phonics.
Agreement with NRP about systematic phonics is no clue to one's politics. In fact, many progressives hope that approach will close the achievement gap between rich and poor students, at least in the early grades. Most children of well-educated, affluent parents enter school with thousands of hours of literacy preparation, and for them a more casual approach to phonics suffices. Systematic instruction, however, insures that children lacking such backgrounds are introduced to every sound and letter element--the basic tools for true reading comprehension, which goes far beyond simple phonics.
Calling supporters of systematic phonics reactionary lackeys is a harmful simplification that insults many socially committed educators seeking effective ways to narrow the gap between the haves and the have-nots.
Principal Education Consultant
Illinois Board of Education
Note: Ms. Goldsmith-Conley's views are her own, not those of the Illinois Board of Education.
Just when we might have hoped for an end to the politicization of the debate over reading instruction, along comes Stephen Metcalf to keep the battle going. The debate was always scientific and educational, not political: To what extent can written language be acquired naturally (the way spoken language is), and to what extent is structured teaching necessary? Representatives of one theory, whole language, asserted in the 1970s and '80s that written language can be acquired naturally. But whole language contradicted what linguistics and cognitive psychology teach us: that written language is a subtle code for spoken language; learning to read is unlike learning to speak; and explicit instruction--phonics--is essential for many. Although whole language should have been a nonstarter, it had a significant impact because of its political marketing. Whole language wrapped itself in liberation rhetoric, promising such things as "the empowerment of learners and teachers." The right wing was jubilant. Here was a left-wing conspiracy that could imperil children's literacy! A flurry of newsletters and websites appeared attacking the left-wing menace of whole language and vigorously promoting phonics. In the end, as Metcalf makes clear, the phonics counterrevolution found a home in the Bush White House.
Metcalf suggests that we look to the Bush family's links to McGraw-Hill for an explanation of the current situation. I disagree. Metcalf's anecdotes of corruption on the reading front, if true, are a sideshow--a symptom, not a cause. If effective phonics instruction is now inextricably linked to educational trends promoted by "conservatives and business leaders," as Metcalf claims, the progressive community has no one but itself to blame. The war against phonics was a Lysenkoist aberration. It is time to put it to rest. There is no connection between politics and how we should teach children to read, and there never was.
New York City
I would like to clarify several of the misconceptions in Stephen Metcalf's "Reading Between the Lines." McGraw-Hill Education is proud of the role we play in improving student achievement. We have products that meet the standards and pedagogical approaches our customers require. And our materials have demonstrated positive results, especially in the critically important arena of reading.
Results matter. Accountability must be part of the educational system. However, education leaders in all fifty states will determine the appropriate pedagogical approach for their constituents. McGraw-Hill must be prepared to address the needs state and local governments identify. The phonics-based reading programs Metcalf references are but two of a range of programs published by McGraw-Hill. Collectively, these instructional programs represent an approach to reading instruction that is as diverse as the broad-based support this year's education bill received in Congress. Regrettably, Metcalf's one-sided view only examined one successful approach to reading instruction.
We are proud of the collaborative relationships we have with our customers. The products and programs we produce are not created in a vacuum. They are produced using the best research available to us, the input of our customers and our decades of experience.
Metcalf's article also attempted to diminish the Harold W. McGraw Jr. Prize in Education, which in its fourteen-year history has become one of the most prestigious awards in education. Honorees are selected by a highly respected panel of judges, and winners have come from all parts of the academic, pedagogical and political spectrum.
As the nation's largest K-12 textbook publisher, we are committed to improving teaching and learning and will continue to work with our customers and public officials across the nation in pursuit of this goal.
ROBERT E. EVANSON
President, McGraw-Hill Education
New York City
I urge readers to please go back and read my article. I nowhere placed educators into camps, accused phonics of being a waste of time or advertised whole language as a cure for illiteracy, and certainly never reached for so silly a phrase as "reactionary lackeys." Furthermore, I imagine that Elizabeth Goldsmith-Conley and I agree that gifted teachers should use any means necessary to teach children the ABCs, politics be damned. But it is simply a fact: A vocal subset of the phonics constituency is politically motivated. Even a glance at the public record reveals that the "reading wars" is a red-meat issue for social conservatives, many of whom demonize whole language by way of camouflaging the root causes of illiteracy--poverty and the chronic underfunding of schools.
I did argue that the standardized testing industry, controlled by three major publishing companies, now has exactly the education policy it wants--centered on radically expanding standardized testing. It has done this by lobbying heavily and by having a friend in the White House; and an assist should be credited to the enormous prestige business leaders and social conservatives wield in educational circles, at the local, state and now federal level. Educators of any political stripe must be happy with increased attention and funding, but phonics and testing are often promoted by conservatives as virtually cost-free solutions to a broken system. I know no serious educator, progressive or otherwise, who can swallow this without gagging.
The reading wars, sadly, do continue--not because a handful of flat-earthers refuse to acknowledge good science but because the supposedly ironclad scientific neutrality (not to mention validity) of the NRP's work has come under serious fire. Even a cursory examination of the NRP report--as opposed to its widely circulated summary--reveals that science has not determined a straightforward, uniform prescription for reading failure; that the panel's findings were often quite narrow and based on dubious interpretations of the research; and that the summary overstated (to put it mildly) the panel's conclusions. Nonetheless, the report was presented to policy-makers, educators and the public as the end of the reading wars by a publicist whose prominent clients include McGraw-Hill, which in turn stands to profit mightily from a Bush reading plan based in its specifics on--guess what?--the NRP report. I leave it to readers--Lysenkoist, Taoist, Maoist and otherwise--to conclude whether they prefer their educational policies to travel this route into public consciousness and federal legislation.
It's hard to imagine a better example of the new market paradigm for public education than Robert Evanson's letter, where we hear (three times) about "customers," as well as politicians and their "constituents," but nothing about teachers or students. As to his suggestion that my article was "one-sided," I never felt any burden to address McGraw-Hill's entire product line when pointing out the controversy over two of its programs--and still don't. I did not diminish the McGraw Prize, though a glance at the roster of past winners reveals a curious number of superintendents--Secretary of Education Rod Paige, Los Angeles super Roy Romer and recent winners Nancy Grasmick and Carl Cohn--who have adopted or promoted Open Court, one of McGraw-Hill's primary phonics programs. Maybe we should retain a qualified researcher to tell us if this is statistically random.
Did George W. Bush once have a financial relationship with Enron? In 1986, according to a publicly available record, the two drilled for oil together--at a time when Bush was a none-too-successful oil man in Texas, and his oil venture was in dire need of help. (In early March The Nation broke the story on its website; two days later the New York Times covered this Bush-Enron deal.)
In 1986 Spectrum 7, a privately owned oil company chaired by Bush, faced serious trouble. Two years earlier Bush had merged his failing Bush Exploration Company with the profitable Spectrum 7, where he was named the company's chief executive and director. Bush was paid $75,000 a year and handed 1.1 million shares, according to First Son, Bill Minutaglio's biography of Bush. Bush ended up owning about 15 percent of Spectrum 7. By the end of 1985 Spectrum's fortunes had reversed. With oil prices falling, the company was losing money and on the verge of collapse. To save the firm, Bush began negotiations to sell Spectrum 7 to Harken Energy, a large Dallas-based energy company mostly owned by billionaire George Soros, Saudi businessman Abdullah Taha Baksh and the Harvard Management Corporation.
In September 1986 Spectrum 7 and Harken announced a plan under which Spectrum 7 shareholders would receive Harken stock. Bush said publicly that Spectrum 7 would continue to operate in Midland, Texas, as a wholly owned subsidiary of Harken and that he would become an active member of Harken's board of directors. As Minutaglio reports, the deal would give Bush about $600,000 in Harken shares and $50,000 to $120,000 a year in consultant's fees. It also would provide $2.25 million in Harken stock for a company with a net value of close to $1.8 million.
As the details of the Spectrum-Harken acquisition--which Bush badly needed--were being finalized, Enron Oil and Gas Company, a subsidiary of Enron Corporation, announced on October 16, 1986, a new well producing both oil and natural gas. A press release reported that the well was producing 24,000 cubic feet of natural gas and 411 barrels of oil per day in the Belspec Fusselman Field, fifteen miles northeast of Midland. Enron held a 52 percent interest in the well. According to the announcement, 10 percent belonged to Spectrum 7. At that point, Spectrum 7 was still Bush's company. Harken's completion of the Spectrum 7 acquisition was announced in early November.
To spell it out: George W. Bush and Enron Oil and Gas were in business together in 1986--when Ken Lay was head of Enron. (Lay was named Enron chairman in February of that year.) How did this deal come about? Was this the only project in which Bush and Enron were partners? The White House did not respond to a request for information but later was quoted as saying there had been nothing unusual about the arrangement. Spokeswomen for Enron and EOG Resources (formerly Enron Oil and Gas) said they could not provide information on the well or on other possible Bush-Enron ventures.
Does the relationship between the younger Bush and Lay go back further than heretofore reported--to the mid-1980s? The deal could have happened with no contact between Lay and Bush. But most company heads would be quite interested to know that the son of a sitting Vice President had invested in one of their enterprises. Is it possible that Bush and Spectrum 7 received undue consideration from Enron? Given Enron's penchant for using political ties to win and protect business opportunities, it's tough not to wonder whether this Bush-Enron venture involved special arrangements. This is one more Enron partnership that deserves scrutiny--especially since George W. Bush failed to acknowledge it before the details became public. The Spectrum-Enron deal is either an odd historical coincidence or an indication that there's more to learn about the Bush-Enron association.
An awakened sense of outrage has reporters and members of Congress playing a fierce game of hounds and hares with Enron executives and other bandits, which is most fortunate for Alan Greenspan. If the Federal Reserve were not treated with such deferential sanctimony, its chairman would also face browbeating questions concerning his role in unhinging the lately departed prosperity. Newly available evidence supports an accusation of gross duplicity and monumental error in the ways that Greenspan first permitted the stock market's illusions to develop into an out-of-control price bubble and then clumsily covered his mistake by whacking the entire economy. These offenses are not as sexy as criminal fraud but had more devastating consequences for the country.
The supporting evidence is found in newly released transcripts of the private policy deliberations of the Federal Open Market Committee (FOMC) back in 1996--the fateful season when the froth of asset-price inflation was already visible in the stock market. In a series of exchanges, one Fed governor, Lawrence Lindsey (now the President's chief economic adviser), described with prescient accuracy a dangerous condition that was developing and urged Greenspan to act. Greenspan agreed with his diagnosis, but demurred. If Greenspan had acted on Lindsey's observations, the last half of the nineties might have been different--a less giddy explosion of stock market prices without the horrendous financial losses and economic dislocations that are still unwinding.
Lindsey described back in 1996 a "gambler's curse" of excessive optimism that was already displacing rational valuations on Wall Street. The investment boom in high-tech companies and the rising stock prices were feeding off each other's inflated expectations, he explained, and investors embraced the improbable notion that earnings growth of 11.5 percent per year would continue indefinitely. "Readers of this transcript five years from now can check this fearless prediction: profits will fall short of this expectation," Lindsey said. Boy, was he right. The Federal Reserve has the power to cool off such a price inflation by imposing higher margin requirements on stock investors, who borrow from their brokers to buy more shares. That is what Lindsey recommended.
"As in the United States in the late 1920s and Japan in the late 1980s, the case for a central bank ultimately to burst the bubble becomes overwhelming," he told his Fed colleagues. Acting pre-emptively is crucial; if the regulators wait too long, any remedial measure may be destabilizing. "I think it is far better to do so while the bubble still resembles surface froth and before the bubble carries the economy to stratospheric heights," Lindsey warned.
Greenspan lacked the nerve (or the wisdom) to follow this advice. The chairman did make a celebrated speech in December 1996 observing the danger of "irrational exuberance" in the stock market, but he did nothing to interfere with it. In the privacy of the FOMC, the chairman agreed with Lindsey's diagnosis. "I recognize that there is a stock-market bubble problem at this point [the fall of 1996], and I agree with Governor Lindsey that this is a problem we should keep an eye on," Greenspan said. Raising the margin requirements on stock market lending would correct it, he agreed, but he worried about the impact on financial markets. "I guarantee that if you want to get rid of the bubble, whatever it is, that will do it," Greenspan said. "My concern is that I am not sure what else it will do."
In hindsight it's clear the Federal Reserve chairman got it wrong. But his private remarks in 1996 also reveal flagrant duplicity. As the market bubble grew more extreme and many called for action by the Fed, Greenspan repeatedly dismissed criticism by explaining that raising the margin requirements would have no effect. In testimony before the Senate Banking Committee in January 2000, Greenspan said that "the reason over the years that we have been reluctant to use the margin authorities which we currently have is that all of the studies have suggested that the level of stock prices have nothing to do with margin requirements."
By 1999 the stock market was in the full flush of the gambler's curse--remember Dow 36,000?--and at that point Greenspan finally did act. But instead of tightening credit for stock investors, Greenspan proceeded to tighten credit for the entire economy, steadily raising interest rates in 1999 and 2000 until the long-running expansion expired. So did the stock market bubble (although stock prices remain very high by historical standards). Greenspan has always denied that this action was designed to target the bubble, but Bob Woodward, who wrote an admiring account of Greenspan's years at the Fed, reported that the "Maestro" was stealthily deflating the bubble by slowing the economy. Greenspan got that wrong too, since a recession resulted.
Millions of Americans are now paying the price, either as hapless investors or unemployed workers. The democratic scandal is that public officials are supposed to be held accountable for their actions, including human error. Accountability is impossible when the Fed chairman is allowed to make policy decisions in closed meetings and keep his true opinions secret for five years. The FOMC's verbatim meeting minutes should be shared with the citizens who will be affected and made available for timely political debate. When reformers get finished with the funny-money accounting at Enron, they might turn their attention to some holy illusions surrounding the Federal Reserve.
Dennis Kucinich never doubted that millions of Americans had deep concerns about George W. Bush's ever-expanding war on ill-defined foes abroad and on civil liberties at home. But the Congressional Progressive Caucus chair admits he underestimated the depth of the discomfort until February 17, when he delivered a speech to the Southern California Americans for Democratic Action, in which he declared, "Let us pray that our country will stop this war."
Recalling the Congressional vote authorizing the President's response to the September 11 terrorist attacks--a resolution supported by Kucinich and all but one member of Congress, California Democrat Barbara Lee--the Ohioan thundered, "We did not authorize an eye for an eye. Nor did we ask that the blood of innocent people, who perished on September 11, be avenged with the blood of innocent villagers in Afghanistan. We did not authorize the Administration to wage war anytime, anywhere, anyhow it pleases. We did not authorize war without end. We did not authorize a permanent war economy. Yet we are upon the threshold of a permanent war economy."
Kucinich's "Prayer for America" speech was interrupted by repeated standing ovations. But the real measure of the message's resonance came as the text of the speech circulated on the Internet--where a genuine worldwide web of opposition to the Administration's actions led to the posting of Kucinich's words on websites (including www.thenation.com) and dispatched them via e-mail. Within days, Kucinich received 10,000-plus e-mails. Many echoed New Jerseyan Thomas Minet's sentiments: "Since the 'Axis of Evil' State of the Union Address, I have been searching like Diogenes with his lantern for one honest person in Congress who would have the guts to speak out about the attack on Democracy being mounted by the Bush Administration. It has been a frustrating search indeed, and I was just about ready to give up hope when I ran across 'A Prayer for America.' Thank God for this man's courage." Others simply read, "Kucinich for President."
For Kucinich, a former Cleveland mayor who led Democratic opposition to the US bombing of Yugoslavia and proposed establishing a Cabinet-level Department of Peace, speaking out against military adventuring is not new. But he says he's never experienced so immediate and enthusiastic a response. "We can't print out the messages as fast as we are receiving them," he says. "But I've read through a lot of them now, and they touch on the same themes: The Administration's actions are no longer appropriate, and it is time for Congress to start asking questions. The people understand something most of Congress does not: There is nothing unpatriotic about challenging this Administration's policies."
Kucinich was not the first Congressmember to express concern about Bush's plans. Lee cast her cautionary vote in September. In October, responding to reports of civilian casualties in Afghanistan, Representative Jim McDermott criticized the speed with which the Administration had taken military action and the failure of the White House to adequately consult Congress. In December, Kucinich, McDermott and Lee joined five other House Democrats in signing a letter to Bush, written by Representative Tammy Baldwin, which noted, "We are concerned by those in your Administration and among our own ranks in the Congress who appear to be making the case for broad expansion of this military campaign beyond Afghanistan. Without presenting clear and compelling evidence that other nations were involved in the September 11 attacks, it is inappropriate to expand the conflict." Another letter, by Representative Peter DeFazio, called on the White House to comply with the War Powers Resolution before expanding the war. In February Senator Robert Byrd said that Congress should no longer hand the President a "blank check." Senate majority leader Tom Daschle suggested the war "will have failed" without the capture of Osama bin Laden--a statement rebuked by Republicans, who want no measure of success or failure applied to this war.
But Kucinich's speech was a clarion call. "For most people, Kucinich's speech represents the clearest Congressional criticism they have heard about the conduct of the war, and of the Administration's plans to expand it. That's enormously significant," said Midge Miller, who helped launch Senator Eugene McCarthy's antiwar challenge to President Lyndon Johnson in 1967. "Citizens look for Congressional opposition to organize around--they look for leaders to say something. When I read Kucinich's speech, I thought, This could be a turning point."
It has certainly been a turning point for Kucinich. Overwhelmed by invitations to speak, he says his top priority will be to work with Baldwin and others to encourage a broader Congressional debate over international priorities, Pentagon spending and the stifling of dissent. Expect battles in the House Democratic Caucus, where minority leader Dick Gephardt has been more cautious than Daschle about criticizing Bush. But Kucinich thinks more Democrats will begin to echo Senator Byrd's challenge to blank-check military spending in a time of tight budgets. Kucinich plans to encourage grassroots activists to tell members of Congress it is not merely necessary but politically safe to challenge "the Patriot Games, the Mind Games, the War Games of an unelected President and his unelected Vice President."
Kucinich, whose working-class district elected a conservative Republican before him, is confident Democrats from even the most competitive districts can safely join him in questioning the war. "The key," he says, "is to recognize that there is a great deal of unity in America around some basic values: peace and security, protection of the planet, a good quality of life for themselves and for others. When people express their patriotism, they are not saying--as some would suggest--that they no longer believe in these things. There's nothing unpatriotic about asserting human values and defending democratic principles. A lot of Americans are telling me this is the highest form of patriotism."
Boston's Bernard Cardinal Law deserves the Watergate Award for Obfuscatory Declamation: He has characterized his nearly two decades of cover-up of felonies--namely, the rape and molestation of hundreds of Boston-area children by scores of priests--as "tragically incorrect." Records uncovered by the Boston Globe's Spotlight Team disclose the shocking extent to which Law's cold-shouldering of young victims made him an enabler of known recidivist pedophiles, including former priest John Geoghan, whose thirty-six-year spree of child sexual exploitation ended in a prison sentence on February 21.
Over and over, Law sought to pay hush money to victims of known molesters and then moved the predators to new parishes, where they once again had access to children. For years Law counted on the cooperation of several judges who, sharing his belief that the faith of rank-and-file church members might not survive a reckoning with the truth about the priestly criminals in their midst, moved to seal archdiocese files. Even as the child-rape stories were breaking, Law permitted his lawyers to pursue a defense based on "comparative negligence"--the theory that the abuse was partially due to victims' negligence.
Ever since Superior Court Judge Constance Sweeney's November ruling forced public release of documents detailing the crimes, the Cardinal's voice has had a from-the-bunker timbre. At his official residence, Law has been hunkered down with wealthy male advisers from Boston's Catholic elite--bankers, executives, university presidents and politicians who together calibrate the spin of each statement that issues from the Chancery. But sometimes a furious Law bursts through the kitchen-cabinet insulation: His Nixonian response to the news that nearly half of polled Boston Catholics want him to resign--including those faithful who keep a Law-Must-Go vigil in front of his residence--was to declare them enemies of the Church. His persistent disparagement of the Globe reporters who sued to unseal those documents is not a response to stress; it's his longstanding M.O. In 1992, after the Globe exposed Father James Porter as a serial rapist, the cosmopolitan Harvard-man Cardinal inveighed, "By all means, we call down God's power upon the media, particularly the Globe."
While the US Catholic Church has so far paid out $1 billion in settlements for clerical molestation cases, the predator priests are less emblems of fatal flaws in doctrine--including the doctrine of celibacy--than they are evidence of the mortal danger posed by any institutional leadership that perpetuates the myth that it is answerable to no laws but its own. (This presumption of immunity has taken an ominous new turn, as bishops across the country fling priests alleged to have molested from their jobs: As one Massachusetts picket sign reads: There Is No Due Process in Cardinal's Law.) Protestants have sustained public-relations catastrophes and paid huge sums for years of cover-ups: In December the Anglican Church of Canada announced that ten of its thirty dioceses are facing bankruptcy as a result of child sexual-abuse claims. Australian Governor General Peter Hollingworth faces mounting cries for his resignation since evidence surfaced that while he was an archbishop, he grossly mishandled cases of pedophilia. The children sexually exploited by Deacon Robert Tardy of Washington's Peace Baptist Church have never heard one word of apology from church authorities. Predators and their protectors are also ensconced within synagogue walls. This past summer Boca Raton's Jerrold Levy, rabbi of the largest Reform congregation in the South, was prosecuted for procuring underage boys in four states via the Internet. After he was convicted on one count, federal prosecutors abruptly reversed their sentencing recommendation from sixty years to six and a half, reportedly because of pressure from influential synagogue members. Several weeks ago Cantor Howard Nevison of Manhattan's famed Temple Emanu-El was arrested for an alleged two-generation-long rampage of child rape; some suspect his low bail is connected to Manhattan DA Robert Morgenthau's position as a trustee of Nevison's temple.
As Law's regime wrapped a blanket around criminals in the priesthood, it swung a terrible swift sword in the direction of women aspiring to fuller participation in Catholic liturgy. Two years ago, an organization called Massachusetts Women-Church, made up primarily of lifelong-Catholic mothers and grandmothers advocating the ordination of women, was banned by Law from church-affiliated buildings. When members picketed outside a church, Law shouted at them, "You are in violation of your faith!"
Treating women as contaminants and children as invisible while coddling criminals in Roman collars allowed Boston's imperial bishopric to shore up support for Law's real goal: making a permanent move to Rome as the first American Pope. If Law had been, say, director of a daycare center or a summer camp, he would probably be on his way to jail. But with powerful people at his elbows, Law is as unlikely to serve prison time as he was to let the violated bodies of children get in the way of his career building. When Boston Catholics finally force him out, he'll probably be humming "My Way" as he packs his bags.
It's been six months since nineteen fanatics controlled by Al Qaeda seized four airliners and wreaked bloody, fiery havoc on the United States. In the aftermath, stunned and angry Americans gave the Bush Administration their full-throated support for a war against the perpetrators of the atrocities and those who directed, financed or harbored them. Now, at the half-year mark, Bush's approval rating for this war still hovers above 80 percent, but hairline cracks are appearing in the consensus.
As John Nichols reports in this issue, Representative Dennis Kucinich's recent speech criticizing Bush's war went where no Democrat had gone before. His message--that Americans had not enlisted for the wider military effort the Administration is now undertaking or for the curtailment of civil liberties at home--evidently struck a nerve. Meanwhile, on Capitol Hill, Senator Robert Byrd lectured Deputy Secretary of Defense Paul Wolfowitz that there would be no more blank checks for the Pentagon, while Senate majority leader Tom Daschle mildly reproached the Administration by asking whatever happened to Osama bin Laden and Muhammad Omar.
Daschle's cautious criticism struck a Republican nerve. Senate minority leader Trent Lott blasted Daschle for trying to "divide the country." But the ancient dodge of hiding behind what Senator John Kerry in a recent speech called the "false cloak of patriotism" may not work this time around. Polls show that a majority of respondents don't want Bush to expand the war beyond Afghanistan unless there is hard evidence that the nation targeted is harboring terrorists. The renewal of fighting in Afghanistan with US troops heavily engaged is a reminder that there is an unfinished job in Afghanistan, not only mopping up Taliban and Al Qaeda remnants but helping the central government extend its writ outside Kabul. This is no time to embark on a global crusade against nebulous "evil."
The casualties US forces have been taking in the new fighting will mute the criticism, but Democrats, who had unwisely pledged to allow "no daylight" between them and Bush on the war, seem to be positioning themselves to begin asking some impolite questions. These are long overdue. The Administration has recently been committing US troops to a series of problematic missions, none of them more than distantly related to the original war on Al Qaeda authorized by Congress. In the strategically important Philippines, US "trainers" are in country aiding the hunt for a band of kidnappers; in Georgia US instructors will be at risk of becoming caught up in a civil war. There is high-level talk about committing US combat troops to Colombia's civil war, cynically transforming counternarcotics into counterterrorism. And then there is Iraq, glittering prize for a politically potent alliance of Pentagon hawks and Beltway conservatives.
Now that Democrats in Congress have regained their lost voice, they should use it more--asking tough questions, grilling officials about the new commitments, about exit and entrance strategies (i.e., what objectives are these troops being sent to achieve?). One might think Congress would be in a feisty mood these days after the way this Administration has ignored it--not even telling it about those secret bunkers where senior officials will ride out a terrorist strike. Apparently, the White House thinks Congress is expendable. It's certainly conducting the war as if it does.
The news that the Pentagon had secret contingency plans to fight terrorism with nuclear weapons has the marks not of considered military doctrine but rather of an infantile tantrum born of the Bu
Nation pay rates, you may have heard from brother Trillin, are not those of Condé Nast. Every once in a while I don't mind this, because the job just kind of does itself. Take this week: I couldn't decide which of the many McCarthyite wing-nuts currently accusing ex-lovers and comrades of being liars, gay-bashers, anti-Semites and spouse-abusers merited an entire column. None of them did. But hey, I got a column out of just trying to figure it out.
(1) Weekly Standard writer David Frum took a job as a supposedly anonymous White House speechwriter. But his wife, novelist Danielle Crittenden (yes, she's the one who tells women to use their husband's name professionally but doesn't bother with that silliness herself), could not bear to see hubby's genius go unrecognized and sent out a mass e-mail claiming his authorship for Bush's nonsensical "axis of evil" formulation. Tim Noah, Slate's Cindy Adams, owns this baby. He published the offending e-mail. ("It's not often a phrase one writes gains national notice...so I hope you'll indulge my wifely pride in seeing this one repeated in headlines everywhere!!") He quoted her stepdaddy's Canadian newspaper telling the same tale. And he cited other possible authors. Later Frum, thinking twice, decided Bush had thunk it up all by his lonesome. (When you think about it, it's just foolish enough...) Anyway, speechwriters are not supposed to take credit for anything, even dumb ideas, and now Davy's unemployed. Bob Novak blames wifey's e-mail. Davy says Bobby's a liar and he was quitting anyway. Now, "Nofacts" is a well-known McCarthyite fabulist, but Mr. Crittenden does not improve his own credibility much by claiming that W. has "proven himself to be one of the great presidents of American history." So who's really writing fiction here? You be the judge.
(2) Wall Street Journal editorial writer John Fund has landed on Page Six in a bizarre tale that is almost too weird to write down. It seems that a woman with whom Fund had an affair twenty years ago named Melinda Pillsbury Foster sent her daughter, Morgan, to look up Fund when she came to town. One thing led to another and the results appear to have been a live-in relationship and an abortion. This is strange enough for a Wall Street Journal editorial writer who, although very much a gentleman in person, penned some of the most vicious and irresponsible material about Clinton and the Democrats outside the columns of this magazine. (Fund is also a ghostwriter for Rush Limbaugh and, irony of ironies, is widely believed to be the source of Matt Drudge's libelous claim that Sidney Blumenthal is a wife-beater.) Anyway, things did not exactly work out. Mother and daughter decided to take their revenge by uploading onto the web a taped telephone call in which John attempts to reconcile his support for Morgan's abortion with his "family values" politics. They then informed the media that John and Morgan had decided to wed after all. This turned out to be false, but the next thing you know, Fund is gone from the Journal's editorial page, arrested in Manhattan for battery of Melinda and under a restraining order. (Join me for a moment in imagining what the Wall Street Journal/Washington Times/New York Post/Fox News/Rush Limbaugh/American Spectator scandal machine would do with this crazy story if it were about, say, Frank Rich.) In the meantime, I am inclined to accept Fund's denials absent contrary evidence. Politically the man may be a menace, but his accusers have already proven themselves to be--to coin a phrase--"a little bit nutty." You pays your money and you picks your liar.
(3) Ever wonder what it must have felt like to be a right-winger and lay your hands on Whittaker Chambers's Witness for the first time? Run, don't walk to your corner bookstore. David Brock's Blinded by the Right: The Conscience of an Ex-Conservative is a liberal's Stairway to Heaven. Absolutely everything we thought about these bozos in the vast right-wing conspiracy turns out to be true and then some. Meet Anti-Semite Ann Coulter, Homophobe Johnny Podhoretz, Lovesick Matt Drudge, etc. Like Chambers, Brock is a confessed liar, an ex-ideologue and a formerly closeted homosexual who conspired with people and publications specializing in McCarthyite slander of innocent liberals, minorities and gays. For Chambers fans, anyway, that should do it.
(4) Washington Post writer Michael Kelly says of his column: "It's not that important to me.... It's a busman's holiday." Here I am pretty confident Kelly is telling the truth. Complaining of a negative reference to the State of the Union in a New York Times Op-Ed by Mark Lilla, Kelly, who edits both National Journal and The Atlantic Monthly, recently joked that the author was "a professor of something called social thought (presumably, there are professors of antisocial thought too, but no one knows who they are since they won't answer the phone)." LOL. Apparently nobody at the Post takes Kelly's column seriously either. Had Kelly spent a few minutes on research, he might have discovered that the University of Chicago's Committee on Social Thought has been the home of such nobodies as Friedrich Hayek, Hannah Arendt, Harold Rosenberg, Saul Bellow and Allan Bloom. Today the novelist J.M. Coetzee, the poet Mark Strand and George Bush's favorite bioethicist, Leon Kass, all hang their homburgs there alongside that of Lilla, who is also the ex-editor of the neoconservative Public Interest. Since none of the above are pacifists--or as Kelly would put it, "evil...objectively pro-terrorist.... Liars. Frauds. Hypocrites"--perhaps one might even rate a contribution to the once-great Atlantic.
(5) Speaking of verbal diarrhea, Scaife-funded David Horowitz has just published another of his entertainingly insane pamphlets; this one joining fellow McCarthyite Andrew Sullivan in blaming the "Fifth Column" left for September 11. Last time I mentioned Horowitz, he responded, "Eric Alterman apparently thinks lying is a form of mooning." I don't know what that means, but it does confirm my long-held belief that one Panther-loving Commie-turned-reactionary-racebaiter sure does spend a lot of time with his head up his ass.
A place was found for Mr. Cheney
Where, even if the missiles rain, he
Can carry on his governing nonstop.
They then found bunkers down so far
That closed-lip Bushies even are
More secretive than they have been on top.
So if some heinous act occurred,
Our continuity's assured:
The government will run forevermore.
And since the Congress has no caves,
There'll be no Waxmans to make waves--
Which should make things much smoother than before.
Let's start with Baruch Kimmerling, a sociologist at Hebrew University. Here's what he published in the Jerusalem weekly Kol Ha'Ir last month: "I accuse Ariel Sharon of creating a process in which he will not only intensify the reciprocal bloodshed, but is liable to instigate a regional war and partial or nearly complete ethnic cleansing of the Arabs in the 'Land of Israel.'
"I accuse every Labor Party minister in this government of cooperating for implementation [of] the right wing's extremist, fascist 'vision' for Israel.
"I accuse the Palestinian leadership, and primarily Yasir Arafat, of shortsightedness so extreme that it has become a collaborator in Sharon's plans. If there is a second Naqba (Palestinian Holocaust), this leadership, too, will be among the causes.
"I accuse the military leadership, spurred by the national leadership, of inciting public opinion, under a cloak of supposed military professionalism, against the Palestinians. Never before in Israel have so many generals in uniform, former generals, and past members of the military intelligence, sometimes disguised as 'academics,' taken part in public brainwashing....
"I accuse the administrators of Israel's electronic media of giving various military spokespeople the access needed for an aggressive, bellicose, almost complete takeover of the public discourse....
"I accuse everyone who sees and knows all of this of doing nothing to prevent the emerging catastrophe. Sabra and Shatila events were nothing compared to what has happened and what is going to happen to us. We have to go out not only to the town squares, but also to the checkpoints. We have to speak to the soldiers in the tanks and the troop carriers....
"And I accuse myself of knowing all of this, yet crying little and keeping quiet too often."
From the press here we learn all the time of the pressure of public opinion on Sharon and his government to bear down even harder on the Palestinians. I just listened to NPR's Linda Gradstein quoting one "expert" after another in Israel to this effect. But if public opinion here is crucial in pressuring US administrations to some measure of constructive intervention (as opposed to carte blanche for Sharon and his band of criminals), then we should be hearing every day of the passionate opposition to Sharon of people like Kimmerling.
There are many others you don't read about here. Take the courageous people in the Ta'ayush movement. On their website (taayush.tripod.com/taayush.html) you'll see the words "Arab-Jewish Partnership," and then you'll be able to scroll through one action after another in which they have braved police and army beatings, marching to beleaguered and often bulldozed Palestinian villages to stand shoulder to shoulder with the victims. Here's what Professor Neve Gordon of Ben-Gurion University wrote March 6 to Roane Carey, my editor at The Nation: "As to the situation here, it is getting unbearable by the day. We tried to dismantle a roadblock the other day near Hebrew U and were beaten by the police. Three women had their hands broken, one had her head opened. I was beaten while in custody with my hands handcuffed behind my back. Sharon bombed Gaza this morning...."
Plenty of people in Israel see well enough that repression will not work. In December Ami Ayalon, a former head of Shabak, Israel's security service, told Le Monde, "We say the Palestinians behave like 'madmen,' but it is not madness but a bottomless despair.... Yasir Arafat neither prepared nor triggered the intifada. The explosion was spontaneous, against Israel, as all hope for the end of occupation disappeared, and against the Palestinian Authority, its corruption, its impotence.
"I favor unconditional withdrawal from the territories-- preferably in the context of an agreement, but not necessarily: What needs to be done, urgently, is to withdraw from the territories. And a true withdrawal.... If [the Palestinians] proclaim their own state, Israel should be the first to recognize it and to propose state to state negotiations, without conditions." There have been public statements from other Israeli security personnel bearing on the same theme--that the present strategy of extreme repression is doomed to fail and that some form of phased withdrawal is in order.
Is there anything to the Saudi proposal? After all, its suggested bargain--recognition of Israel from the Arab countries in return for Israeli withdrawal to the pre-1967 borders--is over thirty years old. Israeli journalist Meron Benvenisti had the right angle in his February 28 Ha'aretz column: "No illusion is more dangerous than the idea being sold that 'the conflict with the Palestinians is small and incidental. We can solve the conflict with the entire Arab world.' It was long ago proven that there is no solution to the Israeli-Arab conflict without a solution to the conflict with the Palestinians--and that is what the Saudi initiative is all about."
The Bush Administration, criminally negligent in its cowardice to engage with this crisis, says the Saudi idea has merit, by which it indicates well enough the standard operating procedure for such proposals. As summed up by Uri Avnery, head of Israel's Gush Shalom (Peace Bloc): "In Israel, every international initiative designed to put an end to the conflict passes through three stages: (a) denial, (b) misrepresentation, (c) liquidation. That's how the Sharon-Peres government will deal with this one, too."
The press here has for decades been as culpable as the government. No administration will ever exert itself positively without popular pressure, and the role of the media has been to avert such pressure by suppressing opposition voices. Here's one thing you can do: Jewish Voices Against the Occupation is running an ad campaign calling for the evacuation of all settlements, return to pre-1967 borders, suspension of US military aid till the end of the occupation and the establishment of an international peacekeeping force. JVAO's Bluma Goldstein tells me 450 have signed it so far and $30,000 has been raised toward the necessary $37,750. JVAO is at PO Box 11606, Berkeley, CA 94712, and www.jvao.org. Remember Kimmerling's line, "And I accuse myself of knowing all of this, yet crying little and keeping quiet too often."
In my last column, I mentioned that most actual drug users are young white people, even though most of those "profiled" as drug users are people of color. Indeed, according to the Sentencing Project, 72 percent of all illegal drug users are white.
But profiling is further vexed by the eternal question of how one determines who is white and who is not. In today's diasporic world, racial identity or "whiteness" is less determined by lines of "blood" or descent than it once was in certain Southern states. Today, whiteness is more dominantly a matter of appearance, based on malleable aesthetic trends.
This point--the malleability of how we assign "race" to people--is certainly illustrated by the example of Noelle Bush, to whom I referred as white. I received much mail insisting that she is not in fact white but Latina "because her mother is." It's an interesting question, this: the potential tension between "actual" and actuarial determinations of race. But first, let us agree that although there is no biological reality of race, the force of race is a powerful if constantly negotiated sociocultural construction, and has been since colonial times. Second, allow me to sidestep for now the complex anthropology of whether being Latina is determined matrilineally, thus canceling out her conspicuous Puritan patrimony. Third, let us also agree that recent migrations from Latin America have increasingly complicated national demographics as historically inflected by Jim Crow laws. And so, while "Latina" seems to be used as a racial category when it comes to most compilations of criminal justice statistics (meaning brown people from south of the border, of mixed Spanish, African and Native American descent), the reality is that not all Latinos are people of color. Indeed, "Latino" is perhaps more accurately understood as a broad linguistic, regional and cultural category rather than a racial one.
In any event, I called Ms. Bush white because, in photographs, that's what she looked like to me, admittedly through all the filters of my particular geographic and generational prism. At the same time, a number of letters pointed out that Noelle Bush and her brother are the grandchildren whom George Bush the Elder once described as "the little brown ones." This underscores the essential irrationality of profiling by appearance alone: If old George and I (just let your imagination wander here) were working as airport screeners, side by side and in accordance with the logic of most racially based profiling guidelines, he'd have stopped her, and I'd have waved her through. "But she's really..." has no fixed meaning in such profiling. This is not a new aspect of racial scrutiny; in generations past, perhaps, Noelle Bush's status might have been familiar as that of Tragic Mulatta. In today's more global context, I re-examine her picture and note how she resembles supermodel Christy Turlington--herself endlessly exploited for the vaguely "exotic" racial ambiguity that her mother's Ecuadorean "blood" supposedly lends her. But however one may or may not want to classify Ms. Bush, the existence of a confused limbo of those who can "pass" does not alter the fact that once classified as "suspect," as are too many of the unambiguously dark-skinned, the license of heightened investigation significantly colors the fundamental counterpresumption of innocent until proven guilty.
Let me shift topics here. One striking feature of virtually all the letters I received was the application of the word "smug" to my description of "Governor Jeb Bush's poor daughter, Noelle." This attribution was attended by detailed accusations, all starting with the word "impliedly." I impliedly took delight in the Bush family's suffering. I impliedly reveled in her getting what she deserved. I impliedly used the daughter to make fun of the father.
A little clarification is perhaps in order. When I said "poor Noelle," I meant it, with no irony attached. Whether fueled by biological predisposition or depression, substance abuse knows no political, class or ethnic boundary. Poor Prince Harry, poor Betty Ford, poor Robert Downey Jr., poor not-a-few Kennedys. I don't find a single bit of enjoyment in what is clearly a pervasive modern crisis. If one must project, let me provide some guidance. I see our crisis of drug dependency as a medical or mental health issue rather than a criminal cause. This stance obviously places me at odds with the Prohibition-era policies of Jeb and both Georges. It doesn't mean I doubt that Governor Bush is less desperately concerned about the fate of his daughter than any other father. He believes the war on drugs is to the greater good; I think it woefully misguided. Asserting such disagreement about the efficacy of policy is democratic, not inherently disrespectful.
I also agree with those who counsel against publishing the unruly actions of children, whether their parents happen to be in the limelight or not. I believe minors, defendants or witnesses, deserve protection from the media. But Noelle Bush is well over 21, has had five traffic violations, seven speeding tickets and three car crashes and was convicted of impersonating a doctor in order to fraudulently obtain a prescription. The actions of adults who are brought before the criminal justice system are appropriately the subject of public record. Noelle Bush was given probation and referred to a drug treatment center. Who's to say if that's what she "deserved," but most likely it's what she, and so many others like her, needs. Where her example might be of continuing public interest is in contrasting her fate with that of poorer women, who, if convicted of drug offenses, are ineligible for welfare benefits for life. And in a case recently before the Supreme Court, an elderly woman whose retarded granddaughter smoked a joint three blocks away from her house was evicted from public housing based on her "relation" to drug use or sale. If such rules were applied across the socioeconomic spectrum, we'd have to ask Jeb Bush to give up the governor's mansion. It is, after all, public housing. I know--some of you will be affixing meanspirited, giggling gratuity to that image, but my point is rather the sad absurdity of it.
In all this, the bottom-line concern is whether fundamental fairness remains the measure of how we treat anyone--rich or poor, white or Latino, anonymous minor or poor Noelle.
"Debacle in Kwangju." Were Washington's cables read as a green light for
the 1980 Korean massacre? (1996)
"Stiglitz Roars Back" (2001)
"I went down to Tommy Thompson's house," the crowd sang.
From Afghan farms into the Tajik mountains, the drug trade cuts a wide swath.
The targeting of "terrorist" groups harks back to earlier repression of dissent.
ETA is losing legitimacy, but many Basques still feel unable to condemn it.
The ballerina as a species of theater artist has been endangered worldwide for a quarter of a century; however, two organizations still regularly produce new generations of them. One is the Paris Opera Ballet; the other is the Kirov. Both are huge companies with old, distinguished schools, and both have large repertories stocked with works that require a ballerina's presence. What is the nature of that presence? My favorite answer is George Balanchine's. In The Nutcracker, he once observed, "the ballet is the tree." He meant the Christmas tree in his own production, which, as an appropriately scaled evergreen, serves as the focus of the family party, and then, in the vision of the child Marie, mysteriously swells in sync with Tchaikovsky's ascending musical scales, until the only parts one can see are the very bottom branches, each about the size of a house in East Egg. The rest of the tree, one imagines, is creating havoc with the landing patterns of airplanes making for Kennedy and La Guardia. That is, Balanchine was talking of transformation, a certain kind of stage illusion associated with magic, music and what was once called the sublime.
Of course, a family Christmas tree that has sprouted to the size of the Chrysler Building is thoroughly inappropriate to a domestic setting. And that's the point: Ballerinas require a special setting--a surround of music, space and light in which they can grow--and partners who think of them before they think of themselves. Balanchine's ballets, regardless of their complexity in other ways, always clear such spaces. As he showed his audiences, over and over again, a ballerina catalyzes a ballet company's energy and summarizes something of its style, but she is not simply one more player on a team. She is, rather, the thing, the principle, the radiance, the life force that the team is playing for, or fighting to protect. The very concept harks back to chivalric codes and contains, as well, an element of the sacred. In a world where nothing seems sacred anymore--not religious sculptures the size of a mountain from the seventh century, not the privacy of intimate communication, not Christmas--it's a wonder there are any ballerinas left at all.
And yet, in February, during a brief season at the Kennedy Center in Washington, the Kirov was able to field at least four ballerinas of international stature during two performances of Jewels, the spectacular, evening-length storyless ballet, for a cast of sixty-six dancers, that Balanchine made for the New York City Ballet in the mid-1960s and slightly reworked about a decade later. The structure is both very simple and rather devious. Jewels consists of three "acts"--that is, of three individual ballets--each focused on a precious stone: "Emeralds" (to excerpts from Fauré's late 1880s Pelléas et Mélisande and Shylock), "Rubies" (to Stravinsky's 1929 Capriccio for piano and orchestra) and "Diamonds" (to Tchaikovsky's Third, "Polish" Symphony, with the first movement omitted). Only "Rubies" has since proved excerptable, able to stand on its own as a repertory item, and it may not be a coincidence that the music for "Rubies" is the only score of the three that Balanchine used as the composer wrote it.
Although the conceit of the work--that the ballet represents facets of dancing, of Balanchine's choreography and of his company at their most precious--has been dismissed as "packaging" by none other than Lincoln Kirstein, in retrospect it is possible to see some deep structures in it as a whole that were not visible when it was made. It is also possible to see--especially in the configurations of the corps de ballet--various actual designs for women's jewelry: necklaces, tiaras and parures.
Over an evening, the ballet gradually, almost subliminally, proceeds from complicated to streamlined choreographic designs, as jewelry design has proceeded from the nineteenth to the twentieth century. At the same time, there is also a gradual change in the images of lineage and love, from closely cherished connection to heroic and isolating grandeur. Each section has a principal couple who are supported by a world of soloists and/or corps de ballet.
In "Emeralds," a double-stranded ornament with pendants, the hierarchy is the most complex: There is a second principal couple, a trio of virtuoso soloists (two ballerinas and a danseur) and a corps whose interaction with the leads is exceptionally intimate--as in the pas de deux of Balanchine's Concerto Barocco, where, at points, the corps practically seems to embody the couple's collective breath. In "Rubies," where close connections are continually set up and then dissolved in diverting play, there is a principal couple and a Valkyrian ballerina soloist who occupy the same stage space and stage time; yet this trio is linked only visually, by its coordination with the corps de ballet--that is, only through formal conjunctions, rather than, as in "Emeralds," through a shared focus or mission. In "Diamonds," where imaginative distances are the most extensive, there is no mediating soloist whatsoever: There is the couple and the female corps. We are in the fourth act of Swan Lake, at least for most of the ballet; then, with the "Scherzo," where four gentlemen are introduced, and the concluding polonaise for the entire cast of "Diamonds," which brings in male cavaliers for each of the corps' ladies, Balanchine pulls one more rabbit out of his hat and brings Jewels back to a nineteenth-century court; that is, he gives Swan Lake a happy ending.
In the meantime, as all this transpires, the ballet is also developing the theme of walking--on flat, on point, alone, partnered--to climax in the pas de deux of "Diamonds," which opens with one of the most heartbreaking images of "pedestrian movement"--the buzzwords of downtown dance in 1967--in the classical repertory. At that time in his life, Balanchine was working daily on crossword puzzles at home before going to the theater, and it is quite possible that his wit, which could be quite barbed, was brought fully to bear in Jewels to make a statement about what walking on the stage ought to be. Was he conscious that he was taking a swing at postmodern dance? Probably not, although from a vantage point three decades later, Jewels does look like a divine comedy of a critique.
Jewels was an immediate hit at its premiere in 1967, and it is still well attended at New York City Ballet, where it has never been out of permanent repertory. It is also a hit at the Miami City Ballet, whose artistic director, Edward Villella, was the original male star of the pas de deux in "Rubies" and who, when he decided to stage the full work with his company, sought out the original ballerinas of all three self-contained sections to coach his own dancers. The participation of Violette Verdy ("Emeralds"), Patricia McBride ("Rubies") and Suzanne Farrell ("Diamonds") has helped to make Miami's production of Jewels the most choreographically persuasive and musically detailed version in the world.
Even so, the Kirov offers a level of ballerina dancing that neither the New York City Ballet nor Miami approaches--in the case of NYCB, hasn't approached in a couple of decades. At the performance I saw, the principals were Zhanna Ayupova (in "Emeralds"), Diana Vishneva ("Rubies") and the young soloist Daria Pavlenko ("Diamonds"). The night before, Svetlana Zakharova had led "Diamonds," and by the accounts of several colleagues also acquitted herself beautifully. What sets them off from their current American counterparts in the work? The scale of their dancing, for one thing, which begins with their prodigiously strong lower backs and feet. The technical challenges--and there are many in each section--simply do not show in the performances of Ayupova and Vishneva, both of them seasoned principals. For Pavlenko, there were some tiny miscalculations of balance during the partnered adagio, and in what may be the pinnacle of difficulty in "Diamonds"--the moment when the danseur releases the ballerina to take an unsupported turn in arabesque position on point--the soloist elected, like her age-peers in the United States, to make only one revolution, unlike the miraculous Farrell and the magisterial Kyra Nichols, who were sometimes capable of a heartstopping two, or even, on occasion, three (a feat on the order of landing a toss with a quadruple revolution in figure skating). And yet, no individual feat, not even this one, is central to Jewels. Ballet is not a sport; it is an art. A single turn, impeccably achieved and musically sound, would please Balanchine, for whom quality always mattered before quantity. And Pavlenko, like the lustrous Ayupova and the brilliant Vishneva, made quality her priority. She danced as if she were carrying the real story in her head of what the ballet was about, as if she had a mission to show it entirely through the conjunction of her movement and the music. The moment when she vibrantly released her partner's hand in coordination with a chilling peak chord in Tchaikovsky had the effect of lightning in a midnight field.
Jewels is not only a ballerina vehicle, of course; it was made to reveal an entire company, in every ranking, as a treasury. The Kirov today justifies its acquisition: It has depth at every level. The dancers may not catch the jazzy swing in it that the Americans take as their birthright; however, the grandeur of the Kirov schooling and the monumental look of the company style are both flattered and challenged. The ballet is exquisitely costumed--the original Karinska designs have been meticulously rendered--and the Peter Harvey set, which would seem too ornate now for an American version, looks just right here, with its great, soft swags at the wings and its layered drizzle of gemstones in the air. One misses the septet that Balanchine added at the end of "Emeralds" in 1976: Its concluding image, with three cavaliers on bended knee, one arm of each raised in fealty to an invisible ideal, anticipates the moment in "Diamonds" when the cavalier kneels to his ballerina, as if he had walked in search of her across a vast distance and, by accident, discovered her on a mountaintop. In dancing Jewels, the Kirov is bringing back to itself something of what it lost for most of the twentieth century, and when its dancers kneel and walk and kneel, these simple actions feel profound. In July, the company will be at the Met in New York, and Jewels is on the schedule.
Science fiction routinely gets away with subversive gestures that would never be allowed in any realistic program. Thus it is that people who don't watch Star Trek are probably unaware that its vision of our future is socialistic, anti-imperialist and passionately committed to expanding the list of sentient life forms who are judged to have rights and acknowledged to be persons. (If you think this question applies only to hypothetical androids and blobs and has nothing to do with you, you haven't been watching Star Trek, which makes it clear that its disfranchised beings are surrogates for people of color, colonized workers, Palestinians--yes, there was an entire plot arc devoted to Palestinians--disabled people and others.)
I'm speaking of the post-Kirk Star Treks, of course, and the "socialism" I'm referring to is limited, more a matter of providing food, housing and medicine to everyone than preventing some from getting richer than others. But it's still pretty damn good to see a popular series proposing that everyone is entitled to healthcare and abundant, no-shame-attached welfare. And in the sphere of race the show has been bold, exploring racial self-hatred, exploitation and cultural imperialism more acutely than almost any realistic series.
Star Trek's audience has always been far bigger than the hard-core fan base widely mocked for wearing Vulcan ears, or more precisely, for the intensity of their commitment to a shared communal fantasy. In its thirty-five-year history--with five television series to date, nine movies and hundreds of novels and comic books as well as unauthorized, but wildly popular, fiction by fans--it has shaped how most Americans see space travel, our eventual contact with other civilizations, even the future itself. NASA astronauts have asked for tours of Star Trek ships because to them, as to most of us, Star Trek is spaceflight.
The first series, which began in 1967, was an odd amalgam of manly Buck Rogers adventure, cold war pro-Americanism and utopian social drama influenced by the civil rights movement. When Star Trek was revived for TV in 1987 with The Next Generation, the show's tagline was tellingly updated from "where no man has gone before" to "where no one has gone before." And the changes went far beyond gender. Trek's depictions of racism and caste exploitation got acute, with a series of amazing shows about workers treated as things, and it explored torture and official violence daringly, bitingly criticizing them even as it showed our own implication in them. (TNG also utilized the skills of a heart-stoppingly talented Shakespearean actor, Patrick Stewart.) The next two series, Deep Space Nine and Voyager, steered Star Trek onward into the 1990s. (Voyager in particular took Trek forward, having three aggressive women as the show's main characters, and also making them the sharpest scientific minds on the ship.)
So, watching the first season of the latest Trek vehicle, Enterprise, I've felt...nausea and horror. It takes Star Trek so far backward that it's like Buffy becoming a sex slave chained to a bed for the rest of her television career. Set in Trek's "past," 100 years before Kirk's time and just 150 years after our own, Enterprise depicts the first humans to have contact with alien races. Emphasis on races: the interplanetary politics seem to have been framed by Pat Buchanan. Though there are two token humans of color on the ship, humans are heavily coded as white and male.
All the previous Star Trek series, over three decades, have been about becoming progressively more catholic, more aware of the astonishing diversity of the galaxy, the provincial limitedness of one's own assumptions and one's own potential to harm people who are different. The newest offering is a frank vehicle for white male suprematism and resentment.
Let's start with white. The titles, set to a hymn that combines the first Christian references ever heard on Star Trek with some boasts about resisting alien domination, show drawings of the ships of fifteenth-century European colonial powers and European maps and globes from the same period. On one is scripted "HMS Enterprise." This jibes neatly with the plot, the first ever on Star Trek in which racism is applauded. The normal, virile, white spacemen of Earth are being held back by the ridiculous sensitivities of the Vulcans, pushy, geeky aliens who want them to respect the cultural differences of all the alien races.
The Vulcans have withheld scientific information from "us" because they are envious, effete dominators who can't stand our vitality, our creativity, our closeness to life. Want me to spell it out? What they really hate is our balls. In this way, they are straight out of Nazi propaganda about Jews, so that I almost expected to see little comics of Vulcans poisoning the wells of Aryans and strangling Nordic farmers with their moneybags. Mr. Spock, the Vulcan in the original series, has been widely read as either a Jew or an Asian, but he was also the sexiest and most popular character on the show. If he represented a nonwhite race, he was one that the viewers desperately wanted to be. No such luck here. T'Pol, the Vulcan science officer that the humans are forced to serve with as a condition of getting Vulcan astronomical charts, is a caricature of a bitter woman of color, obsessed with human (i.e., white) evils, bleating endlessly about self-determination for Klingons and other people whose names sound dumb to humans. She's the unworthy affirmative-action hire foisted on "us" by cowards and spineless administrators.
The moral center of this roiling race opera is Capt. Jonathan Archer, who hates Vulcans because they prevented his astronaut father from perfecting the first big human ship with warp drive. "I've been listening to you Vulcans telling us what not to do my entire life," he shouts at T'Pol. "I watched my father work his ass off while your scientists held back just enough information to keep him from succeeding." There's a heavily Freudian element in all this: His father's failed big ship is referred to in most episodes, and we get frequent flashbacks of little-boy Jonathan playing with a remote-controlled toy rocket with his father, literally trying to get it up. In the show's iconography, T'Pol represents a castrating woman as well as a scheming racial inferior, and when he talks to her, Archer often sounds like the hero of a 1950s movie beating back the heart-freezing bitch who's trying to crush his vitals: "You don't know how much I'm restraining myself from knocking you on your ass."
Did I mention that he uses the word "ass" a lot? It's sort of like the way George Bush Senior boasted that he had "kicked a little ass" in the debate with Geraldine Ferraro. This is the first Star Trek really interested in punishing women. And the first Trek that makes women really punishable: A typical scene has T'Pol talking up how stupid and crude the crew are, telling them that they'll never be able to accomplish their mission, while trying to eat a breadstick by cutting it with a knife and fork. T'Pol is a sort of Kryptonite, wielding a wilting female discipline against their freewheeling male joy: She can't enjoy food, can't enjoy sex, can't enjoy violence. And this Trek, as though someone had joined together Gene Roddenberry and the WWF, wants to cheer on men for sticking it to her on every planet the crew visits. It apparently works: The show has achieved astronomical ratings with male viewers.
The treatment of T'Pol isn't the worst part. If women aren't harridans like her, they're sexy, exotic alien wenches, completely inhuman, who only, only, only aim to please. I thought I was in some different science-fiction universe altogether when, in the Enterprise pilot episode, two male crew members spent lots of time watching scantily clad alien dancing girls with three-foot long tongues flicking at insects and each other. "Which one would you prefer?" the manager asked the men. In my recollection, this is the first Trek on which Starfleet officers have ever considered buying women. The women were like insects themselves, fuckable insects, and in the time we spent mentally fondling their soulless, bouncy bodies I felt, for the first time, that Star Trek didn't consider me a person.
Oh, I forgot, there's one other possible role for women on the show. Hoshi, the one human woman on the ship, is an Asian who's supposed to be great with languages, but she spends most of her time as a sort of secretary who relays messages from other ships. And, surprise, she's as sweet and smiling as Uhura, the black woman in the original series, who was also supposed to be a highly trained officer but only ever got to get Starfleet on the phone. Now, this is allegedly set 150 years in the future, but somehow Hoshi hasn't been trained in self-defense, even though Starfleet is partly a military operation. In one episode enemies are chasing the crew, and the captain has to call two officers to "get Hoshi" inside. It's clear that she could never save herself.
Vulcans know how to do a very cool self-defense maneuver that involves making people unconscious by pinching their necks from behind, but T'Pol somehow never gets to do it. (She never gets to do the very cool Vulcan mind-meld, either.) And Vulcans have, in every incarnation of Star Trek until now, been supersmart. They aren't anymore. Every Vulcan on the show has been dumb as a rock.
Why the gods of Star Trek have seen fit to radically change the show's politics is a question I'd love to be able to answer. Enterprise was birthed before September 11, but it seems tailor-made for this time of alien-hating and macho heroism. The show actually has its mouthpiece characters say outright that Americans are better than other people, which even the first Star Trek had the taste to avoid. (At this rate, Star Trek won't admit the existence of gays and lesbians until 2150.)
I can only think that this Star Trek was set in the past--uh, I mean 150 years into the future--so as to give it a convenient excuse for turning back the galactic clock on race and gender. But given the place Trek holds in so many people's imaginations, the shift of the Trek world to the right makes it feel as though the future has suddenly been foreshortened.
"There are things/We live among 'and to see them/Is to know ourselves.'" These three lines are among the most stirring written by George Oppen, a poet whose modesty and honesty permitted him to look for meaning only in the knowable. He was preoccupied with the world outside his window, and writing about it in a clear language was always a struggle: "say as much as I dare, as much as I can/sustain I don't know how to say it."
For all his commitment to clarity, there is much about Oppen himself that remains unknown. He was a Modernist, but unlike his mentors Ezra Pound and William Carlos Williams, he was not prolific. When he published his Collected Poems in 1975, he had written exactly one book review and one essay. No manifestoes, no dissertation, no autobiography. When he died in 1984, he had given only a handful of interviews. A Selected Letters was published in 1990, but its paper trail begins in 1958, the year Oppen and his wife, Mary, returned to the United States from political exile in Mexico. The Oppens had been members of the Communist Party in the 1930s, and they went into exile in 1950 to escape the dragnet of McCarthyism. Even George's FBI file, a crucial source of information about the Mexico years, is riddled with black-outs. To know Oppen one must live among his poems, a pleasure that has been greatly enhanced by the publication of George Oppen: New Collected Poems. Housing Oppen's seven full-length books, plus fifty-seven pages of previously uncollected poems, the volume is an astonishing record of the development of an indigenous American avant-garde style by a poet of great intelligence and humanity.
Discrete Series, Oppen's first book, was published in 1934. At first glance its thirty-one lyrics look like offshoots from Williams's Spring and All. Both Oppen and Williams favored spare, compressed lines divested of emotional subversions and devoted to sight and sound. But for all their quotidian scenes, Oppen's poems lack Williams's drama and localism. Instead, they are general, almost categorical, building a moment of perception from prepositions, generic nouns and pauses. "On the water, solid--/The singleness of a toy--//A tug with two barges.//O what O what will/Bring us back to/Shore,/the shore//Coiling a rope on the steel deck." What's equally notable about Discrete Series is that Oppen hewed to a Modernist style without endorsing Modernism's abiding themes; no blood-dimmed tides are loosed, no fragments shored against ruins. But Oppen didn't only defy Modernism. He joined the Communist Party in 1935, and instead of abiding by an orthodoxy that had corralled Pegasus and led it to the Socialist Realist glue factory, he stopped writing altogether. He was a left-wing thinker who did not believe that poetry had the same kind of efficacy as political action, a view that made him "A most inappropriate man/In a most unpropitious place," to borrow a few lines from Wallace Stevens's "Sailing After Lunch." Oppen did not write again until 1958.
What to make of Oppen's silence? Hugh Kenner called it a mere pause between poems; Charles Bernstein has wondered if it is the longest line break in Oppen's oeuvre. While it would be inaccurate to say that the hiatus did not cause Oppen any anxiety as a poet, it's certainly misleading to describe it as just another pregnant pause. Oppen did many things during those years; none were poetic, but all nourished his thinking as a poet. He and Mary organized a farmers' union milk strike in 1937; they became parents in 1939. George worked as a tool-and-die maker at Grumman Aircraft during the early years of World War II and then served as an infantryman in the US Army. He fought in the Battle of the Bulge in 1944; later, near Alsace, he suffered serious shrapnel wounds from German shellfire. After the war he built houses near Los Angeles.
"And Bronk said/Perhaps the world/Is horror," Oppen writes in "A Narrative." The poem is from This in Which (1965), and Oppen is most likely referring to a few lines from William Bronk's "The Nature of the Universe": "we/are the inner mirror of those stars, who find/only an ecstasy to outfeel/horror." When Oppen was writing in the 1960s, he returned over and over to the political and philosophical dimensions of horror. He was terrified and disgusted by the proliferation of nuclear weapons ("My love, my love,/We are endangered/Totally at last") and the escalation of the Vietnam War ("Now in the helicopters the casual will/Is atrocious"). Elsewhere he takes a longer view, wondering about "a lone universe that suffers time/Like stones in sun. For we do not." Oppen's struggles with horror and suffering, however, did not turn him into either a nihilist who sneered at a meaningless universe or an aesthete who walled off that universe with intricate formal masonry. "Survival: Infantry," from The Materials (1962), is an important poem for understanding why. Oppen returns to his wartime experience in Alsace, with memories of an artillery barrage--"Where did all the rocks come from?/And the smell of explosives"--mixed with memories of recovery:
We were ashamed of our half life and our misery: we saw
that everything had died.
And the letters came. People who addressed us thru our
They left us gasping. And in tears
In the same mud in the terrible ground
The crucial word is "addressed." Oppen does not say that people "wrote" to him; they addressed him, spoke to him, through their words and hence through his life. Those words in turn create an experience of awe ("They left us gasping"), and while they fail to deliver Oppen from a devastated world (he remains stuck in the "same mud"), they alleviate his despair.
The letters, in other words, gave Oppen a language of survival, and of his many attempts to create this language himself the richest is the serial poem "Of Being Numerous," which appeared in the 1968 Pulitzer Prize-winning book of the same title. "Urban art, art of the cities, art of the young in the cities--/The isolated man is dead, his world around him exhausted," Oppen writes, and he tries to understand and repair that failure through the very construction of "Of Being Numerous." Some of its poems begin with "Or," "So" or "Because" while others redact lines from Oppen's earlier poems, as if the poet was publishing excerpts from an endless conversation with himself. Yet "Of Being Numerous" is not Oppen's song of himself. Self-reflection is knitted into a larger conversation with friends, family members and other writers, whose words Oppen lifted from correspondence or essays and incorporated into his jagged little lyrics, sometimes in quotation marks, sometimes not. To write a language of survival is to be numerous, but to be numerous is not necessarily to contain multitudes. Rather, it is to startle the self into a meditative drama of reversal and qualification, interruption and invitation, of being pressed into dialogue with others.
Oppen's last book, Primitive, which appeared three years after the publication of his Collected Poems, is perhaps his most haunting vision of survival. Oppen wrote its thirteen poems under some duress; he was growing increasingly disoriented and forgetful, battling the Alzheimer's disease that went undiagnosed until 1982 and claimed his life two years later. Yet it is difficult to determine the impact of the disease on Oppen's poetry, since Primitive is the culmination of the vibrant, attenuated syntax that Oppen had introduced in Of Being Numerous and continued to hone in his next two books, Seascape: Needle's Eye and Myth of the Blaze. In poem nine of "Of Being Numerous," Oppen proposes an ideal: "To dream of that beach/For the sake of an instant in the eyes." Primitive is the dream of that beach, a linguistic "sea-surge," as Eliot Weinberger writes in his lucid preface to this volume, "of contradictory forces: assertions and their negations, declarations couched in double-negatives, questions without answers." The poems are the work of "a returned Crusoe," a poet entranced by mysterious images of war, water, light and rescue. From "The Poem":
in the room it was all
part of the wars
of things brilliance
in the appalling
lives and wakes us together
out of sleep the poem
opens its dazzling whispering hands
The inclusion of Primitive is not the only reason Michael Davidson's edition of Oppen's Collected Poems is "new." The volume also contains the twenty-nine poems that were published in magazines or anthologies but not collected during Oppen's lifetime, and sixty poems that were not published at all. Among the uncollected poems are some gems, including Oppen's last published verse and an epitaph for his close friend and fellow poet Charles Reznikoff. The unpublished poems are fascinating as well and of more than a scholarly interest; one can better appreciate Oppen's technique by considering what he chose to leave in the drawer. Some of the unpublished poems are derivative of Williams's work, relying too much on parochial images or idiomatic speech to convey an idea or emotion. Still others are a heap of images and phrases that Oppen had yet to refine into a few radiant and haunting parts of speech. "The New People," for instance, which dates from the late 1950s, opens with a description of a neighborhood's gentrification: "Crowding everywhere/Angrily perhaps/The world of stoops,/The new young people//With their new styles, the narrow trousers/Of the young men and the girls' bee hive/hair-do's this year they seem a horde." The scene is a messy version of the milieu portrayed in poem twenty-five in "Of Being Numerous": "Strange that the youngest people I know/Live in the oldest buildings//Scattered about the city/In the dark rooms/Of the past.... They are the children of the middle class.//'The pure products of America--'//Investing/The ancient buildings/Jostle each other." It's telling that like most of Oppen's unpublished poems, "The New People" lacks the generic adjectives and nouns that Oppen treasured: thin, strange, home, populace, little and, most important, small.
Davidson's arrangement of the uncollected and unpublished material is curious. Instead of organizing the entire volume chronologically, which would have involved interspersing the uncollected published poems between the contents of the seven published books and placing the unpublished poems (which are often difficult or impossible to date) at the end of the volume, Davidson has placed the uncollected and unpublished poems in a single annex following Primitive. If you want to compare published, uncollected or unpublished poems, which Davidson's editorial notes to individual poems often encourage, be prepared for some page-flipping between poem and poem and poem and note.
The notes themselves are usually informative, providing snippets of relevant biographical and bibliographical information. A few notes could stand to be more precise. The fifth poem in "Of Being Numerous" begins with one of Oppen's most famous images: "The great stone/Above the river/In the pylon of the bridge//'1875.'" Here is Davidson's gloss: "Probably a reference to the Brooklyn Bridge, which was built between 1869 and 1883, making 1875 a likely date for one of the pylons." A glimpse at any good history of the bridge's construction will reveal that its two granite pylons (or towers) were completed in 1875, and that on the eastern and western facades of the Manhattan pylon, centered between the apexes of its great gothic arches, is a stone engraved with the digits "1875." (The Brooklyn pylon is undated.) The engraved stone is easily seen from the pedestrian walkway that runs above the bridge's roadways.
Verifying the location of the engraved stone is important, and not merely for precision's sake. "The great stone" is a central poem of Oppen's canon because it symbolizes the poet's relationship to the visible world. He seizes on a public object--the engraved marker--as an image of consciousness: "Frozen in the moonlight/In the frozen air over the footpath, consciousness//Which has nothing to gain, which awaits nothing,/Which loves itself." Clarifying that Oppen is referring to the Brooklyn Bridge helps to underscore the unromantic nature of his aesthetic. Oppen's stance is the antithesis of Hart Crane's, who in the opening lyric of his long poem "The Bridge" pleads with the granite and cables to "lend a myth to God." In Oppen's poem, the bridge does not become heroic or mythical in the poet's eyes. And even though "1875" hovers at a height that, in the topography of Oppen's poetry, is usually cluttered by the absurd parapets of office buildings, the engraved stone is hardly above it all. Instead, both stone and poet remain public, functional and objective, firmly lodged within the bridge's design as well as the various streams and cycles of space and time churning below and above: the East River, automobile traffic, pedestrian traffic and the moon's orbit.
Oppen was well acquainted with the Brooklyn Bridge. It loomed over the building where he rented a workroom and was not far from the three different apartments in Brooklyn Heights where he and Mary lived at different times between 1960 and 1966. Brooklyn Heights occupies a bluff directly across the East River from lower Manhattan, and while walking around Oppen's old neighborhood it's impossible not to wonder what he would have thought about the devastation of September 11. One recalls an image of Manhattan in "Of Being Numerous":
A city of the corporations
Or a line Oppen used repeatedly in his correspondence, "the girder/Still itself among the rubble," which is a misquotation of a line from Reznikoff's Jerusalem the Golden ("Among the heaps of brick and plaster lies/a girder, still itself among the rubbish"). But these images, though provocative, are mere fragments, and Oppen's work is likely to disappoint someone who thinks that poems of the past can somehow divine the physical and emotional dimensions of the recent catastrophe. "The events of Sept. 11 nailed home many of my basic convictions," the poet Mary Karr explained recently in the New York Times, before describing her September 11 reading list, "including the notion that lyric poetry dispenses more relief--if not actual salvation--during catastrophic times than perhaps any other art form."
I can't imagine a sentiment more alien to Oppen's work. How peculiar to have one's aesthetic convictions "nailed home" by an act of mass murder, and how more peculiar still for Karr to proclaim, after having assimilated September 11 into poetic accounts of past disasters, "Here I stand, bat cocked, ready for whatever impossible pitch history flings." Oppen wrote often about disasters, but he never counseled a quick flight into culture as a remedy for them. His poems are as void of softball pitches as they are of similes. Things are not "like" other things; they appear and exist before your eyes. In this respect, Oppen's work offers no figurative or topical premonitions of what occurred on September 11; neither thing is like the other, which is precisely why his work remains remarkable and relevant. Hardly a self-contained world of words, the poetry of George Oppen is a place where words about the world must be earned--phrase by phrase, line by line, poem by poem.
It's official now: The United States has a policy on climate change. President Bush announced it on Valentine's Day at a government climate and oceans research center. "My approach recognizes that economic growth is the solution, not the problem," he said. Instead of requiring the nation to lower greenhouse gas emissions below 1990 levels, as called for in the Kyoto Protocol, the new policy is voluntary and aims only to slow the growth of emissions, not reduce them. The centerpiece of the new climate policy is a tiny little tax cut for any manufacturers who are interested.
Of course, it's not nearly as big as the tax cuts used for real national priorities like distributing income upward or starving civilian government of resources. It's just some walking-around money, less than $1 billion a year, for investors who voluntarily, now and then, feel like doing the right thing for the environment. The President would also like industries to report their own emissions levels voluntarily, which may earn them valuable credits in the future if an emissions trading scheme is implemented.
It takes a creative imagination to believe that this is an appropriate way for the world's largest economy (and producer of about 20 percent of the world's greenhouse emissions) to respond to a serious global crisis. If you believe, that is, that global warming is a crisis. George Bush and his friends keep hoping it's not, but the scientific consensus, not to mention world opinion, is absolutely clear on this point. At the request of the Bush Administration, the National Academy of Sciences re-examined the climate change issue last year and promptly concluded that the problem is every bit as important as previously reported. Finding a way to debunk all this annoying environmental science must be high on the White House wish list.
It almost looks like that wish has been granted. Bjørn Lomborg, a statistics professor at a Danish university and self-described "old left-wing Greenpeace member," says the story began when he got interested in the longstanding debate between environmentalist Paul Ehrlich and economist Julian Simon. Ehrlich claimed that shortages of many natural resources were imminent; Simon said they were not. A few years ago Lomborg started researching the facts in order, he says, to prove that Ehrlich was right. Instead he found to his surprise that Ehrlich was wrong--and indeed, environmentalists were wrong about many, many things.
Trapped by the "litany" of doom and gloom, environmental advocates have, according to Lomborg, missed the evidence that most of the problems they worry about are not so bad, and are not getting any worse. There are more acres of forests all the time, plenty of fish in the sea, no danger of acid rain, no threat of rapid extinction of species, no need to do much about global warming and no reason to worry about environmental causes of cancer. Everyone in the environmental world, his erstwhile comrades at Greenpeace included, has misunderstood the subtleties of statistics and overlooked the growing good news, as he graciously offers to explain.
Preposterous as it sounds (and, in fact, is), that's the message that Lomborg presents in The Skeptical Environmentalist. It received rave reviews in the Wall Street Journal, the Washington Post, The Economist and elsewhere, and it looks as if the Bush Administration has torn a few pages from it. Lomborg plausibly points out that the environmental litany of short-run crisis and impending doom is unrealistic, and sometimes based on statistical misunderstandings. If he had stopped there, he could have written a useful, brief article about how to think about short-run versus long-run problems and avoid exaggeration.
Unfortunately, Lomborg stretches his argument across 350 dense pages of text and 2,930 somewhat repetitive footnotes, claiming that the litany of doom has infected virtually everything written about the environment. As an alternative, he paints a relentlessly optimistic picture of dozens of topics about which he knows very little. Responses from researchers who are more familiar with many of his topics have started to appear, including rebuttals in the January issue of Scientific American, in a report from the Union of Concerned Scientists and on the website www.anti-lomborg.com.
On global warming, Lomborg believes that "the typical cure of early and radical fossil fuel cutbacks is way worse than the original affliction, and moreover [global warming's] total impact will not pose a devastating problem for our future." In support of this Bush-friendly thesis, Lomborg attempts to reinterpret all the massive research of recent years, including the carefully peer-reviewed Intergovernmental Panel on Climate Change (IPCC) reports. But he is not up to the task. Discussing the standard graphs of average temperature over recent centuries, which most analysts use to highlight the exceptional recent increases, he offers pages of meandering speculation and concludes that "the impression of a dramatic divergence [in recent world average temperature] from previous centuries is almost surely misleading." Lomborg's own figures 134, 135 and 146 present strong visual evidence against his strange conclusion, showing average temperatures heading sharply and unprecedentedly upward in recent decades. He also finds it terribly significant that we do not know exactly how fast temperatures will change in the future, as greenhouse gases accumulate in the atmosphere; nonetheless, he accepts IPCC estimates that temperatures above the range of recent historical experience are essentially certain to occur.
When it comes to estimating the economic costs of greenhouse gas reduction, Lomborg's claim that all models produce "more or less the same results" is absurd. He has missed a valuable analysis from the World Resources Institute, by Robert Repetto and Duncan Austin (The Costs of Climate Protection: A Guide for the Perplexed), which describes and analyzes the huge range of sixteen major models' estimates of the costs of greenhouse gas reduction. Repetto and Austin attribute the divergent estimates to the models' differing assumptions about the pace of economic adjustment to future changes, the extent of international emissions trading and the uses the government will make of revenues from carbon taxes or similar measures, among other factors.
I turn out to have a small part in Lomborg's story, in a manner that does not increase my confidence in his research. My name appears in footnote 1,605 in his chapter on solid waste, where he cites in passing a three-page article based on my 1997 book on recycling but overlooks the book (Why Do We Recycle?) and the larger point that it makes. Lomborg's solid-waste chapter simply says that the United States is not running out of space for landfills. Echoing an example long favored by the most vehement critics of recycling, he calculates that a landfill big enough to hold all US solid waste for the next 100 years would be quite small compared with the country's land area. Nothing is said about other countries--Denmark, for example--where land might be a bit scarcer. Almost nothing is said about recycling, either, because it seems that it doesn't much matter: "We tend to believe that all recycling is good, both because it saves resources and because it avoids waste.... We may not necessarily need to worry so much about raw materials, especially common ones such as stone, sand and gravel, but neither should we worry about wood and paper, because both are renewable resources."
The United States is not running out of landfill space, but this does not invalidate concern about waste and recycling. Rather, it shows the error of collapsing our thinking about long-term problems into short-term crisis response.
Several life-cycle analyses of material production, use and disposal (none of which Lomborg refers to) have found that extraction and processing of virgin materials accounts for far more environmental damage than landfilling the same materials when they are discarded. The greatest benefit of recycling is not that it solves a nonexistent landfill crisis, or that it staves off any immediate scarcity of resources, but rather that it reduces pollution from mining, refining and manufacturing new materials.
There are similar shortcomings in many other areas of The Skeptical Environmentalist, of which I will mention just a few. Lomborg claims that there is little need to worry about trends in air pollution: "The achievement of dramatically decreasing concentrations of the major air pollutants in the Western world...is amazing by itself.... There is also good reason to believe that the developing world, following our pattern, in the long run likewise will bring down its air pollution." He endorses wholeheartedly the hypothesis that economic growth will first cause air pollution to get worse, but then later will lead to improvement. This controversial idea, the so-called environmental Kuznets curve (EKC), was more widely accepted in the mid-1990s, the period from which Lomborg's citations are taken. Recent research has cast doubt on this pattern, as he acknowledges in the second sentence of a footnote. Yet he has missed the most comprehensive critique of the EKC research, by David Stern ("Progress on the Environmental Kuznets Curve?," Environment and Development Economics, 1998). According to Stern, the EKC pattern can be clearly detected only for a few air pollutants, such as sulfur, and then only in developed countries.
Rushing to critique environmental views in one area after another, Lomborg may not have had time to read all his citations. In his introductory chapter he maintains that the collapse of the indigenous culture of Easter Island was based on factors unique to that island and does not suggest that an ecological crash caused by resource overuse could threaten other societies. But the only source he cites about Easter Island reached exactly the opposite conclusion, speculating that ecological problems could have caused the decline of such civilizations as the Maya, early Mesopotamia and the Anasazi in what is now the southwestern United States: "Easter Island may be only one case of many where unregulated resource use and Malthusian forces led to depletion of the resource base and social conflict," concluded James Brander and M. Scott Taylor in "The Simple Economics of Easter Island" (American Economic Review, March 1998).
In his concluding chapter, Lomborg relies heavily on studies by John Graham and Tammy Tengs. These studies purport to show vastly different costs per life saved, or per life-year saved, from different regulations. At one extreme, the federal law requiring home smoke detectors, flammability standards for children's sleepwear and the removal of lead from gasoline have economic benefits outweighing their costs. At the other extreme, controls on benzene, arsenic and radioactive emissions at various industrial facilities are said to cost from $50 million to $20 billion per life-year saved. The implication is that shifting resources from the more expensive to the cheaper proposals would be enormously beneficial--by one wild calculation (which Lomborg uncritically accepts) saving 60,000 lives annually: "And the Harvard study gives us an indication that, with greater concern for efficiency than with the Litany, we could save 60,000 more Americans each year--for free." Graham and Tengs follow closely in the footsteps of John Morrall, who made similar claims in a related, earlier study.
A widely cited article in the Yale Law Journal ("Regulatory Costs of Mythic Proportions," 1998) by Georgetown University law professor Lisa Heinzerling explains the fatal flaws in the Morrall study. This, too, escaped Lomborg's notice. Heinzerling demonstrates that Morrall's long list of allegedly expensive regulations includes numerous items that were never adopted and in many cases never even proposed. Moreover, many of the cheaper lifesaving measures--removing lead from gasoline, for example--have already been done and cannot be redone for additional savings. Thus the re-allocation of money that would putatively save thousands of lives would have to be from nonexistent expensive regulations to already completed cheaper rules. In more recent, forthcoming work, Heinzerling and I have found that the same fundamental errors occur throughout the Graham and Tengs studies, including "the Harvard study" that Lomborg likes so well.
Finally, Lomborg cannot be allowed to speak for "old left-wing Greenpeace members" in general. I personally remain happy to support Greenpeace because, among other reasons, I admire its courageous and imaginative confrontations with the likes of nuclear weapons testers, the whaling industry and oil companies drilling in ecologically fragile areas. I am of course disappointed, but hardly shaken in my worldview, to learn that Lomborg claims to have caught Greenpeace in a statistical error or two. Greenpeace doesn't rely on me to throw grappling hooks onto whaling ships, and I don't rely on it for quantitative research. On the strength of this book, I won't rely on Lomborg, either.